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Playhouse of the Damned is an anthology of short horror plays, hosted by Gus the Ghoul. As Gus says, Welcome to the Playhouse of the Damned. This is the playhouse. Guess what part you play. Heres a hint. In just a few minutes, youll find yourself agreeing with hundreds of theatergoers who have attended our playhouse and said, I'll be damned if I'm going to sit through any more of this!
The first play collection from Anders Lustgarten, "perhaps Britain's most visible and visibly engaged political playwright" (Time Out London), containing plays from the start of his career up to 2015 with the most recent play in the collection, Shrapnel, and one previously unpublished play. The volume includes an introduction by the playwright. A Day at the Racists (2010, Finborough Theatre) is a devastatingly timely examination of the rise of the BNP in London, which attempts to understand why people might be drawn to the BNP and diagnoses the deeper cause of that attraction: the political abandonment and betrayal of the working class by New Labour. If You Don't Let Us Dream, We Won't Let You Sleep (Royal Court Theatre, 2013) offers an exploration of our current government's politics of austerity and a look at possible alternatives. Black Jesus (Finborough Theatre, 2013) unpicks the political complexities of Zimbabwe through the devastating personal journeys of two very different people, both scarred by one of Africa's most notorious dictatorships. Shrapnel (Arcola Theatre, 2015) takes as its subject The Roboski massacre is one of the most controversial episodes in the 'war on terror'. Piecing together the fragments of the tragedy, Anders Lustgarten's startling new play dares to ask what a massacre is made of. Kingmakers (Salisbury Playhouse, 2015) imagines ten years after the signing of Magna Carta when the barons' takeover isn't quite going to plan. With the peasants grumbling about enormous castles and broken promises, the threat of rebellion hangs in the air. This play has not previously been published. The Insurgents (Finborough Theatre, 2007) is Anders Lustgarten's look at contemporary London and its class divide. Private equity has turned the city into a high-fenced playground for a tax-exempt, big business elite. This play has not previously been published.
"This is my first tax return. Thank you...erm for offering to... for helping. I realise it's a bit weird. It's just. This is...it's the only way I can think to make it better. The only way I can think to do it. With other people. Like this." Tax is really, really taxing for Ben Edwards. Self-employed. And afraid... And now he must face his dreaded self assessment form, with every receipt evoking the good times and the bad - memories of things gone wrong, gone right, the journeys he's been on, the relationships that have begun and ended and the people he has lost. As Ben begins to stitch together the patchwork quilt that was the Tax Year 2009/2010, he relives a year that was both hilarious and tragic, all mixed up in one shoe box of receipts. Award-winning playwright James Graham presents an affectionate and funny portrait of one man's year-long experience, pieced together from receipts, shopping and commercial transactions. With a web of narratives, the play's structure is innovative and flexible. In performance, each receipt triggers a unique story and the actor plucks the receipts from the audience's hands at random.
A doorway to a new future is ready to open. We are the hinge of that moment. We will let the door swing wide. On a beautiful spring evening – when both moons are full – two teenagers vow eternal love. It is a moment that will have cataclysmic consequences. Not just for them, but for the world on which they live. A world where Prom Night is a matter of life or death, where weapons are grown and trained like pets, and where a chosen few are hearing a voice. A voice that speaks of ... Karagula. Philip Ridley's extraordinary, form-shattering Karagula is a play of epic proportions. Written in a fractured timescale, it explores our constant need to find meaning. To believe we're here for a reason. To have faith in something. Faith in ... anything. Karagula received its world premiere on 10 June 2016 at a secret London location in one of the largest productions ever staged in the Off-West End.
Our China is now the worst of all worlds. Communist politics controlled by greedy capitalists, raw capitalist economics controlled by corrupt Communists. Because they're all the same people! At least under me, the people knew what they were tightening their belts for. Anders Lustgarten's epic play covers the years 1949 when Chairman Mao founded the Communist Party of China to the present day when investors swoop in to make money off the land. Following a number of characters and generations through these years, it portrays the foundation of modern China. The Sugar-Coated Bullets of the Bourgeoisie, from award-winning playwright Anders Lustgarten, received its world premiere on at the Arcola Theatre, London, on 6 April 2016, in a co-production between the Arcola Theatre and HighTide Festival.
“A plane fell out of the sky, and we happened to be on it” A man hijacks a plane. The plane begins to fall. Fight or flight. Back on the ground, survivors Ray and Sylvia struggle to reconcile their responses to this life-changing event. As cracks appear in their relationship, one closes themselves off, the other can't focus on anything else. A gripping story of the people we become in the aftermath of catastrophe from writer Oli Forsyth. This edition was published to coincide with the world premiere at the Royal Court Theatre in October 2024.
There are numerous publications about the horror genre in film and television, but none that provide information about horror on a legitimate stage until now. This book highlights the most terrifying moments in theater history, from classical plays like Aeschylus' Prometheus Bound and Euripides' Medea to the violence of the Grand Guignol company productions in 18th-century France, and present-day productions like Stephen Sondheim's musical Sweeney Todd, Stephen King's Carrie and dark 21st-century plays by Clive Barker and Conor McPherson. The book compiles the history and behind-the-scenes tales surrounding stage productions about monsters, hauntings and horrors both historical and imagined. Included are the nightmarish adaptations of popular writings from Edgar Allan Poe, Oscar Wilde, H.G. Wells, Henry James, Arthur Conan Doyle, and others, as well as plays starring popular characters like Frankenstein, Dr. Jekyll and Mr. Hyde, the Invisible Man, the Phantom of the Opera, and the Woman in Black. More than 500 plays are documented, accompanied by dozens of photographs. Entries include plot synopses, existing production data, and evaluations by critics and scholars.
'A celebration of the city and its enduring love affair with music and musicians, venues and shops, one which will spark the remembrance of unique, high-octane experiences for all of us' – Ian Rankin Discover Edinburgh's hidden music heritage with this eye-opening guide to the city's musical milestones, famous gigs, infamous incidents and colourful characters. From folk to funk, pop to punk, this compilation of bite-sized stories shines a light on the key people, venues and gigs that have shaped the city's music scene. From Bowie to the Bay City Rollers, Edinburgh's Greatest Hits touches on the big names as well as revealing some lesser-known legends and tall tales. Jim Byers, Fiona Shepherd, Alison Stroak and Jonathan Trew share decades of music fandom and journalism between them and are uniquely placed to explore the capital's music scene, past and present.
This collection highlights exciting new areas of research related to Ben Jonson, including book history, social history and cultural geography.