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Pliny the Elder's Natural History is a vast encyclopaedia, surveying natural phenomena from cosmology to biology, medicine to magic. Direct observation, informed speculation and common knowledge are combined to present a key snapshot of ancient thought and the Romans' perspective on the world around them. Book VII of The Natural History provides a detailed examination of the human animal and is crucial to understanding the work as a whole. In Pliny's eyes, mankind 'for whose sake nature was created', represents the basis for which the natural world was founded and structured. As a result, the book provides valuable insight into the extraordinary complex of ideas and beliefs that were current in Pliny's era. One of the most interesting transitions of subject in The Natural History is that from man to animals (between Books VII and VIII) and for this reason the section on elephants at the beginning of Book VIII is included here, to show how Pliny moves on to his account of the animal he considers 'nearest to the human disposition'. This edition provides the full Latin text accompanied by commentary notes that provide linguistic help and explanations, plus vocabulary lists of Latin terms and an index of proper names. The in-depth introduction provides valuable details about the work's historical, scientific and literary context, as well as an overview of the work's legacy and reception.
As a detailed study of the human animal, described by its author as the raison d'etre of nature, Book Seven of the elder Pliny's Natural History is crucial to the understanding of the work as a whole. In addition, however, it provides a valuable insight into the extraordinary complex of ideas and beliefs current in Pliny's era, many of which have resonances for other eras and cultures. The present study includes a substantial introduction examining the background to Pliny's life, thought, and writing, together with a modern English translation, and a detailed commentary which emphasizes the importance of Book Seven as possibly the most fascinating cultural record surviving from early imperial Rome.
Pliny the Elder's Natural History is a vast encyclopaedia, surveying natural phenomena from cosmology to biology, medicine to magic. Direct observation, informed speculation and common knowledge are combined to present a key snapshot of ancient thought and the Romans' perspective on the world around them. Book VII of The Natural History provides a detailed examination of the human animal and is crucial to understanding the work as a whole. In Pliny's eyes, mankind 'for whose sake nature was created', represents the basis for which the natural world was founded and structured. As a result, the book provides valuable insight into the extraordinary complex of ideas and beliefs that were current in Pliny's era. One of the most interesting transitions of subject in The Natural History is that from man to animals (between Books VII and VIII) and for this reason the section on elephants at the beginning of Book VIII is included here, to show how Pliny moves on to his account of the animal he considers 'nearest to the human disposition'. This edition provides the full Latin text accompanied by commentary notes that provide linguistic help and explanations, plus vocabulary lists of Latin terms and an index of proper names. The in-depth introduction provides valuable details about the work's historical, scientific and literary context, as well as an overview of the work's legacy and reception.
The Roman naturalist Pliny the Elder’s encyclopaedic ‘Natural History’, composed in 37 books, remains an unrivalled compendium of Roman knowledge. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Latin texts. This comprehensive eBook presents Pliny’s complete extant works, with beautiful illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Pliny's life and works * Features the complete extant works of Pliny, in both English translation and the original Latin * Concise introduction to the ‘Natural History’ * ‘Natural History’ translated by John Bostock and Henry Thomas Riley, 1855 * Excellent formatting of the texts * Detailed table of contents for the entire 37 books * Easily locate the chapters you want to read * Features two bonus biographies – discover Pliny's ancient world * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to explore our range of Ancient Classics titles CONTENTS: The Translation NATURAL HISTORY The Latin Text CONTENTS OF THE LATIN TEXT The Biographies THE LIFE OF PLINY by Suetonius INTRODUCTION TO PLINY THE ELDER by H. Rackham Please visit www.delphiclassics.com to browse through our range of exciting titles
Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.
Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.