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(Applause Books). Warning: The plays of Political Stages do not make for a quiet evening of theatre. These are the plays which got audiences out of their seats, and sometimes out into the streets. Their words and ideas rumbled ominously down the marble hallways of legislatures and challenged, even threatened, and often changed, the thinking of millions. These are the plays which either lit or reflected the fires of those political controversies which blazed across the American Twentieth Century. Individually, each is a molotov cocktail tossed onto the stage, each a political movement encapsulated in dramatic form. Combined, they constitute both a conflagration and a record of American political and theatrical ideology. Never before, however, have they been collected in one explosive volume. In Political Stages , they have at last been preserved, ever ready to serve at the barricades of subsequent eras. Includes works by Tennessee Williams, Emily Mann, Clifford Odets, Langston Hughes, and others.
While some of Shaw’s earlier plays are still performed, his later plays, such as the ones in this volume, are barely known. As the collective title indicates, the themes here are political; yet, frankly, it is doubtful how seriously we can now take Shaw as a political thinker. Despite writing in the 1930s, he has little to say of the nature of totalitarianism: although he satirises Fascist dictators in “Geneva”, the satire is disappointingly mild. Neither did Shaw appear to foresee (on the evidence of these plays, at least) the imminent collapse of the British Empire.But it is Shaw the dramatist rather than Shaw the political philosopher who still holds our attention – even in plays as explicitly political as these. He had a sharp intellect and a quirky sense of humour, and his dialogue still glints and sparkles: he couldn’t write a dull line if he tried. No matter how serious the themes he addresses, the crispness of his writing and his lightness of touch still scintillate.Shaw seems, perhaps unfairly, out of fashion nowadays. But even in these lesser-known works, he demonstrates his matchless ability, still undimmed, to provoke and to entertain.
Barry, award-winning author of "
Playing Politics, a rational-choice workbook of sixteen games, is designed to help students understand the logic behind political decision-making, from creating a constitution to formulating foreign policy.
Although now celebrated as a world-leading playwright, Caryl Churchill has received little attention for her socialism, which has been frequently overlooked in favour of emphasising gendered identities and postmodernist themes. Churchill’s Socialism examines eight of Churchill’s plays with reference to socialist theories and political movements. This well-researched and dynamic new book reframes Churchill’s work, positioning her plays within socialist discourses, and producing persuasive political readings of her drama that reflect much more of the political challenge that the plays pose. It additionally explores her uneasy relationship with postmodernism, which presents itself particularly in Churchill’s later plays. The book contains a very helpful chapter on socialist contexts, which outlines some of the key events, debates, and movements during the late 1960s up until the early 2000s. This chapter also offers an incisive critique of the easy acceptance by some socialists of a postmodernist rejection of grand narratives and political agency. An in depth examination of the rarely explored interconnections of utopianism and theatre, forms another chapter, where all eight of Churchill’s plays, Light Shining in Buckinghamshire, Vinegar Tom, Top Girls, Fen, Serious Money, Mad Forest, The Skriker, and Far Away, are introduced. The plays are then discussed in pairs in a further four chapters with reference to communist historiography, the class/gender intersection, the end-of-history thesis, ecocritical challenges and postmodernism.
World-renowned historian Howard Zinn has turned to drama to explore the legacy of Karl Marx and Emma Goldman and to delve into the intricacies of political and social conscience perhaps more deeply than traditional history permits. Three Plays brings together all this work, including the previously unpublished Daughter of Venus, along with a new introductory essay on political theater, and prefaces to each of the plays.
First published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.
This is a collection of five plays by Arthur Milner. They were first produced between 1984 and 1990, during a period when the author was playwright-in-residence at the Great Canadian Theatre Company in Ottawa, Canada. All feature Milner’s fast-paced dialogue, quick and unexpected humor, and sharp political eye.
What were Shakespeare's final thoughts on history, tragedy, and comedy? Shakespeare's Last Plays focuses much needed scholarly attention on Shakespeare's "Late Romances." The work--a collection of newly commissioned essays by leading scholars of classical political philosophy and literature--offers careful textual analysis of Pericles, Prince of Tyre, Cymbeline, The Winter's Tale, The Tempest, All is True, and The Two Noble Kinsmen. The essays reveal how Shakespeare's thought in these final works compliments, challenges, fulfills, or transforms previously held conceptions of the playwright and his political-philosophical views.
Hurricane Agnes struck the United States in June of 1972, just months before a pivotal election and at the dawn of the deindustrialization period across the Northeast. The response by local, state, and national officials had long-term consequences for all Americans. President Richard Nixon used the tragedy for political gain by delivering a generous relief package to the key states of New York and Pennsylvania in a bid to win over voters. After his landslide reelection in 1972, Nixon cut benefits for disaster victims and then passed legislation to push responsibility for disaster preparation and mitigation on to states and localities. The impact led to the rise of emergency management and inspired the development of the Federal Emergency Management Agency (FEMA). With a particular focus on events in New York and Pennsylvania, Timothy W. Kneeland narrates how local, state, and federal authorities responded to the immediate crisis of Hurricane Agnes and managed the long-term recovery. The impact of Agnes was horrific, as the storm left 122 people dead, forced tens of thousands into homelessness, and caused billions of dollars in damage from Florida to New York. In its aftermath, local officials and leaders directed disaster relief funds to rebuild their shattered cities and reshaped future disaster policies. Playing Politics with Natural Disaster explains how the political decisions by local, state, and federal officials shaped state and national disaster policy and continues to influence emergency preparedness and response to this day.