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An aura of mystery surrounds the life and poetry of the Austrian poet Georg Trakl. Although he was born over a century ago, his starkly original poems provide a window into the psyche of the early twentieth century with its anguish, melancholy, and occasional exaltation. From a life inflicted with drug addiction and mental torment, Trakl paints a vivid, musical portrait of his autumn soul. This bilingual edition includes all of Trakl's mature published work, as well as his youthful poems and prose, drama fragments and selected letters, and is the most comprehensive collection of his work in English to date.
The essential Trakl, as published by the great poet in his lifetime, gracefully and sensitively rendered.
A collection of Japanese poems accompanied by their English translations.
The first comprehensive English translation of poetry from the renowned Portuguese author of The Book of Disquiet: “An arresting . . . body of work” (Newsday). Born in 1888, Fernando Pessoa is widxely considered Portugal’s greatest modern poet and author. With an introduction that illuminates the life and work of this elusive literary giant, Fernando Pessoa & Co. is the most comprehensive and elegantly translated edition of Pessoa’s poetry available in English. Pessoa was as much a creator of personas as he was of poetry, prose, and criticism. He wrote under what he referred to as “heteronyms,” numerous alter egos with fully fleshed identities and writing styles, who supported and criticized each other’s work in the margins of his drafts and in the literary journals of the time. Ranging widely over the possibilities of language, Pessoa’s poetry echoes symbolist verse, Portuguese folk song, and futurist manifesto. From spare minimalism to a revolutionary exuberance that recalls Walt Whitman’s Leaves of Grass, Pessoa’s oeuvre was radically new and anticipated contemporary literature to an unnerving degree. Fernando Pessoa & Co. is “a beautiful one-volume course in the soul of the twentieth century” (Booklist).
It is remarkable that any Westerner—even so fine a poet as Kenneth Rexroth—could have captured in translation so much of the subtle essence of classic Japanese poetry: the depth of controlled passion, the austere elegance of style, the compressed richness of imagery. The poems are drawn chiefly from the traditional Manyoshu, Kokinshu and Hyakunin Isshu collections, but there are also examplaes of haiku and other later forms. The sound of the Japanese texts i reproduced in Romaji script and the names of the poets in the calligraphy of Ukai Uchiyama. The translator's introduction gives us basic background on the history and nature of Japanese poetry, which is supplemented by notes on the individual poets and an extensive bibliography.
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Great writers of the past whose works we still read and love will be read forever. They will survive the test of time. We remember authors of true genius because their writings are simply the best. Or . . . might there be other reasons that account for an author’s literary fate? This original book takes a fresh look at our beliefs about literary fame by examining how it actually comes about. H. J. Jackson wrestles with entrenched notions about recognizing genius and the test of time by comparing the reputations of a dozen writers of the Romantic period—some famous, some forgotten. Why are we still reading Jane Austen but not Mary Brunton, when readers in their own day sometimes couldn’t tell their works apart? Why Keats and not Barry Cornwall, who came from the same circle of writers and had the same mentor? Why not that mentor, Leigh Hunt, himself? Jackson offers new and unorthodox accounts of the coming-to-fame of some of Britain’s most revered authors and compares their reputations and afterlives with those of their contemporary rivals. What she discovers about trends, champions, institutional power, and writers’ conscious efforts to position themselves for posterity casts fresh light on the actual processes that lead to literary fame.