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Drawing from the poetry of generations of esteemed writers Gary Bouchard shows how poems often express the longings of the human heart as a kind of prayer. Emily Dickinson, Rev. Rowan Williams, Pope John Paul II, Christina Rossetti, Robert Frost, and Fr. Kilian McDonnell, OSB, among others, offer readers an inspiring path to reflect upon and pray with poetic verse. Arranged under six engaging themes, each selection uses the words of poets as vehicles to prompt “heaven in ordinary” or to praise like “exalted manna”; to find the right “paraphrase” for your own soul or maybe sense your “soul’s blood”; to muster up from your grief or anger “reversed thunder” or dare to articulate from your own personal anguish “Christ-side-piercing spear.”
This major new poetry collection from bestselling poet and priest Malcolm Guite features more than seventy new and previously unpublished works. At the heart of this collection is a sequence of twenty seven sonnets written in response to George Herbert’s exquisite sonnet 'Prayer', each one describing prayer in an arresting metaphor such as ‘the church's banquet’, ‘reversed thunder’, ‘the Milky Way’, ‘the bird of paradise’ and ‘something understood’. In conversation with each of these, Malcolm’s sonnets offer profound insights into the nature of communion with God in all circumstances and conditions. Recognising that all poetry is a pursuit of prayer, After Prayer also includes forty five more widely ranging new poems, including a sonnet sequence on the seven heavens.
Since 1633, when The Temple was first published, many notable Christians have testified of their love for George Herbert's poetry. The great nineteenth-century preacher C. H. Spurgeon and his wife would sometimes read Herbert's poetry together on Sunday evenings. Richard Baxter wrote, Herbert speaks to God like one that really believeth a God, and whose business in the world is most with God. C. S. Lewis described Herbert as a man who seemed to me to excel all the authors I had ever read in conveying the very quality of life as we actually live it from moment to moment . . . Regrettably, as the years have passed, Herbert's poetry has been increasingly neglected outside the academy. Many who would love Herbert have never even heard of him. Others feel intimidated by his poetry, fearing that they do not have the education necessary to understand what Herbert has written. In this book, Jimmy Scott Orrick has made the poetry of George Herbert accessible even to those who have had no experience reading poetry. In addition to providing thorough notes for each poem, Orrick also gives basic pointers about how to read poetry. Why not follow C. H. Spurgeon's example and have a page or two of good George Herbert on your Sunday evenings? Those who follow this prescription will be deeply enriched for having spent A Year with George Herbert.
In a world slowly emerging from pandemic & on edge from conflict - we don't seem to need as many new theologians or politicians as much as we need poets who pray. Perhaps you try to pray daily, but over time it becomes such a routine. You find yourself saying many of the same words and phrases, unsure how you might tap into another way of praying. Perhaps you try to read scripture daily, but over time it becomes routine. You find yourself reading many of the same passages, unsure how you might tap into another approach to scripture. To put it most simply: 1. Open Bible to daily scripture passage. 2. Pray to invite God to be present & guide the moment. 3. Read the passage slowly in prayer. 4. Read the poem as part of your own prayerful response. (fix or improve the poem if you want, or write your own!) 5. Offer your own response as led, & listen to the heart of God. What I've collected here are hundreds of poems, written each day throughout most of 2019-2020. This is known to many as "Lectionary Year C" (of which there are also Years "A" and "B"). It begins roughly in Advent 2021, and leads up to Advent 2022 - which begins the next Lectionary cycle. I have usually selected one scripture from among each day's readings (using the Revised Common Lectionary - available for free online), to respond poetically to as an act of prayer and worship. I have marked the Sundays specifically according to the Lectionary calendar, in case you're beginning the year late or have taken a break for a time. I realize the timing of the release is "out of schedule" for those strictly adhering to the lectionary cycles. If that's you, come back when it's time and these will still be waiting!
