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The year 1995, when the Fourth World Conference on Women was held in Beijing, marks a historical milestone in the development of the Chinese feminist movement. In the decades that followed, three distinct trends emerged: first, there was a rise in feminist NGOs in mainland China and a surfacing of LGBTQ movements; second, social and economic developments nurtured new female agency, creating a vibrant, women-oriented cultural milieu in China; third, in response to ethnocentric Western feminism, some Chinese feminist scholars and activists recuperated the legacies of socialist China’s state feminism and gender policies in a new millennium. These trends have brought Chinese women unprecedented choices, resources, opportunities, pitfalls, challenges, and even crises. In this timely volume, Zhu and Xiao offer an examination of the ways in which Chinese feminist ideas have developed since the mid-1990s. By juxtaposing the plural "feminisms" with "Chinese characteristics," they both underline the importance of integrating Chinese culture, history, and tradition in the discussions of Chinese feminisms, and, stress the difference between the plethora of contemporary Chinese feminisms and the singular state feminism. The twelve chapters in this interdisciplinary collection address the theme of feminisms with Chinese characteristics from different perspectives rendered from lived experiences, historical reflections, theoretical ruminations, and cultural and sociopolitical critiques, painting a panoramic picture of Chinese feminisms in the age of globalization.
"In 1980 Lucy Lippard argued that feminist art is "neither a style nor a movement" but rather "a value system, a revolutionary strategy, a way of life." New Time: Art and Feminisms in the Twenty-First Century takes Lippard's statement as a point of departure, examining the values, strategies, and ways of life reflected in recent feminist art. Although artworks made since 2000 are the primary focus, the objects and installations discussed span several generations, mediums, geographies, and political sensibilities, conveying the heterogeneous, intergenerational, and gender-fluid nature of feminist practices. In keeping with Griselda Pollock's observation that "feminism is a historical project and thus is itself constantly shaped and remodelled in relation to the living process of women's struggles," New Time argues that feminist art in the twenty-first century encompasses myriad issues and perspectives and therefore cannot be reduced to a single subject, style, or agenda. It further reflects the forms of resistance that are constantly emerging in response to developments in politics and society. This richly illustrated volume presents works by more than seventy artists and collectives, including Laura Aguilar, Louise Bourgeois, Andrea Bowers, Judy Chicago, Ellen Gallagher, Luchita Hurtado, Lynn Hershman Leeson, Kalup Linzy, Goshka Macuga, Mai-Thu Perret, Carol Rama, Kiki Smith, Sturtevant, and Kara Walker. It examines their work though themes such as the problematic stereotypes associated with hysteria; the gendered gaze; the revisitation of historical subjects through a feminist lens; fragmented representations of the female body; shifting categories of gender; activism, domesticity, and labor; female anger; and feminist utopias"--
This Handbook is an important contribution to the recent history of and contemporary debates on feminist, gender, and women’s studies seen in a global perspective. It tackles current developments in the area by examining their multiple configurations in different countries across the world and taking stock of the tensions and controversies that have recently emerged against and within the field. The volume brings together essays from renowned feminist and gender studies academics from the Global North and Global South, together with early stage, emerging scholars. The diversity of the geopolitical and disciplinary locations and the quality of their reflections provide rich, wide-ranging, and interdisciplinary discussions that are rarely found in similar collections, making this an essential resource for advanced students and academics in the field.
Feminisms Matter confronts the major reasons people offer for not being feminists by breaking apart stereotypes of feminists, unraveling myths about women's history, and challenging assumptions about feminists and feminisms.
