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Ever since Pushkin, Russian poets have been famous for their ability to combine private and public experience in lyric poetry of a comprehensiveness and intensity unmatched elsewhere. Ranging in extremes from the melting tenderness of unrequited love to the bitter comedy of political chaos, this collection of poems covering two centuries includes work by Lermontov, Tyutchev, Fet, Annensky,Mayakovsky, Bely, Mandelstam, Akhmatova, Tsvetaeva, Pasternak, Brodsky and others less celebrated but no less extraordinary. The text is divided into six sections. Russian poets constantly reflect on their art, so the first section is appropriately entitled 'The Muse'. Their other great topic is Russia herself, explored in parts two and three. Part four presents the inner world, parts five and six traditional themes of love and mortality. Poetry has often been a matter of life and death in Russia, where Mandelstam was not the only poet to perish in the Gulag. The comfortable private domain familiar to many English and American writers barely exists in a country where political realities are exigent - one reason for the fierce intensity found in so many of these poems.
Photographs of over 500 watches manufactured in Russia and the USSR during the second half of the 20th century, with explanations of their styles, workings, and manufacturers. Poljot, Wostok, and Slava wristwatches are covered, along with a sampling of pocket watches, deck watches, and marine chronometers. Watch faces commemorate all the great moments of Russian and Soviet history.
This book takes up the obtrusive problem of visual representation of fiction in contemporary Russian book design. By analyzing a broad variety of book covers, the study offers an absolutely unique material that illustrates a radically changing notion of literature in the transformation of Soviet print culture to a post-Soviet book market. It delivers a profound and critical exploration of Russian visual imaginary of classic, popular, and contemporary prose. Among all the carelessly bungled covers of mass-published post-Soviet series the study identifies gems from experimental designers. By taking a comparative approach to the clash of two formerly separate book cultures, the Western and the Soviet, that results both in a mixture of highbrow and lowbrow forms and in ideological re-interpretations of the literary works, this book contributes to opening an East-West dialogue between the fields of Russian studies, contemporary book and media history, art, design, and visual studies.
The stories in this anthology not only represent the highest literary quality but also typify the work of the author, making it a delightful selection of Russian prose. Twenty major Russian writers are represented in this collection, beginning with Pushkin, the founder of modern Russian literature, and concluding with contributions from such eminent modern writers as Vladimir Nabokov and Alexander Solzhenitsyn. The great novelist of the nineteenth century are included here, from Tolstoy and Dostoyevsky to Turgenev, alongside those writers who devoted their genius almost exclusively to the short story: Bunin, Babel and that master of the genre, Chekhov.
A gripping and shocking insight into the lives of Russiaâe(tm)s most famous oligarchs from New York Times bestselling author of The Accidental Billionaires and Bringing Down the House. Once Upon a Time in Russia is the untold true story of the larger-than-life billionaire oligarchs who surfed the waves of privatization to reap riches after the fall of the Soviet regime: âeoeGodfather of the Kremlinâe Boris Berezovsky, a former mathematician whose first entrepreneurial venture was running an automobile reselling business, and Roman Abramovich, his dashing young protégé who built a multi-billion-dollar empire of oil and aluminium. Locked in a complex, uniquely Russian partnership, Berezovsky and Abramovich battled their way through the âeoeWild Eastâe of Russia with Berezovsky acting as the younger manâe(tm)s krysha- literally, his roof, his protector. Written with the heart-stopping pace of a thriller -but even more compelling because it is true - this story of amassing obscene wealth and power depicts a rarefied world seldom seen up close. Under Berezovskyâe(tm)s krysha, Abramovich built one of Russiaâe(tm)s largest oil companies from the ground up and in exchange made cash deliveries - including 491 million dollars in just one year. But their relationship frayed when Berezovsky attacked President Vladimir Putin in the media - and had to flee to the UK. Abramovich continued to prosper. Dead bodies trailed Berezovskyâe(tm)s footsteps, and threats followed him to London, where an associate of his died painfully and famously of Polonium poisoning. Then Berezovsky himself was later found dead, declared a suicide. Exclusively sourced, capturing a momentous period in recent world history, Once Upon a Time in Russia is at once personal and political, offering an unprecedented look into the wealth, corruption, and power behind what Graydon Carter called âe~the story of our ageâe(tm).
An American historian, film specialist, and documentary filmmaker shares candid stories of his life in Russia during and after the Cold War. A captivating lifetime of personal and professional experiences by an American historian, film specialist, and documentary filmmaker in the Soviet Union and post-Soviet Russia. The author’s experiences as a radical in the turbulent 1960s, and his eventual disenchantment offer some precedents and perspectives to all those on the Left, Center, or Right interested in the fluctuations of American politics. The vivid log of hopes and disillusions is related in a candid, non-academic style, and set against a panorama of history and politics in the late twentieth century. “A self-described scholar-activist, Menashe weaves together political, intellectual, and cultural currents of leftist life, and draws a vivid picture of people and places, life-changing adventures, the intellectual and political challenges of graduate school during the Cold War, encounters with key Russian literary and political figures, and much more. Then comes the crash, the Soviet Union’s end. As in all failed love affairs, Menashe retains some sweet memories. The reader will taste them long after reading the memoir.” —Carole Turbin, Professor Emerita, History and Sociology, SUNY/Empire State College
The prevalence of anti-Semitism in Russia is well known, but the issue of race within the Jewish community has rarely been discussed explicitly. Combining ethnography with archival research, Jewish Russians: Upheavals in a Moscow Synagogue documents the changing face of the historically dominant Russian Jewish community in the mid-1990s. Sascha Goluboff focuses on a Moscow synagogue, now comprising individuals from radically different cultures and backgrounds, as a nexus from which to explore issues of identity creation and negotiation. Following the rapid rise of this transnational congregation—headed by a Western rabbi and consisting of Jews from Georgia and the mountains of Azerbaijan and Dagestan, along with Bukharan Jews from Central Asia—she evaluates the process that created this diverse gathering and offers an intimate sense of individual interactions in the context of the synagogue's congregation. Challenging earlier research claims that Russian and Jewish identities are mutually exclusive, Goluboff illustrates how post-Soviet Jews use Russian and Jewish ethnic labels and racial categories to describe themselves. Jews at the synagogue were constantly engaged in often contradictory but always culturally meaningful processes of identity formation. Ambivalent about emerging class distinctions, Georgian, Russian, Mountain, and Bukharan Jews evaluated one another based on each group's supposed success or failure in the new market economy. Goluboff argues that post-Soviet Jewry is based on perceived racial, class, and ethnic differences as they emerge within discourses of belonging to the Jewish people and the new Russian nation.