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Set amid the salon society of fin-de-siècle Paris, these captivating tales offer satirical and moving depictions of metropolitan life. Proust's stunning debut chronicles the lives, loves, manners, and motivations of a fascinating cast of characters. These philosophical reflections, brief narratives, and prose poems established the 22-year-old author as a remarkable collector of exquisitely poignant sensations and recollections. Appropriate for intermediate-level students of French, this dual-language volume is equally suited to classroom use and to independent study. New English translations appear on pages facing the original French text. Readers will find this volume a fascinating introduction to the works of a key figure of French literature as well as a valuable aid to mastering one of the world's most enchanting languages. Dover (2014) original publication.
Grouped together after the part-title "Swann's Way" are the portraits of the family members, diplomats, doctors, school friends, salonistes, and servants who made up the Right Bank bourgeois milieu into which Proust was born. Part-title "The Guermantes Way" includes the aristocratic, Faubourg Saint-Germain world to which Proust aspired. With part-title "The Artists' and Writers' Way" come the Bergotte of Anatole France and actresses with whom he became romatically involved. The closing section is the self-portrait of Paul Nadar, son fo Felix Nadar, the legendary avant-gardist in whose studio the Impressionists had held their first exhibition.
In these inspiring essays about why we read, Proust explores all the pleasures and trials that we take from books, as well as explaining the beauty of Ruskin and his work, and the joys of losing yourself in literature as a child. Throughout history, some books have changed the world. They have transformed the way we see ourselves – and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives – and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
En 1896, M. Proust recueille en un volume l'ensemble des textes qu'il avait publié en revue depuis cinq ans, de manière à offrir une sorte d'agenda de l'existence, marquée par l'amour, l'érotisme et le passage du temps.
A widely recognized and respected authority on French literature, women's writing, feminist theory, and Jewish studies, Elaine Marks wrote groundbreaking books on Collette, Simone de Beauvoir, and Jewish themes in French literature. In Memory of Elaine Marks continues her legacy of rigorous intellectual exploration, enlivening scholarship in diverse areas of thought. The eleven essays in the collection bring together a number of intellectual, political, and ethical domains that were central to Marks's work: pedagogy, feminism, lesbianism, women's auto/biography, Jewish identity, community, memory, mourning, isolation, and death. In their interpretations of works by Marks, Simone de Beauvoir, Hélène Cixous, Philip Roth, Jacques Derrida, Roland Barthes, Saint-Simon, La Bruyère, Marcel Proust, and others, the authors illustrate and engage Marks's existential vision, fearlessly probing the human experience to make sense of how we live, die, and understand both.
'Startlingly audacious.' Literary Review New writing from the literary master Throughout Proust’s life, nine of his short stories remained unseen – the writer never even spoke of them. Perhaps he was not ready to share the early themes he was nurturing for his masterpiece, In Search of Lost Time. Or perhaps, in dealing directly with gay desire, they were too audacious – too near to life – for the censorious society of the time. In these stories, published in English for the first time, we find an intimate portrait of a young author full of darkness, complexity and melancholy, longing to reveal himself to the world.
Named a Times Literary Supplement Best Book of the Year A Pulitzer Prize–winning historian revisits Marcel Proust’s masterpiece in this essay on literature and memory, exploring the question of identity—that of the novel’s narrator and Proust’s own. This engaging reexamination of In Search of Lost Time considers how the narrator defines himself, how this compares to what we know of Proust himself, and what the significance is of these various points of commonality and divergence. We know, for example, that the author did not hide his homosexuality, but the narrator did. Why the difference? We know that the narrator tried to marginalize his part-Jewish background. Does this reflect the author’s position, and how does the narrator handle what he tries, but does not manage, to dismiss? These are major questions raised by the text and reflected in the text, to which the author’s life doesn’t give obvious answers. The narrator’s reflections on time, on death, on memory, and on love are as many paths leading to the image of self that he projects. In Proustian Uncertainties, Saul Friedländer draws on his personal experience from a life spent investigating the ties between history and memory to offer a fresh perspective on the seminal work.