This book on the future of Asian feminisms, confronting fundamentalisms, conflicts, and neo-liberalism is a critical contribution to the rising voices of Asian women’s studies scholars and activists. It is based on the ongoing research and advocacy work of the Kartini Asia Network, founded in 2003 in Manila. The five overlapping themes of the network are women/gender studies, fundamentalisms, conflicts, livelihood and sexuality. Considering that the economic and political weight of the region is growing fast, and that the 21st century has been named the “Asian century,” Asia is increasingly recognised as the continent to which economic, if not political power, will shift in the coming decades. The chapters brought together in this volume demonstrate the great diversity of the “transversal cultural flow” that women’s movements within Asia provide. Members of the Kartini network stimulate the articulation of a particular “Asian voice” in women’s studies and in the global women’s movement. Considering the existing patriarchal structures all over the continent, a continuum of oppressions enfolds, from the global sphere of market exchange to emerging fundamentalisms and to bitter conflicts and struggles around sexualities. The present volume provides elements for the critical dialogues that are needed between women in the region, between women and men, between people in all sorts of strategic positions, and between theoreticians in the Global South and the Global North to create a world in which human dignity is not eroded by predatory economic processes and in which democracy, diversity, pluralism, and inclusivity are the guiding principles of governance.
A Feminist Glossary of Human Geography is the first guide to the main theories, concepts and terms commonly used in geographical debates about gender relations. Written by key contributors to feminist theory, it contains over 400 lively and accessible definitions of the terms found in feminist debates which students of geography need to know. Four levels of entry are used - from 50 to 1500 words - taking account of the varying degrees of complexity of the terms covered. From 'AIDS' to 'witch', from 'abortion' to 'whiteness', this 'Glossary' is cross-referenced throughout and includes a comprehensive bibliography. It is an invaluable reference for anyone studying geography and gender, enabling them to approach the terminology of feminist theory and ideas with confidence.
Feminism in the United States: A Concise Introduction presents readers with the key debates and ideas central to contemporary US feminism. With a focus on intersectionality, the book highlights the goals, tactics, and varieties of feminism. This engaging, clear, and accessible text includes current examples, case studies, profiles of key figures in the movement, and opportunities/resources to gather more information. The reader will learn how to employ a feminist lens as an informed conversationalist, social media user, news consumer, and if so desired, activist. Readers will learn about the varieties of contemporary US feminism and how different strands of feminism emerge; the heterogeneity of the movement as it endures over generations in both hospitable and inhospitable climates; and the inequalities addressed and tactics used by feminists to create lasting social change. Feminism in the United States is ideal for undergraduate students, particularly those enrolled in introductory classes in feminist, gender, and sexuality studies and related programs, as well as for the anyone seeking to explore feminism for the first time.
This collection of essays by leading feminist thinkers from North and South constitutes a major new attempt to reposition feminism within development studies. Feminism's emphasis on social transformation makes it fundamental to development studies. Yet the relationship between the two disciplines has frequently been a troubled one. At present, the way in which many development institutions function often undermines feminist intent through bureaucratic structures and unequal power quotients. Moreover, the seeming intractability of inequalities and injustice in developing countries have presented feminists with some enormous challenges. Here, emphasizing the importance of a plurality of approaches, the authors argue for the importance of what 'feminisms' have to say to development. Confronting the enormous challenges for feminisms in development studies, this book provides real hope for dialogue and exchange between feminisms and development.
On a global scale, the central tool for responding to complex security challenges is public international law. This handbook provides a comprehensive and systematic overview of the relationship between international law and global security.
Aquest llibre proposa una lectura feminista dialògica de Charlotte Perkins Gilman, Meridel Le Sueur i Mikhail Bakhtin. La primera part està dedicada al relat curt, considerat un dels aspectes oblidats per Bakhtin. El gènere sexual ('gender'), un altre dels seus oblits, és la base fonamental d'aquesta investigació. Un dels arguments que l'autora defensa és que els híbrids artístics de Gilman i Le Sueur fan impossible que se les confine dins d'un sol gènere literari o sexual. En la segona part s'estudia com la saga deconstructivista de Gilman com el bildungsroman feminista de Le Sueur serveixen per a corregir i expandir la teoria bakhtiniana. Entre altres molts aspectes, els personatges femenins estudiats encarnen el subjecte parlant femení. La tercera part avalua les comunitats de dones creades per la ficció de Le Sueur i Gilman i el seu llegat per a les teories feministes i bakhtinianes. El treball (in)conclou proposant un avanç de la 'dialogia feminista' a una 'pràctica dialògica del feminisme', on totes les perspectives feministes apareixen com a gèneres literaris/veus en un diàleg dialògic.