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Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art.
This study focuses on Romeo and Juliet, Julius Caesar, the four main tragedies and Antony and Cleopatra. Tom McAlindon argues that there were two models of nature in Renaissance culture, one hierarchical, in which everything has an appointed place, and the other contrarious, showing nature as a tense system of interacting opposites, liable to sudden collapse and transformation. This latter model informs Shakespeare's tragedy.
This book is an exploration of the linguistic, structural, historical, and thematic relationships of religion and drama. It is not an attempt to sacralize drama so that it becomes a substitute for religion, nor will it reduce religion to its aesthetic dimension. What does religion tell us about drama, and what does drama tell us about religion? What have been their inter-actions in our tradition? The conversation between religion and culture, drama and Christianity, needs to be ongoing. This book is a contribution to the dialogue, asking questions, pointing towards possible answers, and encouraging others to join in the conversation.
This innovative book provides a historical account of performance space within the theatrical traditions of western Europe. David Wiles takes a broad-based view of theatrical activity as something that occurs in churches, streets, pubs and galleries as much as in buildings explicitly designed to be 'theatres'. He traces a diverse set of continuities from Greece and Rome to the present, including many areas that do not figure in standard accounts of theatre history.
First published in 1992, Theater and World is a detailed exploration of Shakespeare’s representation of history and how it affects the relation between theatre and world. The book focuses primarily on the Second Tetralogy (Richard II, Henry IV Part I, Henry IV Part II, and Henry V) and includes a wealth of analysis and interpretation of the plays. In doing so, it explores a wide range of topics, including the relation between literary and theatrical representations and the world; the nature of illusion and reality; genre; the connection between history and fiction (especially plays); historiography and literary criticism or theory; poetry and philosophy; and irony, both rhetorical and philosophical. Theater and World continues to have lasting relevance for anyone with an interest in Shakespeare’s words and his representation of history in particular.
Cross-dressing in Shakespeare: a context for Elizabethan gender studies
From providential apocalypticism to climate change, this ground-breaking ecocritical study traces the performance history of the storm scene in King Lear to explore our shifting, fraught and deeply ideological relationship with stormy weather across time. This Contentious Storm offers a new ecocritical reading of Shakespeare's classic play, illustrating how the storm has been read as a sign of the providential, cosmological, meteorological, psychological, neurological, emotional, political, sublime, maternal, feminine, heroic and chaotic at different points in history. The big ecocritical history charted here reveals the unstable significance of the weather and mobilises details of the play's dramatic narrative to figure the weather as a force within self, society and planet.
Wisdom's Wonder offers a fresh reading of the Hebrew Bible's wisdom literature with a unique emphasis on "wonder" as the framework for understanding biblical wisdom. William Brown argues that wonder effectively integrates biblical wisdom's emphasis on character formation and its outlook on creation, breaking an impasse that has plagued recent wisdom studies. Drawing on various disciplines, from philosophy to neuroscience, Brown discovers new distinctions and connections in Proverbs, Job, and Ecclesiastes. Each book is studied in terms of its view of moral character and creation, as well as in terms of the social or intellectual crisis each book identifies. Most general treatments of the wisdom literature spend too much time on issues of genre, poetry, and social context at the neglect of discussing the intellectual and emotional power of the wisdom corpus. Brown argues that the real power of the wisdom corpus lies in its capacity to evoke the reader's sense of wonder. An extensive revision and expansion of Brown's Character in Crisis (Eerdmans, 1996), this book demonstrates that the wisdom books are much more than simply advice literature: with wonder as the foundation for understanding, Brown maintains that wisdom is a process with transformation of the self as the goal.
A work of intellectual weaving and braiding. A series of reflections on ritual, drama, profane, culture, theory and practice and their connections to Haitian Vodou.
'People know, you're my boy. And they know better than to lay a fucking finger on you. See? You are safer here with me, than you have ever been.' Liam's 17 years old, loves Dr Who and has lost his mum. He has had to move from London to Wales, to the valleys, to the middle of nowhere, to live with a dad he doesn't know. Whose nickname isn't Violence for nothing.