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Existen formulas magicas que nos permiten ahuyentar la mala suerte, eliminar la energia negativa que nos impide progresar y saturarnos de energia positiva para triunfar.
Este no es un libro de brujería. Es hora de que la palabra magia pierda el halo de oscuridad y tenebrosidad del que parece estar embebida y recobre la dignidad que los antiguos le otorgaban al considerarla la más alta y clara ciencia que pudiéramos practicar. Un mago no es un brujo y está lejos de serlo. Por lo tanto, en este libro no encontrarás fórmulas, herramientas o ninguna otra cosa con la cual hacer el mal; por el contrario, este libro es un intento de aportarte los instrumentos propios de la magia con los que puedas, de algún modo, hacer el bien a tus hermanos y a ti mismo. Si te sientes llamado a hacer el bien, este libro es para ti. Como ha dicho el célebre mago español Papus: “La acción social del mago se condensa en estas tres palabras: CURAR, SEMBRAR, CONSOLAR. Tal es la triple misión del verdadero adepto de la ciencia de los Magos”.
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
Like other religions, Witchcraft has its deities, priests, holidays, rituals, and rules. Yet, Wiccan beliefs and practices are often unknown or misunderstood by non-Pagans and the uninitiated. Approaching the Craft from the Gardnerian perspective, Migene González-Wippler offers a friendly, straightforward introduction to the Old Religion and sheds light on what it truly means to be a Witch. What goes on at coven meetings? How do Witches perform magic? Why does magic work? From initiation rites to invoking elementals, González-Wippler explains both practical and spiritual aspects of Wiccan traditions. Book of Shadows also teaches the significance of Moon phases, herbs, colors, crystals, common magical tools, and other implements when performing sacred ceremonies
Superb general account.' Times Literary Supplement The story of the history of Western astrology begins with the philosophers of Greece in the 5th century BC. To the magic and stargazing of Egypt the Greeks added numerology, geometryand rational thought. The philosophy of Plato and later of the Stoics made astrology respectable, and by the time Ptolemy wrote his textbook the Tetrabiblos, in the second century AD, the main lines of astrological practice as it is known today had already been laid down. In future centuries astrology shifted to Islam only to return to the West in medieval times where it flourished until the shift of ideas during the Renaissance.
Translated from Latin manuscripts within the British Library, the Key of Solomon was translated and then published by S. L. MacGregor Mathers in 1889. L. W. de Laurence then went on to publish his own in edition in 1914. This edition was directly based on Mathers' edition, to which he made several alterations in order to advertise his mail-order business. These advertisements have been omitted from this edition as their value today is worthless, however, the work itself is still important and so has been left untouched.