Download Free Playing The Hammered Dulcimer In The Irish Tradition Book in PDF and EPUB Free Download. You can read online Playing The Hammered Dulcimer In The Irish Tradition and write the review.

This book is to encourage dulcimer players at the intermediate-to-advanced level to play the “right” way. If you’re going to play a few Irish tunes, why not play them the way they were intended to be played? Then you can enjoy what other Irish musicians have enjoyed for hundreds of years. This book can teach you several basic, simple techniques that create the feel of traditional Irish music.
"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.
The last quarter of the twentieth-century saw a renewed interest in the hammered dulcimer in the United States at the grassroots level as well as from elements of the Folk Revival. This book offers the reader a discussion of the medieval origins of the dulcimer and its subsequent spread under many different names to other parts of the world. Drawing on articles the author has written in English as well as articles by specialists in their own languages, Gifford explains the history and evolution of the instrument. Special attention is paid to the North American tradition from the early 18th-century to the 1970s revival. Drawing from local histories, news clippings, photographs, and interviews, the book examines the playing of the dulcimer and its associated social meanings.
An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O'Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. the appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don't play the banjo but simply want to expand your knowledge of the Celtic music tradition-you owe yourself this book. the first-ever CD collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is out front and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. the recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O'Carolan tunes. 35 songs in the book are not on the CD.
This collection of dances and songs comes from Peggy Carter’s repertoire of hammered dulcimer arrangements, drawing from years of playing live string-band music for contra dancing, Irish dancing and Royal Scottish country dancing. If you like to dance and sing, you’ll LOVE this book. Dances and Songs to Play and Sing for Hammered Dulcimer includes pieces from many parts of the world, arranged for solo performance or dance accompaniment. It includes songs for voice and dulcimer, which can also be played as solo arrangements. In addition, you’ll find marches, jigs, reels, polkas, strathspeys, waltzes and slow dances. The truth is, when playing for dance, a hammered dulcimer is all you’ll need!
This sizeable collection of hammered dulcimer tunes brings together over 225 old-time and Celtic traditional tunes that are commonly heard at gatherings of old-time musicians. This is music that has been passed down vocally, or learned by ear instrumentally, and derived from countries where many of our ancestors originated. Trying to separate American and Celtic traditional music is an impossible task, as so many of the tunes we consider our own are adapted versions of tunes passed on to us from other countries and would fit into either category. This book therefore features favorite selections from both American and Celtic traditions. These instrumental arrangements are written in standard notation only with chord symbols.
Northern Ireland remains a divided community in which traditional culture is widely understood as a marker of religious affiliation and ethnic identity. David Cooper provides an analysis of the characteristics of traditional music performed in Northern Ireland, as well as an ethnographic and ethnomusicological study of a group of traditional musicians from County Antrim. In particular, he offers a consideration of the cultural dynamics of Northern Ireland with respect to traditional music.
Join journalist-turned-culinary historian Nola McKey on a Texas journey as she explores the state’s foodways through heirloom recipes. In this collection of more than one hundred third-generation (and older) recipes, Texans share not only the delicious dishes they inherited from their ancestors but the stories and traditions that accompany them. With a strong focus on Texas’ cultural diversity—recipes include Norwegian rosettes, Italian pizzelle, Czech sauerkraut, Chinese fried rice, Mexican caldo, Wendish noodles, and African American purple hull peas—McKey documents the culinary impact of ethnic groups from around the globe. But this book is not for foodies alone; history enthusiasts will appreciate the snapshots of daily Texas life captured in the narratives accompanying recipes that span more than a century. Told primarily in the words of today’s cooks, these multigenerational family recollections can take anyone on a trip down memory lane, back to a beloved grandmother’s kitchen or a great-aunt’s holiday table. Additionally, McKey provides tips for preserving your own family recipes and for recording the heritage surrounding a special dish. She also includes recommendations for festivals and museums where readers can learn more about Texas foods and cultures. Illustrated with family photos and original watercolors by Cora McKown, From Tea Cakes to Tamales: Third-Generation Texas Recipes will, itself, quickly become a Texas family heirloom.
An exciting collection of music for the hammered dulcimer as heard on Maggie Sansone's acclaimed recording A Celtic Fair. America's premier hammered dulcimer recording artist and player, Maggie has created a perfect collection for all levels of playing, including both a beginning melody-only version and challenging intermediate versions with variations, ornaments, flams and bass runs. Two early music pieces included present the melody and a version for duet and quartet with bass line. the music is drawn from jigs, reels and airs from Ireland, Scotland and Brittany, France and Renaissance dance manuscripts. the sheet music is presented as the basic melody with chords and many of the tunes include a variety of advanced techniques (ornamentation, flams, rolls, use of bass lines, use of unusual modes and scales and interesting chord substitution) to add spice to the arrangements and challenge the player to reach towards the next level of advanced performance. Audio CD included.
The tunes in this collection were chosen from Peggy Carter’s half-century of performing, teaching, and arranging music for the hammered dulcimer. This anthology contains 60 tunes arranged especially for novice to intermediate-level players of the 12/11 dulcimer, including suggestions for note reading, hammering patterns and embellishments. Playing the dulcimer is not effortless, but it should be fun! The title tune, “Dulcimer Frolic,” is a family heirloom originally written for mandolin by Peggy’s grandfather in the early 1920s; transcribed for hammered dulcimer, the tune really lives up to its name. In fact, every tune in the collection is designed for fun and frolic. Some have lyrics, some are presented as bare-bones melodies, and some are embellished. You’ll find that these arrangements bring out the best in all of them.