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In 1484, humanist philosopher and theologian Marsilio Ficino published the first complete Latin translation of Plato's extant works. Plato's Persona is the first book to undertake a synthetic study of Ficino's interpretation of the Platonic corpus.
A groundbreaking work of intellectual history, The Lost Italian Renaissance uncovers a priceless intellectual legacy suggests provocative new avenues of research.
In Sperone Speroni and the Debate over Sophistry in the Italian Renaissance Teodoro Katinis mines a number of little or unstudied primary sources and offers the first book on the rebirth of ancient sophists in the Italian literature of the fifteenth and sixteenth centuries, from Leonardo Bruni to Jacopo Mazzoni, with a focus on the Italian writer and philosopher Sperone Speroni (1500-1588). Katinis convincingly argues that Speroni is a unique case of an early modern thinker who explicitly rejected Plato’s demonization and defended the public role of the sophistic rhetoric, which enhanced the debate over the sophistic arts and scepticism in a variety of fields and anticipated some of the most revolutionary modern thoughts.
Western Europeans were among the first, if not the first, to invent mechanical clocks, geometrically precise maps, double-entry bookkeeping, precise algebraic and musical notations, and perspective painting. By the sixteenth century more people were thinking quantitatively in western Europe than in any other part of the world. The Measure of Reality, first published in 1997, discusses the epochal shift from qualitative to quantitative perception in Western Europe during the late Middle Ages and Renaissance. This shift made modern science, technology, business practice and bureaucracy possible.
Medici Gardens challenges the common assumption that such gardens as Trebbio, Cafaggiolo, Careggi, and Fiesole were the products of an established design practice whereby one client commissioned one architect or artist. The book suggests that in the case of the gardens in Florence garden making preceded its theoretical articulation.
This is the first comprehensive overview of the influence of Platonism on the English literary tradition, showing how English writers, including Chaucer, Shakespeare, Milton, Blake, Wordsworth, Yeats, Pound and Iris Murdoch, used Platonic themes and images within their own imaginative work.
This title was first published in 2000. This work identifies the differences between the Russian intellectual approach to reading Plato and that of other European countries. This study offers a complex perspective on Russian philosophical learnings up to 1930. The book contains five chapters with the first aiming to provide the general institutional context in which Russian 19th century Plato scholarship developed, caught as it were, between the rise of the historical sciences and the heavy hand of state interference in standardizing the educational system in the name of nation building and modernization. The second chapter attempts to illustrate how Plato served as a reference in Russian philosophical culture and the third deals with aspects of Russian philosophy of law. In the fourth chapter, the author shifts his approach to compare and contrast a number of reactions to a single dialogue, the "Republic" and in the final concluding chapter, addresses the question of whether it is legitimate to speak of a Russian Platonism.