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Provides a new approach to psychological hedonism and applies it to the growing global epidemic of unhealthy behavior.
in Freud's view we are driven by the desire for pleasure as well as by the desire to avoid pain. But the pursuit of pleasure has never been a simple thing. Pleasure can be a form of fear, a form of memory and a way of avoiding reality. Above all, as these essays show with remarkable eloquence, pleasure is a way in which we repeat ourselves. The essays collected in this volume explore, in Freud's uniquely subtle and accessible style, the puzzles of pleasure and morality - the enigmas of human development.
Featuring fresh and fascinating contributions from leading thinkers and theorists, Contested Bodies brings together a number of different accounts and perspectives on the body, drawing out some of the key connections and disjunctures from this most contested of topics.
First published in 1959, Metamorphosis remains one of the great works of developmental psychology of the past century. From his thoughtful meditation on the assumptions of classical Freudian psychoanalysis, among them the pleasure and reality principles, the relations of drive and affect, and the nature and causes of infantile amnesia, Schachtel moves on to profound reflections on the senses considered both in terms of their evolving relation to one another during maturation and as variable ingredients in the perception and cognition of the adult.
Sigmund Freud evolved his theories throughout his lifetime. This entailed many revisions and changes which he himself never tried to standardise rigidly into a definitive conceptual system. The need for some sort of a reliable guide which would spell out both the pattern of the evolution of Freud’s thinking, as well as establish its inherent logic, was felt for a long time by both scholars and students of psychoanalysis. Drs Laplanche and Pontalis of the Association Psychanalytique de France succeeded admirably in providing a dictionary of Freud’s concepts which is more than a compilation of mere definitions. After many years of creative and industrious research, they were able to give an authentic account of the evolution of each concept with pertinent supporting texts from Freud’s own writing (in the Standard Edition translation), and thus have endowed us with an instrument for work and research which is characterised by its thoroughness, exactitude and lack of prejudice towards dogma. The Language of Psychoanalysis is an established classic that will long continue to be of invaluable use to both the student and the research-worker in psychoanalysis.
Places anxiety at the heart of the aesthetic experience.
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke's films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke's eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke's 'ethical cinema' and the unique impact of these films upon their audiences. Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Catherine Wheatley, introduces a new way of marrying film and moral philosophy, which explicitly examines the ethics of the film viewing experience. Haneke's films offer the viewer great freedom whilst simultaneously imposing a considerable burden of responsibility. How Haneke achieves this break with more conventional spectatorship models, and what its far-reaching implications are for film theory in general, constitute the principal subject of this book.
This book collates and clarifies psychoanalytic theories on affect, and how they relate to the clinical process. The author outlines and analyses the most important theories on affect, and examines empirical work presented over the past 100 years, exposing the rigidity of some existing notions.