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Lily Poetry Review is an international literary journal devoted to poetry and visual arts, flash fiction and literary criticism by emerging and established writers and artists. Issue 3 includes work by Cindy Hunter Morgan, Gale Batchelder, Jennifer Jean, Zeeshan Pathan, Ace Boggess, Pamela Stewart, and Stacey Walker among others.
"What a strange and intense book this is! David Blair has a wild, restless imagination and he uses language like saw, a hammer, a velvet whip. He can write incredibly tender (and original) love poems and enfilading satirical poems, as well as many of the many other "kinds" of poems between those poles, and they all seem entirely at home, indeed, need to be in this book together. His music, his diction, his refusal to use (ever!) cliches, his syntax all drive his poems and their hearts forward. That is where his poems go: forward. He will be in the company of the best poets of his generation." --Thomas Lux "Nothing can remain horizontal or vertical for long" might as well be David Blair's mini ars poetica. A commitment to the pleasures and terrors of change, you might say. I have been reading Blair's poems for about ten years now--struck always by his unique pitch and tone, the tensile muscularity of his syntax and vibrational accents. His diction is totally unboxed. He reminds me a bit of August Kleinzahler or John Yau in this--a karaoke of urban hullabaloo sung slightly off the beat, all for the sake of swing....David Blair's acceptance of the world is signaled by his stylishness, provoked by the people and things he encounters. His brain knows that it's living in an animal body. And it moves among all these other minds and bodies in motion. Changed by the smallest of changes. Unbalanced but at ease. This poet's energy reminds me of Edwin Denby's comments about De Kooning's paintings from the 1930s: "He wanted everything in the picture out of equilibrium except spontaneously all of it...a miraculous force and weight of presence moving from all over the canvas at once." These poems wantthat, too. --David Rivard, /Boston Review/ "David Blair's work is both public and discreet, somewhere between black box theatre and a blind date with an utterly beguiling stranger. His poems are dinner parties, intimate and sumptuous, arranged with great care and yet full of unforeseen turns: the pope gives way to 'the first red coils of the peonies' and a the hair of a lost aviator becomes 'brown, fibrous light.' How refreshingly unlike contemporary poetry this book is; a pleasure. --D. A. Powell
Poems.
In Saturn Peach, Lily Wang establishes a distinctive voice that is part heartbreak and part wise witness chronicling the strangeness of a technologized world. When asked to describe her book, Wang answered in her quintessential way, "There are things I never want to know but always know. Every day I live with them. Every day I live. I am like a young fruit. Like a peach, common, not the popular kind but oblate, saturn. I live and inside me this pale fruit, yellow and white. I take bites out of myself and share them with you. Maybe you taste like me. Maybe you hold this fruit and become a tree." If ever there were a book that disarmingly - and seemingly effortlessly - encouraged its reader to become a metaphor, then Saturn Peach is it.
From the YouTube slam poetry star of "Shrinking Women" (more than 5 million views!) comes a novel in verse about body image, eating disorders, self-worth, mothers and daughters, and the psychological scars we inherit from our parents. Fifteen-year-old Ivy's world is in flux. Her dad has moved out, her mother is withdrawn, her brother is off at college, and her best friend, Anna, has grown distant. Worst of all, Ivy's body won’t stop expanding. She's getting taller and curvier, with no end in sight. Even her beloved math class offers no clear solution to the imbalanced equation that has become Ivy’s life. Everything feels off-kilter until a skipped meal leads to a boost in confidence and reminds Ivy that her life is her own. If Ivy can just limit what she eats—the way her mother seems to—she can stop herself from growing, focus on the upcoming math competition, and reclaim control of her life. But when her disordered eating leads to missed opportunities and a devastating health scare, Ivy realizes that she must weigh her mother's issues against her own, and discover what it means to be a part of—and apart from—her family. This Impossible Light explores the powerful reality that identity and self-worth must be taught before they are learned. Perfect for fans of Laurie Halse Anderson and Ellen Hopkins. Praise for This Impossible Light: ★ "In an exceptional novel in verse, slam poet Myers debuts with a powerful commentary on maternal inheritance and eating disorders....striking use of the flexibility of free verse...absorbing and evocative." —Publishers Weekly, starred review "Every YA library needs this book." —VOYA "Written in evocative verse, with notes of wonder and despair, the cadence flows across and down the pages with grace. Lifted beyond the confines of the problem novel with its lyricism and resonance." —Kirkus Reviews "This verse novel’s form perfectly mirrors its content as readers move from poem to poem, from thought to thought, following Ivy through the false logic that triggers and sustains her disordered eating—and into the beginning of the much more difficult steps of grief and recovery." —Horn Book "The undeniable teen appeal makes it a first purchase for any YA collection." —School Library Journal "More than a touching debut, this is a surefire coping companion, too." —Booklist
Instant New York Times Bestseller The debut collection of poetry from Lili Reinhart, the actress and outspoken advocate for mental health awareness and body positivity. I seem to be your new favorite novel. One that keeps you up at night, turning my pages. Fingers lingering on me so you don’t lose your place. Swimming Lessons explores the euphoric beginnings of young love, battling anxiety and depression in the face of fame, and the inevitable heartbreak that stems from passion. Relatable yet deeply intimate, provocative yet comforting, bite-sized yet profound, Lili's poems reflect her trademark honesty and unique perspective. Accompanied by striking and evocative illustrations, Swimming Lessons reveals the depths of female experience, and is the work of a storyteller who is coming into her own.
Poetry. The poems in Lily Brown's RUST OR GO MISSING exist in the liminal space between the literal and the imagined, the rational and the irrational, the abstract and the representational. They think themselves into being, and in so doing, become not just reflections on lived and imagined experience, but experiences in themselves.
Chloe Yelena Miller's Viable is the story of childbearing in the twenty-first century, when mothers are held to an impossible standard of producing perfect pregnancies, and an early miscarriage can haunt future motherhood. Many women will identify with Miller's difficult yet common experiences of anxiety, love, and loss.
Poetry. African & African American Studies. LGBTQIA Studies. Winner of The Host Publications Chapbook Prize, Spring 2021. MISTAKEN FOR LOUD COMETS is a collection of poems that intertwines experiences around incarceration, queerness, and the Black body in America. In this chapbook, lily someson leads us through the Indiana dunes, into dusk air as incarcerated men are beamed into the heavens, and into the rooms of a house she built around herself, creating "a world without confinement." someson's poetic genius can be felt in her fortitude--she embraces the storm with startling empathy, and within these poems, offers up her most vulnerable moments alongside her most resolute proclamations of selfhood, claiming space on the page as if fighting for her birthright. Exploring the outermost limits of identity with a gentle, inquiring mind, someson lets the poems in MISTAKEN FOR LOUD COMETS be "everything/ all at once."