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Poemas de la vida cotidiana, es una colección de vivencias del diario existir, expresadas en ciento veinte poemas, inspiradas por el amor y la diversidad de sensaciones, que extasían los sentidos. Además de las experiencias de amistad, los lazos familiares, el aprecio por la naturaleza y la gratitud con el supremo creador. Los siguientes fragmentos de esos poemas, muestran, como la vida diaria es nuestra principal fuente de inspiración. "El suave murmullo de tu voz me llama, Me invita al romance, cálido deleite, Tus manos ansiosas recorren mi cuerpo, Tus besos me incitan al gozo secreto." "En ese dulce manantial me embriago, Sabes cómo llevarme al desvarío, en ocasiones, dulce y apacible lago, o en tormentoso y desbordante río." "Acaricias mi piel de tal manera, Que mis fibras sensibles estremeces, Quiero tener y repetir sin una espera, hábil caricia con que me enloqueces."
HEY YO ! YO SOY! 40 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION (English/Spanish) is a 386-page collection, comprised of three previously published books, "Casting Long Shadows" (1970), "Have You Seen Liberation" (1971), and "Street Poetry & Other Poems" (1972), consist of stories about growing up Puerto Rican in New York City’s El Barrio. Melendez has long been considered one of the founders of the Nuyorican Movement and the political, intellectual and linguistic topics he approaches in his work remain extremely relevant to this day. Forward by Samuel Diaz and Carmen M. Pietri-Diaz; Translator's notes by Adam Wier; Introduction by Sandra Maria Esteves; and Afterword by Jaime "Shaggy" Flores. Also includes historical photos of and an in-depth interview of Melendez. HEY YO! YO SOY! 40 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION is a collection to be devoured as a single sustained narrative, from the first page to the last; a worthy addition in anyone’s library.
Ayude a su niño a fortalecer sus destrezas de lectura y aprender acerca de las vidas, música, arte e ideas emocionantes que florecieron en la comunidad afroamericana de Harlem hace cien años con este texto informativo repleto de datos verídicos y graduado cuidadosamente para apoyar el progreso de los pequeños lectores. ¿Cómo era el Harlem afroamericano de la década de 1920, con su explosión de nuevas ideas, música, arte y estilo? Un texto cautivador graduado cuidadosamente con el sistema Lexile para proveerles a los niños lo que necesitan para encarar con éxito la lectura. Una introducción motivadora al uso de las destrezas básicas para la lectura de textos informativos. A los niños les encantará aprender sobre la creatividad y los logros de la comunidad afroamericana durante el increíble lugar y momento conocido como "el Renacimiento de Harlem". - - - - - - - - - - - - - - Help your child power up their reading skills and learn about the exciting lives, music, art and ideas of the African American community of Harlem 100 years ago in this fact-filled-nonfiction reader—carefully leveled to help children progress. What was it like in the African American Harlem of the 1920s, bursting with new ideas, music, art, and style? The engaging text has been carefully leveled using Lexile so that children are set up to succeed. A motivating introduction to using essential nonfiction reading skills. Children will love to find out about the creativity and achievements of the African American community during the incredible place and time known as the ‘Harlem renaissance’.
“The revolutionary the dictatorship couldn’t kill, the trickster poet favored by the gods.” —Ben Ehrenreich, author of The Way to Spring: Life and Death in Palestine Poems of revolution by one of Latin America’s most beloved poets One of Latin America’s greatest poets, Roque Dalton was a revolutionary whose politics were inseparable from his art. Born in El Salvador in 1935, Dalton dedicated his life to fighting for social justice, while writing fierce, tender poems about his country and its people. In Poemas clandestinos / Stories and Poems of a Class Struggle, he explores oppression and resistance through the lens of five poetic personas, each with their own distinct voice. These poems show a country caught in the crosshairs of American imperialism, where the few rule the many and the many struggle to survive—and yet there is joy and even humor to be found here, as well as an abiding faith in humanity. In striking, immediate, exuberantly inventive language, Dalton captures the ethos of a people, as stirring now as when the book was first published nearly forty years ago. “I believe the world is beautiful,” he writes, “and that poetry, like bread, is for everyone.”
