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Playing in the Shadows considers the literature engendered by postwar Japanese authors’ robust cultural exchanges with African Americans and African American literature. The Allied Occupation brought an influx of African American soldiers and culture to Japan, which catalyzed the writing of black characters into postwar Japanese literature. This same influx fostered the creation of organizations such as the Kokujin kenkyū no kai (The Japanese Association for Negro Studies) and literary endeavors such as the Kokujin bungaku zenshū (The Complete Anthology of Black Literature). This rich milieu sparked Japanese authors’—Nakagami Kenji and Ōe Kenzaburō are two notable examples—interest in reading, interpreting, critiquing, and, ultimately, incorporating the tropes and techniques of African American literature and jazz performance into their own literary works. Such incorporation leads to literary works that are “black” not by virtue of their representations of black characters, but due to their investment in the possibility of technically and intertextually black Japanese literature. Will Bridges argues that these “fictions of race” provide visions of the way that postwar Japanese authors reimagine the ascription of race to bodies—be they bodies of literature, the body politic, or the human body itself.
Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Young readers will learn how shadows are made with light in this accessible, photo-filled book. Simple text explains different kinds of shadows and teaches students how they can make their own shadows. Vibrant photos bring basic science concepts to life and encourage kids to explore the shadows they see every day.
Swordplay, magic, intrigue and friendships stronger than iron: the first volume in the new swashbuckling fantasy series set in the universe of THE GREATCOATS. Damelas Chademantaigne picked a poor night to flee a judicial duel. He has precious little hope of escaping the wrath of the Vixen, the most feared duellist in the entire city, until he stumbles through the stage doors of the magnificent Operato Belleza and tricks his way into the company of actors. An archaic law provides a temporary respite from his troubles - until one night a ghostly voice in his head causes Damelas to fumble his lines, inadvertently blurting out a dreadful truth: the city's most legendary hero may actually be a traitor and a brutal murderer. With only the help of his boisterous and lusty friend Bereto, a beautiful assassin whose target may well be Damelas himself, and a company of misfit actors who'd just as soon see him dead, this failed grandson of two Greatcoats must somehow find within himself the courage to dig up long-buried truths before a ruthless band of bravos known as the Iron Orchids come for his head. Oh, and there's still that matter of the Vixen waiting to duel him . . . Readers love Play of Shadows! 'De Castell's masterful writing weaves an impressive tale with a fantastic plot, intriguing characters, and wondrous storybuilding. Another masterpiece' - 5* reader review 'If you are looking for a swashbuckling adventure with a dash of romance and a leaven of humour, then go out and get a copy of this book' - 5* reader review 'Everything that you come to expect from a Greatcoats world book - swashbuckling, emotional rollercoaster, a hero to root for and a great cast of characters some you will love and some you will hate' - 5* reader review
"Offers the first book-length history of the Texas Negro Leagues and the impact African American Texans had on baseball during the first half of the twentieth century. Previously untold historical narrative contributes to sport history studies while asserting Texas's role in the formation, growth, and decline of African American baseball"--Provided by publisher.
This comprehensive approach to functional musicianship at the keyboard includes varied repertoire, theory, technique, sight-reading, harmonization from lead sheets, ear training and ensembles. Great for college non-music majors, continuing education classes, music dealer in-store programs and group piano classes at the middle and high school levels. Book 1 contains 15 units each with a variety of repertoire, exercises, unit review worksheets and an assignment page.
This collection of narratives by four individuals who abandoned Mormonism--"apostates," as Brigham Young and other Latter-day Saint leaders labeled them--provides an overview of dissent from the beginning of the religion to the early twentieth century and presents a wide range of disaffection with the faith or its leaders. Instead of focusing on a single disheartened individual or sect, this collection includes dissenters with different motivations and a wide range of experiences. Some devout Mormon converts, finding Brigham Young's implementation of the Kingdom of God disillusioning, turned their backs on religion in general. Yet most never lost their love for their fellow Mormons or their longing for the ideal society they had dreamed of building. Newspaper articles, personal letters, journals, and sermons provide context for the testaments collected here--those of George Armstrong Hicks, Charles Derry, Ann Gordge, and Brigham Young Hampton. The four range from those who felt Brigham Young had not lived up to the precepts of Mormonism, to "backouts" who gave up and left Utah, to a plural wife who constructed a rich fantasy world, to a devoted Latter-day Saint who gave his all only to feel betrayed by his leaders. Young warned one dissenting group that they were "not playing with shadows," but with "the voice and the hand of the Almighty"; accordingly, many dissenters feared for their livelihoods, and some, for their lives. Historians will value the range of beliefs, opinions, complaints, hopes, and fears expressed in these carefully annotated life histories. An antidote to anti-Mormon sensationalism, these detailed chronicles of deeply personal journeys add subtlety and a human dimension to our understanding of the Mormon past.
"This is absorbing, headlong reading, a play on classic horror with an inventiveness of its own... As with all the best illusions, you are left feeling not tricked, but full of wonder." – The New York Times The haunting new thriller from Alex North, author of the New York Times bestseller The Whisper Man You knew a teenager like Charlie Crabtree. A dark imagination, a sinister smile--always on the outside of the group. Some part of you suspected he might be capable of doing something awful. Twenty-five years ago, Crabtree did just that, committing a murder so shocking that it’s attracted that strange kind of infamy that only exists on the darkest corners of the internet--and inspired more than one copycat. Paul Adams remembers the case all too well: Crabtree--and his victim--were Paul’s friends. Paul has slowly put his life back together. But now his mother, old and suffering from dementia, has taken a turn for the worse. Though every inch of him resists, it is time to come home. It's not long before things start to go wrong. Paul learns that Detective Amanda Beck is investigating another copycat that has struck in the nearby town of Featherbank. His mother is distressed, insistent that there's something in the house. And someone is following him. Which reminds him of the most unsettling thing about that awful day twenty-five years ago. It wasn't just the murder. It was the fact that afterward, Charlie Crabtree was never seen again...
(Guitar Book). Bassist James Jamerson was the embodiment of the Motown spirit and groove the invisible entity whose playing inspired thousands. His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD! Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award!
Lebeau examines the long and uneven history of developments in modern art, science, and technology that brought pychoanalysis and the cinema together towards the end of the nineteenth century. She explores the subsequent encounters between the two: the seductions of psychoanalysis and cinema as converging, though distinct, ways of talking about dream and desire, image and illusion, shock, and sexuality. Beginning with Freud's encounter with the spectacle of hysteria on display in fin-de-siecle Paris, this study offers a detailed reading of the texts and concepts which generated the field of psychoanalytic film theory.