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This book is available either individually, or as part of the specially-priced Arguments of the Philosphers Collection. The purpose of this series is to provide a contemporary assessment and history of the entire course of philosophical thought. Each book constitutes a detailed, critical introduction to the work of a philosopher of major influence and significance. This volume is intended as a critical discussion of some of Plato’s central philosophical theses.
This book explores Plato's views on what an 'art of argument' should look like, investigating the relationship between psychology and rhetoric.
If we are to understand why Plato had a theory of Forms, we must explain, firstly, why he thought it necessary to depart from the ontology of the Socratic dialogues; secondly, why he then posited the existence of entities that have the characteristics that he ascribes to Forms (entities that are 'unmixed', 'unchanging', 'in every way being' and so on); and thirdly, why Plato took this course when other philosophers have not done so (and even he himself and his immediate pupils were later to modify or abandon the theory). In this study, Robert William Jordan discovers an answer to these questions where we might expect to find one - namely in the arguments Plato gives us in favour of the hypothesis that there are Forms. These arguments, on analysis, reveal not just a concern with the nature of knowledge and explanation, but an interest in the analysis of the apparent contradictions that Plato in his middle period thought to be presented to the intellect by the sensible world. These contradictions, he then thought, could not be resolved except by those with knowledge of the Forms.
In Plato’s Republic Socrates contends that philosophers make the best rulers because only they behold with their mind’s eye the eternal and purely intelligible Forms of the Just, the Noble, and the Good. When, in addition, these men and women are endowed with a vast array of moral, intellectual, and personal virtues and are appropriately educated, surely no one could doubt the wisdom of entrusting to them the governance of cities. Although it is widely—and reasonably—assumed that all the Republic’s philosophers are the same, Roslyn Weiss argues in this boldly original book that the Republic actually contains two distinct and irreconcilable portrayals of the philosopher. According to Weiss, Plato’s two paradigms of the philosopher are the "philosopher by nature" and the "philosopher by design." Philosophers by design, as the allegory of the Cave vividly shows, must be forcibly dragged from the material world of pleasure to the sublime realm of the intellect, and from there back down again to the "Cave" to rule the beautiful city envisioned by Socrates and his interlocutors. Yet philosophers by nature, described earlier in the Republic, are distinguished by their natural yearning to encounter the transcendent realm of pure Forms, as well as by a willingness to serve others—at least under appropriate circumstances. In contrast to both sets of philosophers stands Socrates, who represents a third paradigm, one, however, that is no more than hinted at in the Republic. As a man who not only loves "what is" but is also utterly devoted to the justice of others—even at great personal cost—Socrates surpasses both the philosophers by design and the philosophers by nature. By shedding light on an aspect of the Republic that has escaped notice, Weiss’s new interpretation will challenge Plato scholars to revisit their assumptions about Plato’s moral and political philosophy.
It is commonly known that Nietzsche is one of Plato's primary philosophical antagonists, yet there is no full-length treatment in English of their ideas in dialogue and debate. Plato and Nietzsche is an advanced introduction to these two thinkers, with original insights and arguments interspersed throughout the text. Through a rigorous exploration of their ideas on art, metaphysics, ethics, and the nature of philosophy, and by explaining and analyzing each man's distinctive approach, Mark Anderson demonstrates the many and varied ways they play off against one another. This book provides the background necessary to understanding the principle matters at issue between these two philosophers and to developing an awareness that Nietzsche's engagement with Plato is deeper and more nuanced than it is often presented as being.
Philosopher-Kings broke new ground on its first appearance by delivering to an audience accustomed to looking for flaws in Plato's thinking an interpretation of the Republic that celebrates the coherence of Plato's argument as it ramifies through every cranny of that controversial work. Reeve's book swiftly became a classic of Platonic scholarship and has never lost its grip. Its reissue by Hackett is a very welcome event. --G. R. F. Ferrari, University of California, Berkeley
Examines the role of myth in Plato's Phaedrus, arguing that it leads readers to participate in Plato's dialogues and to engage in self-examination.
The essays in this volume provide a picture of the most interesting, puzzling, and provoking aspects of Plato's Republic.
The Republic is a Socratic dialogue, written by Plato around 380 BCE, concerning the definition of justice, the order and character of the just city-state and the just man. The dramatic date of the dialogue has been much debated and though it must take place some time during the Peloponnesian War, "there would be jarring anachronisms if any of the candidate specific dates between 432 and 404 were assigned". It is Plato's best-known work and has proven to be one of the most intellectually and historically influential works of philosophy and political theory. In it, Socrates along with various Athenians and foreigners discuss the meaning of justice and examine whether or not the just man is happier than the unjust man by considering a series of different cities coming into existence "in speech", culminating in a city (Kallipolis) ruled by philosopher-kings; and by examining the nature of existing regimes. The participants also discuss the theory of forms, the immortality of the soul, and the roles of the philosopher and of poetry in society.
Acclaimed philosopher and novelist Rebecca Newberger Goldstein provides a dazzlingly original plunge into the drama of philosophy, revealing its hidden role in today's debates on religion, morality, politics, and science.