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A collection of poems from the voice of a southern woman chronicling a casual but passionate love affair at the end of her fertility.
The bestselling poet Malcolm Guite chooses forty poems from across the centuries that express the universal experience of loss and reflects on them in order to draw out the comfort, understanding and hope they offer. Some of the poems will be familiar, many will be new, but together they provide a sure companion for the journey across difficult terrain. Some of Malcolm’s own poetry is included, written out of his work as a priest with the dying and the bereaved and giving to the volume a powerful authenticity. The choice of forty poems is significant and reflects an ancient practice still observed in some European and Middle Eastern societies of taking extra-special care of a bereaved person in the forty days following a death – our word quarantine come from this. They explore the nature and the risk of love, the pain of letting go and look toward glimpses of resurrection.
“I see now that no person who has ever loved has ever been spared from tears. Tears of joy and tears of sorrow. Of the most intimate union and of letting go.” Poignant, timeless and true. This book is a personal collection of poems about love and letting go. Whether it be a newfound love, a love that endures a lifetime, or a love that will soon be saying goodbye, one can find in these pages something like a mirror that tells the story of one’s own heart. Are you in sorrow because of a broken heart? Are you in grief because your are mourning the death of a loved one? Dying is painful, but so is the loss of a love that broke your heart. Yet in all these, if one has loved true, one has found meaning in life. Healing is never far away for as long as hope is kept alive in one’s heart. Let these poems of love comfort you, inspire you and remind you of the beauty of love. To love is to be rapt in bliss, to be torn asunder and to be healed and made whole again.
Beautiful early writings by one of the 20th century’s greatest poets on the 150th anniversary of his birth A Penguin Classic The poems, prose, and drama gathered in When You Are Old present a fresh portrait of the Nobel Prize–winning writer as a younger man: the 1890s aesthete who dressed as a dandy, collected Irish folklore, dabbled in magic, and wrote heartrending poems for his beloved, the beautiful, elusive Irish revolutionary Maud Gonne. Included here are such celebrated, lyrical poems as “The Lake Isle of Innisfree” and “He Wishes for the Cloths of Heaven,” as well as Yeats’s imaginative retellings of Irish fairytales—including his first major poem, “The Wanderings of Oisin,” based on a Celtic fable—and his critical writings, which offer a fascinating window onto his artistic theories. Through these enchanting works, readers will encounter Yeats as the mystical, lovelorn bard and Irish nationalist popular during his own lifetime. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This heart-wrenching collection of poems expresses the anger, hurt, depression of loss - asking why, analysing rifts and striving for explanation.
For fans of Lang Leav, this beautiful gift book is a must-have! Beloved pieces from Lullabies and Love & Misadventure are collected together in this illustrated treasury. In addition, 35 new poems that have not been published in any Lang Leav collection offer something new to discover. The author's original art is presented in lovely four-color illustrations. Lang Leav's evocative poetry in a gorgeous package with ribbon marker and cloth spine is an irresistible gift for any poetry lover!
"A deeply personal landscape of revelation and loss that guides the reader toward catharsis." -- M. "Breathtaking." -- R. "These are some of the most beautiful poems I have ever read. I find myself reading them aloud, and I pause after each line. They resonate as when water droplets drop into water, outwards then inwards. I am crying right now." -- T. A few months after my mother died, I changed my name to Elyria. It was a rite of passage suggested by a dear friend who had lost a parent some years earlier. I wish my mother could read these poems. I know some of them would have made her cry, and sometimes that would have been what she needed. But more than that, I want you to read these poems. I know some of them will make you cry, and sometimes that will be what you need. I want you to read them, remember how to heal, learn to live with the hurts and the losses you carry -- take a deep breath -- and go on living. We are all alone in our grief, sometimes. But other times, we can take comfort in sharing our sorrow with those who understand loss. We come away stronger for it. That is my hope for you. all my love, Elyria
Feminist icon bell hooks reminds us of the full spectrum of feeling we spend in love through her inspiring collection of love poetry, with a new introduction by Cole Arthur Riley, author of Black Liturgies. Written from the heart, When Angels Speak of Love is a book of fifty love poems by bell hooks, one our most beloved public intellectuals, and author of over twenty books, including the bestselling All About Love. Poem after poem, hooks challenges our views and experiences with love—tracing the links between seduction and surrender, the intensity of desire, and the anguish of death. “Love must clean house, choose memories to keep, and memories to let go,” she writes. These verses are expansive yet accessible—encompassing romantic love, to love of family, friends, or oneself. In any iteration, these poems remind us of both the beauty and possibility of love.
First published in 1996. This new book gives voice to an emerging consensus among bereavement scholars that our understanding of the grief process needs to be expanded. The dominant 20th century model holds that the function of grief and mourning is to cut bonds with the deceased, thereby freeing the survivor to reinvest in new relationships in the present. Pathological grief has been defined in terms of holding on to the deceased. Close examination reveals that this model is based more on the cultural values of modernity than on any substantial data of what people actually do. Presenting data from several populations, 22 authors - among the most respected in their fields - demonstrate that the health resolution of grief enables one to maintain a continuing bond with the deceased. Despite cultural disapproval and lack of validation by professionals, survivors find places for the dead in their on-going lives and even in their communities. Such bonds are not denial: the deceased can provide resources for enriched functioning in the present. Chapters examine widows and widowers, bereaved children, parents and siblings, and a population previously excluded from bereavement research: adoptees and their birth parents. Bereavement in Japanese culture is also discussed, as are meanings and implications of this new model of grief. Opening new areas of research and scholarly dialogue, this work provides the basis for significant developments in clinical practice in the field.
This book brings together three verse form pieces each of which was created to be part of a broader form. 'Out of the Blue' itself is a powerful, award-winning, poem-film created five years after the attacks which destroyed the twin towers in NewYork. With a title from a speech of Churchill, 'We May Allow Ourselves a Brief Period of Rejoicing' was a Channel 5 commission for a broadcast celebrating the 60th anniversary of VE Day. The third, 'Cambodia', comes from the radio drama The Violence of Silence set 30 years after the Khmer Rouge