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Examines the role of myth in Plato's Phaedrus, arguing that it leads readers to participate in Plato's dialogues and to engage in self-examination.
A collection of essays by eminent philosophers examining the ways in which Plato's most famous myths are interwoven with his philosophy.
Through the contributions of specialists in the field, this volume addresses the still open question of the role and status of myth in Plato’s dialogues and thereby speaks to the broader problem of the relation between philosophy and poetic discourse.
Pieper distinguishes between Platonic stories in which Plato crystallizes mythical fragments from the mere stories which contain them, and Platonic myths, in which he purifies the proper mythical elements, freeing them of the non-mythical elements which tend to obscure them. Pieper succeeds in establishing the case for a truth, found particularly in the eschatological myths, that is not reducible to the rational truth normally sought by philosophers. While it is not purely rational truth, it is not inferior. It is different. It stems from tradition, which reaches back to the ultimate beginnings of man's existence -- back into our pre-history and to events of which, naturally, we have no experience. The only access we have to this truth is through `hearing' (ex akoes), which is not dependent on mere `hearsay,' but which, in Pieper's interpretation, reflects the handing on, in stories, of what the gods first communicated to man about the creation of the world and about the afterlife. These truths are to be found -- long before the New Testament (or even the Old Testament) -- in the myths of a variety of civilizations and give evidence of an extraordinary consensus: that there was a creating hand; that primeval man incurred guilt in the eyes of the gods; that he could be saved; that there is an afterlife in which man is rewarded or punished; that he can undergo a kind of purgatory for lesser offenses; and that in the afterlife he can dwell with the gods. Cover design: Bruce Fingerhut; cover image: "Illuminated hole," ©PixAchi, Shutterstock
Plato, Aristophanes, and the creators of the "Orphic" gold tablets employ the traditional tale of a journey to the realm of the dead to redefine, within the mythic narrative, the boundaries of their societies. Rather than being the relics of a faded ritual tradition or the products of Orphic influence, these myths can only reveal their meanings through this detailed analysis of the specific ways in which each author makes use of the tradition.
Winner of the Gustave O. Arlt Award in the Humanities Winner of the Istvan Hont Book Prize An ambitious reinterpretation and defense of Plato’s basic enterprise and influence, arguing that the power of his myths was central to the founding of philosophical rationalism. Plato’s use of myths—the Myth of Metals, the Myth of Er—sits uneasily with his canonical reputation as the inventor of rational philosophy. Since the Enlightenment, interpreters like Hegel have sought to resolve this tension by treating Plato’s myths as mere regrettable embellishments, irrelevant to his main enterprise. Others, such as Karl Popper, have railed against the deceptive power of myth, concluding that a tradition built on Platonic foundations can be neither rational nor desirable. Tae-Yeoun Keum challenges the premise underlying both of these positions. She argues that myth is neither irrelevant nor inimical to the ideal of rational progress. She tracks the influence of Plato’s dialogues through the early modern period and on to the twentieth century, showing how pivotal figures in the history of political thought—More, Bacon, Leibniz, the German Idealists, Cassirer, and others—have been inspired by Plato’s mythmaking. She finds that Plato’s followers perennially raised the possibility that there is a vital role for myth in rational political thinking.
In Book V of Plato's Republic, Socrates proposed that in an ideal society the most capable men and women must rule together equally. But as Natalie Harris Bluestone demonstrates in this cogent study, for generations the most influential classicists, historians of philosophy, and political theorists have ignored or rejected the idea of Philosopher Queens--of women serving as equal partners in the guiding of a just society. She also argues that in recent years many feminist writers, while correcting previous misconceptions, have allowed their sexual politics to distort their discussion of Plato's text. In confronting both male and female biases, Bluestone addresses some of the most debated issues of our time. She questions whether women have special qualities that make them naturally better or worse equipped for leadership than men, arguing convincingly against sociobiological views of gender differences. In defending the predominance of reason as the arbiter of excellence and the key to justice, she offers a spirited critique of current feminist theory. Her writing is personal, sometimes humorous, and yet rigorously analytic, as she reveals the difficulties inherent in philosophical discussions involving gender, the prevalence in the academy of discrimination against women, and the continuing importance of the issues Plato raised in the Republic.
Recently, in the past thirty years, there has been an upsurge in serious treatment of Platonic mythoi, which were once thought to be only literary decoration and/or the simplistic presentation of philosophic conclusions for the demos (dummies in effect). Nevertheless, the dominant tendency in the exegesis of Platonic mythoi still is to subordinate them to philosophic logos (reason) and not to recognize that such mythoi are philosophic in themselves in the broad sense of “the love of wisdom”. There is something conversional about Plato’s philosophic mythos, reformulating and superseding traditional Greek mythos and then charting the drama of the human soul from Socratic aporia, up and out of the cave, and into the beyond, the Idea of the Good. The late Professor Eric Voegelin understood this existential drama, and his exegesis of Platonic mythos, from engendering pathos to symbols, is revelatory to say the least. My understanding is that logos (reason) is a fundamental and necessary check on mythos, but logos and mythos are complementary via medias; neither are dispensable nor reducible, one to the other. Also crucial to my study of Platonic mythoi is the “analogy of being,” that Voegelin only touches on, but Erich Przywara explores and develops. The relationship between the human and the divine is analogical (likenesses but also significant unlikenesses), and Plato certainly explored the play of opposites and affinities covering the difficult philosophical problems of becoming and being and the temporal and the eternal. Most philosophic commentators on Plato ignore the suffusive presence of the divine in Plato’s love of wisdom. Perhaps only Platonic mythos at its best offers the philosophic imagination the vision of transcendence.
Although a great deal has been written on Plato's ethics, his cosmology has not received so much attention in recent times and its importance for his ethical thought has remained underexplored. By offering accounts of Timaeus, Philebus, Politicus and Laws X, the book reveals a strongly symbiotic relation between the cosmic and human sphere. It is argued that in his late period Plato presents a picture of an organic universe, endowed with structure and intrinsic value, which both urges our respect and calls for our responsible intervention. Humans are thus seen as citizens of a university that can provide a context for their flourishing even in the absence of good political institutions. The book sheds light on many intricate metaphysical issues in late Plato and brings out the close connections between his cosmology and the development of his ethics.
This book provides a fresh and comprehensive account of this outstanding work, which remains among the most frequently read works of Greek philosophy, indeed of Classical antiquity in general.