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Kids "meet" the presidents and explore our country's history with this exciting collection of read-aloud, reproducible plays. Subjects include: George Washington, Abraham Lincoln, Theodore Roosevelt, John F. Kennedy, Bill Clinton, and many more. With background information, discussion questions, and writing activities to extend learning. The dramatic way to highlight this election year! For use with Grades 5-8.
"Looking at the athletic strengths, feats, and shortcomings of our presidents, John Sayle Watterson explores not only their health, physical attributes, personalities, and sports IQs, but also the increasing trend of Americans in the past century to equate sporting achievements with courage, manliness, and political competence."--Dust jacket [p. 2].
Not every presidential visit to the theatre is as famous as Lincoln's last night at Ford's, but American presidents attended the theatre long before and long after that ill-fated night. In 1751, George Washington saw his first play, The London Merchant, during a visit to Barbados. John Quincy Adams published dramatic critiques. William McKinley avoided the theatre while in office, on professional as well as moral grounds. Richard Nixon met his wife at a community theatre audition. Surveying 255 years, this volume examines presidential theatre-going as it has reflected shifting popular tastes in America.
This study closely analyzes key works by five pivotal playwrights: Sidney Kingsley, Arthur Miller, David Mamet, August Wilson, and Suzan-Lori Parks, in a comparison of the treatment of money in a range of American plays from the Great Depression to the early twenty-first century. Money emerges as a site of anxieties regarding the relation of signs to the real: a “monstrous” substance that seems to breed itself from itself; a dangerous abstraction that claims for itself a “hard” reality, transforming lived reality into an abstraction. At the same time, money’s self-generating properties have made it a serviceable metaphor for the American ideal of “self-making”; money’s ability to exchange means for ends, abstract for concrete, representation for real, has made it an emblem of our postmodern condition. Money has been conceived as a malevolent force robbing us of our natural relation to the world and to ourselves, and as an empowering one with which we may remake this relation. This ambivalence about money constitutes an important animating tension of American drama. Furthermore, anxieties surrounding money resemble in important ways anxieties surrounding theatre, and the plays’ treatment of money reveals interesting tensions between a persistent American dramatic realism and naturalism, and a philosophical and aesthetic postmodernism.
Playbook
In an alternate universe light-years away from our own is a planet called Earth. It looks a lot like our Earth, except it’s slightly different. And living on this other Earth is a woman named Hillary. Hillary is trying to become the president of a country called the United States of America. It’s 2008 and she’s campaigning in a state called New Hampshire. She’s not doing very well in the polls. She needs more money to keep the campaign going, so she calls her husband for help. He offers her a deal, a tough deal, but when she gets his help, she gets more than she bargained for. You may think you know where this story is going, but you don’t. After all, the play takes place in an alternate universe where anything can happen.
...easily the best society columnist in town, and in the country. --TIME
"This is LIFE, people! You've got air coming through your nose! You've got a heartbeat! That means it's time to do something!" announces Kid President in his book, Kid President's Guide to Being Awesome. From YouTube sensation (75 million views and counting!) to Hub Network summer series star, Kid President—ten-year-old Robby Novak—and his videos have inspired millions to dance more, to celebrate life, and to throw spontaneous parades. In his Guide to Being Awesome, Kid President pulls together lists of awesome ideas to help the world, awesome interviews with his awesome celebrity friends (he has interviewed Beyoncé!), and a step-by-step guide to make pretty much everything a little bit awesomer. Grab a corn dog and settle in to your favorite comfy chair. Pretend it's your birthday! (In fact, treat everyone like it's THEIR birthday!) Kid President is here with a 240-page, full-color Guide to Being Awesome that'll spread love and inspire the world.
"Eve of Retirement" focuses on a triangle from hell: Holler, a Chief Justice and former commandant of a concentration camp and his two sisters - Vera, who dances attention on him to the point of incest, and the left-wing Clara, who sullenly resists them as much as a paraplegic in a wheelchair can. An American bombing raid in the last days of the war landed her in this plight. With typical contrariness, Holler feels both that this did the family a favour in putting a stop to her political activism, and that her condition symbolises his nation's victimhood. The protagonist, Rudolf Holler, annually celebrates the birthday of Heinrich Himmler, the head of the Gestapo. To mark the occasion, Holler dons his old SS uniform and forces his anarchist younger sister into a camp inmate's striped shirt