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Do we get to choose? The school year is almost over, and I’ve got a few projects to wrap up before I can relax and enjoy the break. Thanks to a clumsy mishap, I’m all out of holiday cheer. We’ve also gotten more bad news about Theo, but I’m determined to help. I’m not sure if it will change things. It’s hard to tell if our destiny is really our own, or if we’re being pushed down a path by an outside force. After discovering Bertrand’s newest secret, I don’t know if I trust the system anymore. I want to believe that prophets truly can make a difference, but can I? BOOK 5 in the POE Prophecies series.
I can’t sleep. My name’s Aidan Grey. I’m a twelve—hold up—nearly thirteen-year-old student at P.O.E Academy, and I study the works of Edgar Allan Poe. My birthday is around the corner, but it’s hard to be excited with all this crushing anxiety. Anxiety over what, you ask? Well, it’s not because final exams are coming, and it’s definitely not because of the horrific incident at the Archives—although that, too, has me on edge. Something even more unnerving has been happening. Vivid, life-like nightmares haunt me. I wake up groggy and confused, detached from reality. I don’t know what to do or who to tell. My parents? My friends? The professor? Maybe I’ll just handle this on my own...
By attempting to suspend moral, ideological, or psychological assumptions, a phenomenological interpretation of literature hopes to reach "the things themselves," the essential phenomena of being, space, and time, as they are constituted, by consciousness, in words. Although there has been a tradition of phenomenological criticism in Europe for the last twenty years, David Halliburton is the first to write a general study of an American author from this particular point of view. The book begins with a methodological chapter that sets out the assumptions and procedures of the approach. This is followed by analyses of Poe's major works, exploring such special problems as Poe's treatment of the material world, including technology; the interrelation of body and consciousness; poetic voice; attitudes toward women; and the will to affirmation, plenitude, and unity. The center of interest is neither Poe's biography nor environment but always the meaning of Poe's words. Because these works are shaped by a single imagination and because they are experienced in time, as a process, each work has its own "way of going." The aim of the interpretation is to find this way and go along with it; to live each work dynamically, as it "happens," while tracing its interaction with other works. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Louis Untermeyer, the American poet perhaps most familiar with the lives and works of the great writers in the English language, tells of the touching, humorous and dramatic incidents which have made up the lives and contributed to the poetic genius of each of twenty-five poets from Chaucer to Frost. These are the unacknowledged legislators; music-makers, “movers and shakers”, poets who have influenced our ideas, affected our emotions and enriched our language. The chapters not only tell the stories of their lives but also relate their lives to their poems and reveal how and why they wrote the way they did. This work aims to show what the poets meant to the development of literature and, most of all, what they mean to us.
King Arthur in America analyzes the tremendous appeal of the Arthurian legends in America by examining the ways that Americans have found to democratize the Matter of Britain and to incorporate aspects of it not only into America's own mythologies but also into literature, film, social history, and popular culture.
Tamerlane and Other Poems is the first published work by American writer Edgar Allan Poe. The short collection of poems was first published in 1827. Today, it is believed only 12 of approximately 50 copies of the collection still exist. The poems were largely inspired by Lord Byron, including the long title poem "Tamerlane", which depicts a historical conqueror who laments the loss of his first romance. Like much of Poe's future work, the poems in Tamerlane and Other Poems include themes of love, death, and pride.