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Great Britain and Ireland, by M.C. Salaman.--Holland, by P. Zilcken.--France, by E.A. Taylor.--Germany, by H.W. Singer.--Austria, by A.S. Levetus.--Sweden, by C.C. [i.e. G] Laurin.
First published in 1996. The art of the extraordinary French artist, Henri Matisse (1869- 1954), has provided visual pleasures and intellectual challenges to its viewers for the last hundred years. This is collection of gathered, summarized, and evaluated major literature on the artist primarily from France, the United States, Germany, and the Scandinavian countries, where major Matisse collections bear witness to early and intense interest in the artist's work.
"In a career spanning over six decades, the New York art dealer Pierre Matisse (1900-1989) contributed substantially to the advancement of modern art. At his eponymous gallery on East Fifty-seventh Street, he showed several now legendary artists for the first time outside Europe. The collection--paintings, sculpture, and drawings by Balthus, Bonnard, Chagall, Derain, Dubuffet, Giacometti, Magritte, and the dealer's own father, Henri Matisse, among others--was donated to The Metropolitan Museum of Art in 2004 by the foundation established by his widow. These extraordinary artworks are presented with informative entries addressing the circumstances of each work's creation and the dealer's relationship to the artist. In the introduction, the story of Pierre Matisse's early struggles in New York is told for the first time and illustrated with previously unpublished archival photographs."--Provided by publisher.
Donated: The Margaret A. Bailey Art Collection.
After years of unrelenting toil, Mirnade Carnevale-Mauzan has managed to put together a complete inventory of her father's posters, the majority of which remain accessible to this day. The result is a book that will bring pleasure and information to researchers and collectors, not to mention anyone that appreciates the power of the unfettered imagination. This book combines a daughter's own dedication to her father's art, with Mauzen's incredible work and journeys, which led him to Italy, Argentina, South America and France.
This collection of essays concentrates on the structures and connections which have made it possible, over the last two centuries, for an integrated regime of historical representation to emerge. It also touches upon the debate about the contemporary uses of history - whether it is a matter of new versus traditional approaches to the school curriculum, or of the need to historicize museums, houses and gardens and so avoid the blandness of an uninformed display.