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MENYANGKA yang dirinya telah dizalimi Eizhan, kekasihnya sendiri, Nur Naziha mula membenci lelaki. Dia kemudiannya bekerja di sebuah farmasi di Mentakab. Di situ, dia diburu cinta Lokman Azad, duda kematian isteri. Lemas dikejar cinta duda itu, Nur Naziha nekad letak jawatan dan kembali ke Kuala Lumpur. Tetapi, di kota raya itu juga hidupnya tidak aman. Eizhan yang tidak pernah melupakan Nur Naziha, terus mencari dan menagih cintanya. Begitu juga dengan Marzuki, abang tiri Eizhan yang ligat memburu Nur Naziha untuk memuaskan keegoannya. Kemudian, kemelut semakin meruncing apabila muncul Ridzuan Hakeem, seorang kanak-kanak lelaki comel di dalam hidup mereka. Siapakah sebenarnya Marzuki dalam hidup Nur Naziha? Dan siapakah kanak-kanak yang bernama Ridzuan Hakeem itu? Di antara Eizhan, Marzuki dan Lokman Azad, di pangkuan siapakah kasih Nur Naziha mendarat?
“Terimalah lelaki yang mencintai kita lebih dari–pada kita mencintai dia.” Bolehkah ungkapan ini digunakan oleh Qaireena Asyikin untuk menerima semula huluran kasih Johan? Lelaki itu pernah dicintainya suatu waktu dahulu, namun dia terpaksa berkorban kasih apabila Johan memilih kakaknya, Qairun Annesa sebagai isteri tanpa sebab yang pasti. Kini, Qairun Annesa telah kembali kepada-NYA. Kemelut membelenggu diri apabila Johan mula menagih kasihnya. Desakan daripada orang tuanya agar menerima Johan juga benar-benar membuatkan dia tersepit.
Simple and concise explanations - using the minimum of linguistic terminology Examples and activities use the vocabulary and topics familiar to school students A wide range of individual, pair and group activities that focus on using grammar to communicate Each chapter includes hints on useful expressions, cultural notes and errors to avoid Each chapter is self-contained, with cross-references to related grammar points in other chapters Glossary of relevant terms.
Every night, Adachi transforms into a nightmarish creature--and every morning, he reverts to human form. When he encounters his ostracized classmate Yano Satsuki in his monstrous state, the two develop a peculiar bond. But daylight brings its own form of terrors. Which is worse, the monsters at night, or the cruel realities of the classroom by day?
This highly informative book explores the world of Post-Soeharto Indonesian audio-visual media in the exiting era of Reform. From a multidisciplinary approach it considers a wide variety of issues such as mainstream and alternative film practices, ceremonial and independent film festivals, film piracy, history and horror, documentary, television soaps, and Islamic films, as well as censorship from the state and street. Through the perspective of discourses on, and practices of film production, distribution, and exhibition, this book gives a detailed insight into current issues of Indonesia’s social and political situation, where Islam, secular realities, and ghosts on and off screen, mingle or clash.
AN INDEPENDENT BEST BOOKS ON RELIGION 2014 PICK Few things provoke controversy in the modern world like the religion brought by Prophet Muhammad. Modern media are replete with alarm over jihad, underage marriage and the threat of amputation or stoning under Shariah law. Sometimes rumor, sometimes based on fact and often misunderstood, the tenets of Islamic law and dogma were not set in the religion’s founding moments. They were developed, like in other world religions, over centuries by the clerical class of Muslim scholars. Misquoting Muhammad takes the reader back in time through Islamic civilization and traces how and why such controversies developed, offering an inside view into how key and controversial aspects of Islam took shape. From the protests of the Arab Spring to Istanbul at the fall of the Ottoman Empire, and from the ochre red walls of Delhi’s great mosques to the trade routes of the Indian Ocean world, Misquoting Muhammad lays out how Muslim intellectuals have sought to balance reason and revelation, weigh science and religion, and negotiate the eternal truths of scripture amid shifting values.
This grammar is a complete reference guide to the language of Indonesia as used by native speakers. The book is organised to promote a thorough understanding of Indonesian grammar. It presents the complexities of Indonesian in a concise and readable form. An extensive index, cross-referencing and a generous use of headings will provide readers with immediate access to the information they require. Key features: to aid clarity, all word groups and structures discussed are illustrated by natural examples of frequently used words and expressions each section can be read independently, enabling the reader to focus on a specific aspect of the language, if required all major structures of Indonesian, from words to complex sentences are described in detail common grammatical terms used are all clearly defined in an extensive glossary. By providing a comprehensive description of Indonesian in a clear and non-technical manner, this grammar makes an ideal reference source for all users of the language, whether in colleges, universities or adult education classes of all types. James Neil Sneddon was Associate Professor in the Faculty of Asian and International Studies at Griffith University, with long experience teaching Indonesian language and linguistics. He is also author of Understanding Indonesian Grammar. Alexander Adelaar is Principal Fellow in the Asia Institute at the University of Melbourne. He is author of a number of books on Austronesian linguistics. Dwi Noverini Djenar lectures in the Department of Indonesian Studies at the University of Sydney. She is author of Semantic, Pragmatic and Discourse Perspectives of Preposition Use: A study of Indonesian locatives. Michael C Ewing is a senior lecturer in Indonesian Studies at the Asia Institute at the University of Melbourne. He is author of Grammar and Inference in Conversation: Identifying clause structure in spoken Javanese.