Honored as a "Best Book of 2014" by Library Journal NPR.org writes: “In his second collection, The New Testament, Brown treats disease and love and lust between men, with a gentle touch, returning again and again to the stories of the Bible, which confirm or dispute his vision of real life. 'Every last word is contagious,' he writes, awake to all the implications of that phrase. There is plenty of guilt—survivor’s guilt, sinner’s guilt—and ever-present death, but also the joy of survival and sin. And not everyone has the chutzpah to rewrite The Good Book.”—NPR.org "Erotic and grief-stricken, ministerial and playful, Brown offers his reader a journey unlike any other in contemporary poetry."—Rain Taxi "To read Jericho Brown's poems is to encounter devastating genius."—Claudia Rankine In the world of Jericho Brown's second book, disease runs through the body, violence runs through the neighborhood, memories run through the mind, trauma runs through generations. Almost eerily quiet in even the bluntest of poems, Brown gives us the ache of a throat that has yet to say the hardest thing—and the truth is coming on fast. Fairy Tale Say the shame I see inching like steam Along the streets will never seep Beneath the doors of this bedroom, And if it does, if we dare to breathe, Tell me that though the world ends us, Lover, it cannot end our love Of narrative. Don’t you have a story For me?—like the one you tell With fingers over my lips to keep me From sighing when—before the queen Is kidnapped—the prince bows To the enemy, handing over the horn Of his favorite unicorn like those men Brought, bought, and whipped until They accepted their masters’ names. Jericho Brown worked as the speechwriter for the mayor of New Orleans before earning his PhD in creative writing and literature from the University of Houston. His first book, PLEASE (New Issues), won the American Book Award. He currently teaches at Emory University and lives in Atlanta, Georgia.
Content: Sunday Services, The Liturgical Psalter, Daily Prayer, The Church¿s Year, Pastoral Services, The Ordinal, Supplementary Material.
"But when you pray, go into your inner room, close the door, and pray to your Father in secret, and your Father who sees what is done in secret will reward you. Matthew 6:6 Every day Jesus is reaching out to us, inviting us to be still and feel his loving presence. Jesus told his disciples, "But when you pray, go into your inner room, close the door, and pray to your Father in secret, and your Father who sees what is done in secret will reward you." Matthew 6:6. The "inner room" is not a physical place but is the interior place in our hearts. It's that quiet solitude, the deepest part of who we are and where we can meet the Lord personally. As Kendall Lasseigne's life, family, profession and ministry grew over 20 years, so did the constant demands placed on her time, often leaving her world filled with noise and distractions. As her faith deepened, her need to slow down and spend time quietly reflecting, journaling and talking with God increased. This solitude and love for writing became her private retreat, which she deemed her "inner room" This is a collection of the prayer poems which sprang up through years of journaling through life experiences, struggles, hurts, joys and blessings. The book "My Inner Room Prayer Poems to God" is written from the heart; inspired by the soul and invites you to spend quiet time with God in your own "inner room."
"Thanatopsis" is a renowned poem written by William Cullen Bryant, an American poet and editor of the 19th century. First published in 1817 when Bryant was just 17 years old, the poem is considered one of the early masterpieces of American literature. In "Thanatopsis," Bryant explores themes related to death and nature, contemplating the idea of mortality and the interconnectedness of life and death. The title, derived from the Greek words "thanatos" (death) and "opsis" (view), suggests a meditation on the contemplation of death. The poem begins with an invocation to nature, portraying it as a grand and eternal force. Bryant expresses the idea that death is a natural part of the cycle of life, and all living things ultimately return to the earth. He emphasizes the consoling and unifying aspects of death, encouraging readers to view it as a peaceful and harmonious process. "Thanatopsis" reflects the Romantic literary movement's appreciation for nature and its role in shaping human perspectives. Bryant's eloquent language and profound reflections on mortality contribute to the enduring appeal of the poem.
Prayers are so often just "wish and want' lists, without any sense that anyone is even listening to us. But when we make the effort to listen to others, we can learn some surprising things, and this is true in our relationship to God, as well. In thirty-some years of regular church attendance I should have known of God's love. But knowing of something, and actually experiencing it, are two very different things. I learned much, and was comforted much, and even changed much, by the pouring out of my heart and God's outpouring of love in return. I offer here the blessings with which I have been blessed. All praise and thanks to God!
Finalist for the 2022 Minnesota Book Award in Poetry “Sometimes,” Michael Kleber-Diggs writes in this winner of the Max Ritvo Poetry Prize, “everything reduces to circles and lines.” In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor. But Worldly Things refuses to “offer allegiance” to this centuries-old status quo. With uncompromising candor, Kleber-Diggs documents the many ways America systemically fails those who call it home while also calling upon our collective potential for something better. “Let’s create folklore side-by-side,” he urges, asking us to aspire to a form of nurturing defined by tenderness, to a kind of community devoted to mutual prosperity. “All of us want,” after all, “our share of light, and just enough rainfall.” Sonorous and measured, the poems of Worldly Things offer needed guidance on ways forward—toward radical kindness and a socially responsible poetics. Additional Recognition: A New York Times Book Review "New & Noteworthy Poetry" Selection A Library Journal "Poetry Title to Watch 2021" A Chicago Review of Books "Poetry Collection to Read in 2021" A Reader's Digest "14 Amazing Black Poets to Know About Now" Selection A Books Are Magic "Recommended Reading" Selection An Indie Gift Guide 2021 Indie Next Selection