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Balanced precariously between fact and fiction, the historical novel is often viewed with suspicion. Some have attacked it as a mongrel form, a “bastard son” born of “history’s flagrant adultery with imagination.” Yet it includes some of the most celebrated achievements of Russian literature, with Alexander Pushkin, Nikolai Gogol, Leo Tolstoy, and scores of other writers contributing to this tradition. Dan Ungurianu’s Plotting History traces the development of the Russian historical novel from its inception in the romantic era to the emergence of Modernism on the eve of the Revolution. Organized historically and thematically, the study is focused on the cultural paradigms that shaped the evolution of the genre and are reflected in masterpieces such as The Captain’s Daughter and War and Peace. Ungurianu examines the variety of approaches by which Russian writers combined fact with fiction and explores the range of subjects that inspired the Russian historical imagination. Outstanding Academic Title, Choice Magazine “Ungurianu has produced a most valuable work for literary scholars.”—Andrew M. Drozd, Slavic and East European Journal “[Ungurianu’s] overwhelming knowledge, impeccable documentation, erudite notes, and valuable addenda make for a treasure house of information and keen analysis. . . . Essential.”—Choice
Through an examination of nineteenth- and twentieth-century theoretical work and novels, Della Coletta presents an authoritatively original recasting of the notion of the historical novel. Della Coletta's analysis of these novels suggests that genres are ideological units molded by culture and history, and that current ideologies shape the literary representation of the historical past. This innovative case study thus illuminates not just the twentieth-century Italian historical novel but also the function of literary genres as a whole.
Half fable, half manifesto, this brilliant new take on the ancient concept of cash lays bare its unparalleled capacity to empower and enthrall us. Frederick Kaufman tackles the complex history of money, beginning with the earliest myths and wrapping up with Wall Street’s byzantine present-day doings. Along the way, he exposes a set of allegorical plots, stock characters, and stereotypical metaphors that have long been linked with money and commercial culture, from Melanesian trading rituals to the dogma of Medieval churchmen faced with global commerce, the rationales of Mercantilism and colonial expansion, and the U.S. dollar’s 1971 unpinning from gold. The Money Plot offers a tool to see through the haze of modern banking and finance, demonstrating that the standard reasons given for economic inequality—the Neoliberal gospel of market forces—are, like dollars, euros, and yuan, contingent upon structures people have designed. It shines a light on the one percent’s efforts to contain a money culture that benefits them within boundaries they themselves are increasingly setting. And Kaufman warns that if we cannot recognize what is going on, we run the risk of becoming pawns and shells ourselves, of becoming characters in someone else’s plot, of becoming other people’s money.
The author documents more than a dozen plots to assassinate Hitler, surprisingly, from conservative and military circles within Germany.
Philip Roth's bestselling alternate history—the chilling story of what happens to one family when America elects a charismatic, isolationist president—is soon to be an HBO limited series. In an extraordinary feat of narrative invention, Philip Roth imagines an alternate history where Franklin D. Roosevelt loses the 1940 presidential election to heroic aviator and rabid isolationist Charles A. Lindbergh. Shortly thereafter, Lindbergh negotiates a cordial “understanding” with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism. For one boy growing up in Newark, Lindbergh’s election is the first in a series of ruptures that threaten to destroy his small, safe corner of America–and with it, his mother, his father, and his older brother. "A terrific political novel . . . Sinister, vivid, dreamlike . . . creepily plausible. . . You turn the pages, astonished and frightened.” — The New York Times Book Review
The Snowflake Method-ten battle-tested steps that jump-start your creativity and help you quickly map out your story.
This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come.
Giving a close critical reading to major texts by Dickens, Poe, Eliot, Melville, James, Conrad, Lawrence, Joyce, Woolf, and Faulkner, Professor Caserio provides an historical dimension to the developing fate of plot, story, and the novel. In addition, he challenges the major critical positions of Northrop Frye, Roland Barthes, and Edward Said with regard to the interpretation and evaluation of narrative trends. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
"What was the Gunpowder Plot? The Traditional Story Tested by Original Evidence, written by John Gerard, presents a meticulous examination of the infamous Gunpowder Plot in English history. Gerard's thorough analysis dissects the traditional narrative by scrutinizing original evidence and historical records. This book challenges common perceptions and sheds light on the complexities and motivations surrounding this pivotal event, making it an enlightening read for history enthusiasts and those curious about historical accuracy."