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Using the concept of play as a common denominator, 11 essays outline the various ways literary creativity can act as a free, open, and speculatively unburdened expression of religious concerns. The examples range from the midrashic implications of early Biblical texts, to 20th-century exegeses. Paper edition (unseen), $12.95. Annotation copyrighted by Book News, Inc., Portland, OR
Play, Pain and Religion is the first consideration of the practices associated with BDSM (bondage, domination, sadism and masochism) in the context of religious studies scholarship. The focus is an exploration of BDSM experience as it emerges from the complex interactions of kink activities and relationship. Experiences categorised by BDSM practitioners as 'religious' and 'spiritual' are commonly described in the same terms, and given the same value, as descriptions of experiences which are not so categorised. Play, Pain and Religion examines practitioner accounts of BDSM experience alongside those practitioners' personal identification with these terms. This book argues that the significance of a given experience is not located solely within any intrinsic quality ascribed to it but in subsequent constructions around the nature and meaning of the event. It examines some such constructions, moving away from absolute definitions of religion or religions to consider the religious as an active process of meaning-, world- and story-making. By using this 'religioning' framework, this book examines ways in which BDSM can potentially be used in such processes. Play, Pain and Religion is a valuable resource for scholars of religion and of kink, for people interested in the complexities of ascribing meaning and value to human behaviour, and for kinksters interested in their own kink and why it is they do what they do.
Religion has always been an integral part of the literary tradition: many canonical and non-canonical texts engage extensively with religious ideas, and the development of English Literature as a professional discipline began with an explicit consideration of the relationship between religion and literature. Literature also plays an important role in religious writing, as twentieth-century work on narrative theology has acknowledged. Both the recent theological turn of literary theory and the renewed political significance of religious debate in contemporary western culture have generated further interest in this interdisciplinary area. An Introduction to Religion and Literature offers a lucid, accessible and thoughtful introduction to the study of religion and literature. While the focus is on Christian theology and post-1800 British literature, substantial reference is made to earlier writers, texts from North America and mainland Europe, and other faith positions. Each chapter takes up a major theological idea and explores it through close readings of well-known and influential literary texts.
As the last collection of Cleanth Brooks's essays before his death, Community, Religion, and Literature represents his final, considered views on the reading of literature and the role it plays in our society. He argues that the proper and essential role of literature lies in giving us our sense of community. Yet he denounces the extent to which literature, too, is now being usurped by the critics who see writing as pure language. He believes that just as religion renders truth of another sort, so literature is an expression of the "truth about human beings." More and more in this age of science, literature has "assumed the burden of providing civilization with its values." Community, Religion, and Literature offers students of literature the opportunity to understand what Cleanth Brooks was actually saying, rather than what others have said he was saying.
When sacred objects were rejected during the Reformation, they were not always burned and broken but were sometimes given to children as toys. Play is typically seen as free and open, while iconoclasm, even to those who deem it necessary, is violent and disenchanting. What does it say about wider attitudes toward religious violence and children at play that these two seemingly different activities were sometimes one and the same? Drawing on a range of sixteenth-century artifacts, artworks, and texts, as well as on ancient and modern theories of iconoclasm and of play, Iconoclasm As Child's Play argues that the desire to shape and interpret the playing of children is an important cultural force. Formerly holy objects may have been handed over with an intent to debase them, but play has a tendency to create new meanings and stories that take on a life of their own. Joe Moshenska shows that this form of iconoclasm is not only a fascinating phenomenon in its own right; it has the potential to alter our understandings of the threshold between the religious and the secular, the forms and functions of play, and the nature of historical transformation and continuity.
Recent reevaluations of Roman religion by ancient historians have stressed the vitality and creativity of the Romans' religious system throughout its long history of continual adaptation to new challenges. Capitalising on these insights, Denis Feeney argues that Roman literature was not an artificial or parasitic irrelevance in this context, but an important element of the dynamic religious culture, with its own status as another form of religious knowledge. Since Roman culture, both literary and religious, was so thoroughly Hellenised, the book also makes a case for a reconsideration of the traditional antitheses between Greek and Roman literature and religion, arguing against Hellenocentric prejudices and in favour of a more creative model of cultural interaction.
Is a powerful position a guarantee that a religion will continue? Does God take sides in religious power struggles? Can God survive religious exclusivity and diversity? Is God migrating from out there to in here? Is religion sustainable in the long run? In seeking answers to these questions, this book explores the possibilities afforded by playful religion. Religion has playful origins, but this aspect is forgotten as soon as institutional power becomes self-serving insteadof subservient. Power changes the very essence of religion. Virtually all religions are distorted versions of a playful original. Institutionalization is religion's curse, not its blessing. Apparent success hides the failure of religion to be faithful to its original intent. This book helps find the way back from bordering to inclusivity and openness.
"In Unbridled, scholar of religion William Robert uses Peter Shaffer's enigmatic 1973 play Equus, about a boy passionately devoted to horses, to think about and teach religion. For Robert, a play like Equus tangles together text, performance, practice, embodiment, and reception. Studying a play involves us in playing different roles, as ourselves and others, and those roles, as well as the imaginative work they require, are critical to the study of religion. By approaching Equus with the reader, Robert transforms standard approaches to the study of religion, engaging with key themes including ritual, sacrifice, worship, power, desire, violence, and sexuality, as well as major thinkers such as Marx, Freud, Nietzsche, and contemporary theorists such as J. Z. Smith and Judith Butler. As Robert shows, the way themes and theories play out in Equus challenges us to imagine the study of religion anew through open questioning, contrasting perspectives, and alternative modes of interpretation and appreciation"--
Samuel Taylor Coleridge, a prominent figure of the Romantic era, presents readers with a comprehensive collection of his literary works in 'The Complete Works: Poetry, Plays, Literary Essays, Lectures, Autobiography and Letters (Classic Illustrated Edition)'. Coleridge's intricate and elegantly crafted poetry, insightful literary essays, and thought-provoking lectures offer readers a glimpse into the creativity and depth of Romantic literature. His works often explore themes of nature, imagination, and the supernatural, resonating with audiences both past and present. This edition provides readers with a wealth of material that showcases Coleridge's versatile talent and profound understanding of the human experience. The collection is a valuable resource for scholars and enthusiasts of Romantic literature alike. Samuel Taylor Coleridge's expertise as a poet, critic, and lecturer shines through in this comprehensive collection, giving readers a profound insight into his artistic vision and literary contributions. Whether you are a dedicated scholar of Coleridge's work or a newcomer to Romantic literature, 'The Complete Works' offers a rich and rewarding reading experience that is sure to captivate and inspire.
Volume one of Theorizing Rituals assembles 34 leading scholars from various countries and disciplines working within this field. The authors review main methodological and meta-theoretical problems (part I) followed by some of the classical issues (part II). Further chapters discuss main approaches to theorizing rituals (part III) and explore some key analytical concepts for theorizing rituals (part IV). The volume is provided with extensive indices.