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This volume of previously unpublished essays on Anglo-Saxon poetry has been created in honor of John C. McGalliard on the occasion of his retirement from the University of Iowa after a distinguished career as a scholar-teacher of medieval literatures. As a critical anthology designed to respond to all of the major and most of the minor poems in the Anglo-Saxon canon, this collection will prove valuable to every class in Anglo-Saxon, whether introductory or advanced. The twenty-five essays take up individual problems concerned with the interpretation of specific poems. In offering their solutions to these problems the contributors evince their great love of poetry and their impressive knowledge of Anglo-Saxon scholarship. The contributors, who include Robert P. Greed, Charles Donahue, Norman E. Eliason, John Gardner, Margaret Goldsmith, Stanley Greenfield, Alvin A. Lee, Burton Raffle, Fred C. Robinson, Alain Renoir, and Robert Stevick, are prominent among the world-wide community of Anglo-Saxonists, and represent the entire range of critical approaches to Old English Literature. Their lively willingness to accept specific titular assignments is a tribute to the man who inspired this project. Among them are practicing poets, novelists, and translators - a reflection of the genuine humanism and erudition of Professor McGalliard. It is the editors' hope that the ongoing usefulness of this book whose attractive critical unity springs from the self-limited nature of the Anglo-Saxon poetic corpus, will constitute an added honorific dimension. The editors are both former students of John C. McGalliard. Lewis E, Nicholson is Associate Professor of English at the University of Notre Dame. He has published essays on Anglo-Saxon poetry and is editor of An Anthology of Beowulf Criticism. Delores Warwick Frese is Assistant Professor of English at the University of Notre Dame. In addition to scholarly articles she has published two novels as well as poems and short stories.
Tony Harrison: Loiner is published to celebrate the poet and playwright Tony Harrison's sixtieth birthday through an exploration of his work, including his best-known poem v.. Harrison (1937- ) has been called `our best English poet', and has been awarded a number of prizes for his poetry, including the Geoffrey Faber Memorial Prize, the Royal Television Society Award, the Prix Italia, and the Whitbread Prize for Poetry. This book gives his work the serious critical attention it merits, with essays from a number of prominent contributors, including Richard Eyre and Melvyn Bragg, and a foreword by Grey Gowrie. The collection ranges from personal recollections of working with Tony Harrison and personal responses to his poems, to detailed critical analyses of his techniques and themes, covering Harrison's short poems and sonnet sequence, his plays, his television poem-films, and his libretti, spanning the years 1955-1997. A `loiner' is a native of Leeds, where Tony Harrison was born and spent the early part of his life, and from which he was dispossessed by the enforced translation of the state scholarship system. The word also connotes other aspects of Tony Harrison: the `loins' of his poetry—its energy and physicality—and the `loners' who are its main protagonists—men and women dispossessed of their class, nation, language, and identity. At sixty, Harrison is at his poetic peak, producing plays, film-scripts, libretti, journalistic responses to social and national strife, impassioned speeches of love and outrage—always in poetry. Tony Harrison: Loiner introduces the major themes and forms of our most exciting and cosmopolitan as well as technically accomplished poet, and reassesses his achievement and place in twentieth-century literature.