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Sometimes only a poem will do. These poetic prescriptions and wise words of advice offer comfort, delight and inspiration for all; a space for reflection, and that precious realization - I'm not the only one who feels like this. In the years since he first had the idea of prescribing short, powerful poems for all manner of spiritual ailments, William Sieghart has taken his Poetry Pharmacy around the length and breadth of Britain, into the pages of the Guardian, onto BBC Radio 4 and onto the television, honing his prescriptions all the time. This pocket-sized book presents the most essential poems in his dispensary- those which, again and again, have really shown themselves to work. Whether you are suffering from loneliness, lack of courage, heartbreak, hopelessness, or even from an excess of ego, there is something here to ease your pain.
over emergent literature and will show him to be a major figure in the conflict between tradition and contemporary cultural identity.
Structure & Surprise: Engaging Poetic Turns offers a road map for analyzing poetry through examination of poems' structure, rather than their forms or genres. Michael Theune's breakthrough concept encourages students, teachers, and writers to use structure as a tool to see the fundamental affinities between strikingly different kinds of poetry and radically different literary eras. The book includes examination of the mid-course turn and the elegy, as well as the ironic, concessional, emblem, and retrospective-prospective structures, among others. In addition, 14 contemporary poets provide an example of and commentary on their own work.
In The Dramatic Monologue, Elisabeth A. Howe defines the characteristics of the subject as a genre, clearly differentiating it from the lyric poem. One feature she discusses is the double voice of the dramatic monologue - the reader hears simultaneously the voices of the poet and the speaker. This dialogical effect distinguishes the dramatic monologue both from lyric poetry and from narrative poems written in the first person. The use of a persona allows the poet to distance himself or herself from the poem. Howe investigates the origins of the dramatic monologue before examining poems by Browning and Tennyson, both masters of the form and both largely responsible for its popularity with late-nineteenth-century readers and poets. She offers close readings of Browning's "The Bishop Orders His Tomb at Saint Praxed's Church" and Tennyson's "Tithonus". Later chapters include detailed analyses of dramatic monologues by twentieth-century poets, including Ezra Pound's "Marvoil", T.S. Eliot's "Portrait of a Lady", and poems by Robert Frost, Randall Jarrell, and the contemporary poet Richard Howard.
Of course not all great art has its genesis in pain, and not all pain-not even a fraction-leads to the partial consolations of art. But if lancing an abscess is the surest way to healing, can poetry offer that same cleansing of emotional wounds? Shaping the Fractured Self showcases twenty-eight of Australia's finest poets who happen to live with chronic illness and pain. The autobiographical short essays, in conjunction with the three poems from each of the poets, capture the body in trauma in its many and varied moods. Because those who live with chronic illness and pain experience shifts in their relationship to it on a yearly, monthly, or daily basis, so do the words they use to describe it. This book gives voice to sufferers, carers, medical practitioners, and researchers, building understanding in a community of caring. [Subject: Chronic Illness, Poetry, Health Studies]
R.S. Thomas (1913-2000) is one of the major poets of the twentieth-century, the greatest Welsh poet since Dylan Thomas, and one of the finest religious poets in the English language. This substantial gathering of his late poems shows us the final flowering of a truly great poet still writing at the height of his powers in his 70s and 80s. It begins with his autobiographical sequence, The Echoes Return Slow, unavailable for many years, and also includes, Counterpoint, Mass for Hard Times, No Truce With the Furies, and his final collection, Residues.
A Stirring Collection of Verse Embark on an evocative journey through life and landscape with Poems, an acclaimed anthology by the peerless Elizabeth Bishop. This anthology places the reader at the heart of experience, rendering the grandeur of human existence and our symbiotic relationship with the natural realm, through precision-tuned verse that oscillates between humor and sorrow, acceptance and affliction. Bishop's artistry immerses us in evocative landscapes, from the nostalgic corners of New England, her childhood abode, to the vibrant hues of Brazil and the lush expanses of Florida, her later homes. Rich in geographical motifs, the collection navigates the intertwined tapestry of human life and nature, revealing the poet's intrinsic ability to render chaos into form. A vital presence in twentieth-century literature, this anthology forges an essential window into Bishop's world, offering a comprehensive view into her profound career. Whether you’re new to Bishop's work or a longtime admirer, you’ll discover the unique perspective she brought to English-language poetry, solidifying this anthology as a definitive cornerstone in any poetry collection.
The anticipated second book by the poet Mary Szybist, author of Granted, a finalist for the National Book Critics Circle Award The troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them.-from "The Troubadours etc." In Incarnadine, Mary Szybist.