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Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.
"This quiet character study... succeeds on several levels, but its most potent component is the clearly recognizable and utterly naked humanity." -- Publishers Weekly (starred review) "Campbell's watercolouring effects take his art into vivid new horizons ... [his] images skilfully complement and sometimes counterpoint White's witty third-person, documentary-style narrative ... This saucy satirical portrait is pure delight."-- Paul Gravett, author of Graphic Novels: Stories to Change Your Life "Wholly original, painfully astute and -- wonder of wonders -- surprisingly redemptive."-- Steve Duin, The Oregonian "The most satisfying piece of fiction I've experienced this year of any format. I really can't recommend it highly enough."-- Avoid the Future "There's a great emotional impact as the book progresses, underscored by Campbell's art. The Playwright is a touching and masterful work that is definitely one of the •must own' graphic novels of 2010."--Chad Nevett, Comic Book Resources Praise for Eddie Campbell (Alec, From Hell): "No one else in the medium combines emotional truth, literary intelligence, and formal daring with such adroitness and elegance."-_ Booklist "Campbell is one of the premier cartoonists of his generation."-- Publishers Weekly Artist Eddie Campbell and writer Daren White have teamed up to present a most peculiar love story. The Playwright rather enjoys a quiet moment in the local park. It is a good place to mentally sort his ideas, and is often frequented by pretty young ladies. He once saw a pigeon defecate onto a businessman's shoulder. It struck him as absurd that such an event is often considered lucky. Surely the luck lies with passers-by who, statistically, are far less likely to be similarly soiled at that precise moment. Similarly, the Playwright has always derived an almost perverse sense of relief upon receiving news that an old friend has developed prostate cancer. Because statistically, he reasons, such news significantly reduces the chances of himself being similarly afflicted. And to be honest, at his age, his prostate needs all the statistical support he can muster... The Playwright: a dark comedy about the sex life of a celibate middle-aged man.
"Structured as an evening in the theatre, this book is analytical but straightforward, serious but entertaining. Mayo Simon presents a working playwright's view of what really happens between the stage and the audience, from the beginning of the play until the end." --BOOK JACKET.
(Applause Books). Clifford Odets through his plays, which include "Waiting for Lefty" and "Awake" and "Sing!", was the champion of the oppressed, avenger for the poor. He and his plays, as presented by the influential Group Theatre, were the conscience of America during the Depression. Author Margaret Brenman-Gibson, a respected psychoanalyst and close personal friend, penned what is considered the classic biography of Odets. Based on exhaustive research, including access to his personal papers, plus her own insights into the man and his career, it is at last back in prtin. The book is richly annotated, with a thorough bibliography, personal chronology, a list of Odets' works, published and unpublished, and a section of rare photographs.
Addressing the questions central to any playwright's career and identity, Jon Klein offers you a glimpse into a career writing for the theatre. As well as an account of the day-to-day life of a writer, he also discusses what an aspiring playwright should expect as they navigate the industry and how to make yourself stand out from the crowd. Furthermore, the book looks at situations that the emerging playwright is likely to encounter, including: handling rehearsals, workshops, castings, re-writing, venues, reviews, successes and failure. The book concludes with seventeen interviews with other USA-based playwrights, representing a wide range of experience, from writers just starting to make a name for themselves to seasoned, award-winning veterans such as Sheila Callaghan, Steven Dietz, Keith Glover, Lauren Gunderson, John Pielmeier and Jen Silverman. Author Jon Klein has a wealth of experience with over 30 of his plays produced in the USA and over 100 productions, including include T Bone N Weasel, Dimly Perceived Threats to the System, Betty the Yeti, and his most recent play, Resolving Hedda. Klein draws upon the lessons he has learned from his associations with numerous established theatre folk, many from the start of their careers. These include figures such as Bob Falls, Gregory Hines, Jon Jory, Kenny Leon, Dan Sullivan, and August Wilson.clude figures such as Bob Falls, Gregory Hines, Jon Jory, Kenny Leon, Dan Sullivan, and August Wilson.
(Applause Books). A series of 13 written workshops covering: conflict and character: the dominant image: Tennessee Williams and Arthur Miller; Overheard voices: Ibsen and Shakespeare; The solo performance piece: listening for stories; Terror and vulnerability: Ionesco; The point of absurdity: creating without possessing: Pinter and Beckett; and much more.
The interaction between the ideas of the playwright and the know-how of the dramaturg is vital to the success of any production. But not every writer is accustomed to thinking like a dramaturg. The Collaborative Playwright changes that by offering a lively dialogue between a highly successful playwright, Bruce Graham, and an equally accomplished dramaturg, Michele Volansky, supported by hands-on exercises to get you thinking and writing in new ways. The Collaborative Playwright gives you professional advice on how to get started with a play, how to structure it to be performed, and how to work with a dramaturg to turn it into a staged production. Graham and Volansky's fun, smart conversation offers step-by-step advice on each of the components of the craft - exposition, rhythms, characterization, structure, and story generation - all illustrated with clear examples from Graham's own plays. But unlike other books that advise playwrights, The Collaborative Playwright is written from two points of view: the playwright's and the dramaturg's. It's both friendly and packed with indispensable nuggets of information, including interviews with more than thirty current theatre artists whose collective advice articulates some of the more practical aspects of working in the theatre - knowledge that playwrights need as they write. Want to write plays that work as well on stage as they do in your head? Read The Collaborative Playwright, listen in as two theatre veterans discuss the crucial characteristics of good writing, and find out why, if you're writing for the theatre, it pays to listen to your dramaturg.
Honestly the best science I've ever done and - frankly the best science in the history of humankind - has started with the same thought experiment: find the ways in which humanity thinks it is special... and assume that we're not. How do you plan for a catastrophe? Virologist Nathan Wolfe, named one of TIME's 100 Most Influential People in the World for his work tracking viral pandemic outbreaks, proposed pandemic insurance years before the novel coronavirus outbreak. No one bought it. Now, in a post-COVID world, we hear his story. A time-jumping tale based on the life and work of Nathan Wolfe (who also happens to be the playwright's husband). Though not a play about COVID19, it is a true story of a pandemic expert. A deep dive into the profundities of scientific exploration and modern Judaism, the lengths one goes for love and family, the bracing truths of fatherhood and discovery, and the harrowing realities of facing your own mortality, The Catastrophist is also a story of a main character battling the story he's in... and who is writing it.
Happily married, backed by a powerful mentor, and with career prospects that would take him abroad, Serguey has more than any young Cuban lawyer could ask for. But when his estranged brother Victor appears with news that their father--famed theater director Felipe Blanco--has been detained for what he suspects are political reasons, Serguey's privileged life is suddenly shaken. A return to his childhood home in Havana's decaying suburbs--a place filled with art, politics, and the remnants of a dissolving family--reconnects Serguey with his troubled past. He learns of an elusive dramaturge's link to Felipe, a man who could be key to his father's release. With the help of a social media activist and his wife's ties with the Catholic Church, Serguey sets out to unlock the mystery of Felipe's arrest and, in the process, is forced to confront the reasons for the hostility between him and Victor: two violent childhood episodes that scarred them in unforgettable ways. On the verge of imprisonment, Serguey realizes he must make a decision regarding not just his father, but his family and his own future, a decision which, under the harsh shadow of a communist state, he cannot afford to regret.