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An introduction to linear time playing. The first section contains basic exercises for linear playing skills: voice coordination, dynamic balance, accenting, and more. The second section deals with the development of time feels in the linear style, including 4/4, half-time, shuffle, and odd meter feels.
Playing for time explores connections between theatre time, the historical moment and fictional time. Geraldine Cousin persuasively argues that a crucial characteristic of contemporary British theatre is its preoccupation with instability and danger, and traces images of catastrophe and loss in a wide range of recent plays and productions. The diversity of the texts that are examined is a major strength of the book. In addition to plays by contemporary dramatists, Cousin analyses staged adaptations of novels, and productions of plays by Euripides, Strindberg and Priestley. A key focus is Stephen Daldry's award-winning revival of Priestley's An Inspector Calls, which is discussed in relation both to other Priestley 'time' plays and to Caryl Churchill's apocalyptic Far Away. Lost children are a recurring motif: Bryony Lavery's Frozen, for example, is explored in the context of the Soham murders (which took place while the play was in production at the National Theatre), whilst three virtually simultaneous productions of Euripides' Hecuba are interpreted with regard to the Beslan massacre of schoolchildren.
In 1943, Fania Fénelon was a Paris cabaret singer, a secret member of the Resistance, and a Jew. Captured by the Nazis, she was sent to Auschwitz, and later, Bergen-Belsen. With unnerving clarity and an astonishing ability to find humor where only despair should prevail, the author charts her eleven months as one of "the orchestra girls"; writes of the loves, the laughter, hatreds, jealousies, and tensions that racked this privileged group whose only hope of survival was to make music.
Shows how different animals live in their own environments.
(Essential Elements for Strings). (Essential Elements for Strings and Essential Elements Interactive are fully compatible with Essential Elements 2000 for Strings) Essential Elements for Strings offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged for the classroom in a unison-learning environment, as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship, even at the beginning stages. Books 1 and 2 also include access to Essential Elements Interactive (EEi) , the ultimate online music education resource - anywhere, anytime, and on any device. Go to www.essentialelementsinteractive.com to learn more! Method features: * Enhanced Starting System * Optimum Reinforced Learning * Pacing * Theory, History, Cross-Curriculum & Creativity * Performance Spotlights Book also includes My EE Library * (www.myeelibrary.com) - Instant Stream/Download/CD-ROM* * Start-up video Learn the basics * Play-along mp3 tracks for all exercises Features a professional orchestra * Duets and trios Print and play parts with friends * Music listening library Hear great pieces for orchestra! *Internet access required for My EE Library . Book includes instructions to order free opt. CD-ROM.
Patterns is one of the most comprehensive drum methods available. Covering a wide range of materials, the books can be used in any order, or in any combination with one another. They are a must for developing the kinds of skills necessary for drumset performance. Time-Functioning Patterns includes materials dealing with rock cymbal ostinatos, jazz independence, and the new linear phrasing concept that Gary developed.
This amazing book and demonstration recording uses proven methods for comprehending and performing complex rhythms to make understanding, performing, and composing in odd meters easy and natural. Also included: Three Steps to Mastery * Rhythm pyramid for all meters * Magic dotted rhythms to make odd meters feel even * Compound meters and combinations of even and odd meters * Applying odd meters to common song forms * Bibliography and Discography of recommended reading and listening. I wish I had a copy of Odd Meter Bass when I was playing with Don Ellis' Band!" Joel DiBartolo, bass for Doc Severson's Tonight Show Band"
Based on more than a decade of practice-based research in prisons across the UK, 'Playing for Time Theatre Company' presents the reader with a rich and invaluable resource for using theatre as an intervention in, transformation, and rehabilitation of the lives of incarcerated people. The book analyses and reflects upon theatre productions staged in HMP Winchester, a medium-security prison, among other sites. As a result of these experiences, McKean has developed a unique model of practice in which undergraduate students work alongside prisoners, developing productions and leading workshops. The work draws on diverse methodologies and approaches, from community theatre practices to forensic psychology and criminology, performance studies to critical theory.
The extraordinary story of the women's orchestra in Auschwitz, originally filmed for television with Vanessa Redgrave, and adapted for the stage by Miller himself. Fania Fénelon, a Parisian singer, is arrested by the Nazis and sent to Auschwitz. There, she finds herself swept into the orchestra, composed entirely of female prisoners and founded as entertainment for the camp commandants. As long as the orchestra continues to find favour, its members will be spared the gas chambers. But Fania is struggling with the corruption of what she holds most sacred in the world - her music - and the morals of the orchestra members are being ground down every day. They are, quite literally, playing for time. Arthur Miller's stageplay Playing for Time is adapted from the 1980 CBS television film, written by Miller himself, and based on acclaimed musician Fania Fénelon's autobiography The Musicians of Auschwitz. The television film starred Vanessa Redgrave as Fénelon. The stageplay was first staged at 1-Act Theatre, San Francisco, in 1985.
This is the second book I the Complete Piano Player course and is every bit as rewarding as the first. You will learn how to play songs by Elvis Presley, Rod Stewart, The Beatles and more, while introducing new notes for both hands, extending past the range of the original five-finger position. Letter names will appear alongside new notes only. Carefully follow the lessons and you will find you have learned all about accidentals, chord symbols, dotted rhythms and wrist staccato, as well as having increased your repertoire and grown as a musician Remember playing little and often is the best way to make rapid progress and become the complete piano player. Songlist: - A Hard Days Night [The Beatles] - Bright Eyes [Art Garfunkel] - By The Time I Get To Phoenix [Glen Campbell] - Danny Boy (Londonderry Air) [Trad.] - Guantanamera [Trad.] - He'll Have To Go [Jim reeves] - Laughing Samba [Edmundo Ros] - Let Him Go, Let Him Tarry [Trad.] - Let It Be [The Beatles] - Liebestraum [Liszt] - My Own True Love (from Gone With the Wind) - Plaisir D'amour [Martini] - Puff The Magic Dragon [Peter, Paul & Mary] - Sailing [Colin Downs] - Silent Night [Trad.] - Take Me Home Country Roads [John Denver] - The Winner Takes It All [ABBA] - Those Lazy Crazy Days Of Summer [Nat king Cole] - Under The Bridges Of Paris [Dean Martin] - What Kind Of Fool Am I? - William Tell Overture – Theme [Rossini] - Wooden Heart [Elvis Presley]