In her book, The Closed Hand: Images of the Japanese in Modern Peruvian Literature, Rebecca Riger Tsurumi captures the remarkable story behind the changing human landscape in Peru at the end of the nineteenth century when Japanese immigrants established what would become the second largest Japanese community in South America. She analyzes how non-Japanese Peruvian narrators unlock the unspoken attitudes and beliefs about the Japanese held by mainstream Peruvian society, as reflected in works written between 1966 and 2006. Tsurumi explores how these Peruvian literary giants, including Mario Vargas Llosa, Miguel Gutiérrez, Alfredo Bryce Echenique, Carmen Ollé, Pilar Dughi, and Mario Bellatin, invented Japanese characters whose cultural differences fascinated and confounded their creators. She compares the outsider views of these Peruvian narrators with the insider perceptions of two Japanese Peruvian poets, José Watanabe and Doris Moromisato, who tap personal experiences and memories to create images that define their identities. The book begins with a brief sociohistorical overview of Japan and Peru, describing the conditions in both nations that resulted in Japanese immigration to Peru and concluding in contemporary times. Tsurumi traces the evolution of the terms "Orient" and "Japanese/Oriental" and the depiction of Asians in Modernista poetry and in later works by Octavio Paz and Jorge Luis Borges. She analyzes the images of the Japanese portrayed in individual works of modern Peruvian narrative, comparing them with those created in Japanese Peruvian poetry. The book concludes with an appendix containing excerpts from Tsurumi's interviews and correspondence in Spanish with writers and poets in Lima and Mexico City.
In the decades following World War II, the creation and expansion of massive domestic markets and relatively stable economies allowed for mass consumption on an unprecedented scale, giving rise to the consumer society that exists today. Many avant-garde artists explored the nexus between consumption and aesthetics, questioning how consumerism affects how we perceive the world, place ourselves in it, and make sense of it via perception and emotion. Delirious Consumption focuses on the two largest cultural economies in Latin America, Mexico and Brazil, and analyzes how their artists and writers both embraced and resisted the spirit of development and progress that defines the consumer moment in late capitalism. Sergio Delgado Moya looks specifically at the work of David Alfaro Siqueiros, the Brazilian concrete poets, Octavio Paz, and Lygia Clark to determine how each of them arrived at forms of aesthetic production balanced between high modernism and consumer culture. He finds in their works a provocative positioning vis-à-vis urban commodity capitalism, an ambivalent position that takes an assured but flexible stance against commodification, alienation, and the politics of domination and inequality that defines market economies. In Delgado Moya's view, these poets and artists appeal to uselessness, nonutility, and noncommunication—all markers of the aesthetic—while drawing on the terms proper to a world of consumption and consumer culture.
Through penetrating analysis of twentieth-century historical fiction from Central America this book asks: why do so many literary texts in the region address historical issues? What kinds of stories are told about the past when authors choose the fictional realm to represent history? Why access memory through fiction and poetry? Nicole Caso traces the active interplay between language, space, and memory in the continuous process of defining local identities through literature. Ultimately, this book looks to the dynamic between form and content to identify potential maps that are suggested in each of these texts in order to imagine possibilities of action in the future.
Este libro de poemas es una verdadera inspiracion del Espiritu Santo, y a traves de estas reflexiones te daras cuenta de que es el mismo Jesucristo conversando con tu alma y todo tu ser. Porque, ?cuantos medios usa Dios para llamar tu atencion? Tal vez miles, pero en este viaje por la lectura de cada poema, tocara las cuerdas mas sensibles de tu propio corazon. Te animo a leer este libro: Yo no queria escribir esto, pero Dios insistio. Despues de cada palabra leida te daras cuenta de que tu tambien te identificaras con alguno de estos temas y agradeceras que el Creador te conozca como el hijo formado por sus manos. Nunca te sientas solo ni desanimado, y preguntale al Senor cuales notas o parrafos son para ti.