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We create the characters that people our lives. Although others appear to us to be who they just 'are', there are complicated unconscious psychological processes that lead us to experience people in ways that we ourselves construct. This book analyzes how four pairs of people...
We create the characters that people our lives. Although others appear to us to be who they just 'are', there are complicated unconscious psychological processes that lead us to experience people in ways that we ourselves construct. This book analyzes how four pairs of people, central in each other's lives, 'create' one another. It demonstrates how each of us is like a theater director, casting others into roles on our stage, even as others are casting us into their dramas.
This carefully crafted ebook: "Pygmalion (Complete Illustrated Edition)" is formatted for your eReader with a functional and detailed table of contents. Excerpt: "It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him." (Pygmalion, Preface) Named after a Greek mythological character the play was first presented on stage to the public in 1913. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence and has been successfully adapted into a motion picture and a musical comedy. George Bernard Shaw (1856 - 1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938). This carefully crafted ebook: "Pygmalion (Complete Illustrated Edition)" is formatted for your eReader with a functional and detailed table of contents. Excerpt: "It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him." (Pygmalion, Preface) Named after a Greek mythological character the play was first presented on stage to the public in 1913. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence and has been successfully adapted into a motion picture and a musical comedy. George Bernard Shaw (1856 - 1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938). This carefully crafted ebook: "Pygmalion (Complete Illustrated Edition)" is formatted for your eReader with a functional and detailed table of contents. Excerpt: "It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him." (Pygmalion, Preface) Named after a Greek mythological character the play was first presented on stage to the public in 1913. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence and has been successfully adapted into a motion picture and a musical comedy. George Bernard Shaw (1856 - 1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded ...
Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913.
The most successful play by the Nobel Prize–winning Irish playwright, and basis for the movie and Broadway musical My Fair Lady. Based on the Greek legend of Pygmalion and Galatea, George Bernard Shaw’s witty adaptation features linguistic expert Professor Henry Higgins, who encounters a cockney flower seller named Eliza Doolittle. Boasting that he could pass Eliza off as a duchess by teaching her to speak correctly and polishing up her manners, Higgins does not believe he will ever have to prove his claim—until Eliza shows up on his doorstep asking for elocution lessons. Eliza’s subsequent transformation fools London society, but makes both Eliza and Higgins question whether they can return to the lives they had before their extraordinary experiment. “Pygmalion, written in 1912 at a time when women’s suffrage was making daily headlines, stages both Shaw’s progressive belief in the equality of the sexes, as well as his satire of the defiant persistence of Victorian customs and the English class system in the face of inevitable social progress.” —BroadwayWorld
Read the play that became the film My Fair Lady “I sold flowers. I didn't sell myself. Now you've made a lady of me I'm not fit to sell anything else.” ― George Bernard Shaw, Pygmalion In George Bernard Shaw's classic drama, Pygmalion, Professor Henry Higgins transforms a low-class flower-seller into a lady, all through changing the way she speaks. This funny, romantic and thought-provoking play is a classic work that should be read by all fans of Eliza Doolittle. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
This title was published in 2001. Pygmalion and Galatea presents an account of the development of the Pygmalion story from its origins in early Greek myth until the twentieth century. It focuses on the use of the story in nineteenth-century British literature, exploring gender issues, the nature of artistic creativity and the morality of Greek art.
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Pygmalion is a play by George Bernard Shaw, named after a Greek mythological character. It was first presented on stage to the public in 1912. Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea first presented in 1871. Shaw also would have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and the film of that name. Shaw mentions that the character of Professor Henry Higgins was inspired by several British professors of phonetics: Alexander Melville Bell, Alexander J. Ellis, Tito Pagliardini, but above all, the cantankerous Henry Sweet.
There's good news for everyone who loves Bernard Shaw: because his works are going out of copyright, we can expect to see many more productions of his wonderful plays - and to be surprised again by his insight, humor, and relevance. Pygmalion (more familiar in its musical form - My Fair Lady) is probably his most popular play - and his most surprising one. In Pygmalion's Wordplay, I argue that long before the postmodernists came along, Shaw intuited their ideas about language and explored them in Pygmalion. This is a book for anyone who loves Shaw and is curious about postmodern ideas about language. In Shaw's hands, Eliza Doolittle's story becomes an enduring work of literature - and the ideas of Derrida, Saussure, and other postmodernists become provocative and accessible.