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This title, first published in 1988, examines the influence of the Jacobean masque on the plays of Francis Beaumont and John Fletcher. The author examines the ways in which the plays of Beaumont and Fletcher represent not only a great expression of human emotion, but how they are also a fine example of the growth and change of dramatic form. This title will be of interest to students of drama, literature and performance studies.
A fascinating insight into court entertainment - encompassing dance, music and performance - in the age of Shakespeare.
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Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
The Life of William Shakespeare is a fascinating and wide-ranging exploration of Shakespeare's life and works focusing on oftern neglected literary and historical contexts: what Shakespeare read, who he worked with as an author and an actor, and how these various collaborations may have affected his writing. Written by an eminent Shakespearean scholar and experienced theatre reviewer Pays particular attention to Shakespeare's theatrical contemporaries and the ways in which they influenced his writing Offers an intriguing account of the life and work of the great poet-dramatist structured around the idea of memory Explores often neglected literary and historical contexts that illuminate Shakespeare's life and works
Geoffrey Parker has remarked that the Spanish Armada, though a disastrous defeat, was a considerable psychological success. Deep into the seventeenth century the specter of a returning armada haunted England. Twice in the middle of James I’s reign alarms occurred. One grew out of the king’s plan, opposed by Spain, to marry his daughter Elizabeth to the Calvinist elector of the Palatinate. The other derived from a rekindling of the disputed succession in the Cleves-Jülich duchies in the lower Rhineland, into which Spanish forces intervened militarily, while England suspected the formation of a large Spanish-led Catholic league, seemingly bent on invasion, which caused a few days of panic in London. Both scares were based on misinformation and rumor, worsened by longstanding English anxiety over Spanish designs and doubts about the loyalty of English Catholics, the persecution of whom intensified. The latter scare occasioned the appearance in London of a satirical print, long thought in England to be lost, of James holding the pope’s nose to the grindstone, but a copy sent to Madrid by the Spanish ambassador has survived, and, reproduced here, preserves what appears to be the oldest known example of English political satire in the print medium.