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Plants personify the divine— The Rig Veda (X.97) Trees and plants have long been held sacred to communities the world over. In India, we have a whole variety of flora that feature in our myths, our epics, our rituals, our worship and our daily life. There is the pipal, under which the Buddha meditated on the path to enlightenment; the banyan, in whose branches hide spirits; the ashoka, in a grove of which Sita sheltered when she was Ravana’s prisoner; the tulsi, without which no Hindu house is considered complete; the bilva, with whose leaves it is possible to inadvertently worship Shiva. Before temples were constructed, trees were open-air shrines sheltering the deity, and many were symbolic of the Buddha himself. Sacred Plants of India systematically lays out the sociocultural roots of the various plants found in the Indian subcontinent, while also asserting their ecological importance to our survival. Informative, thought-provoking and meticulously researched, this book draws on mythology and botany and the ancient religious traditions of India to assemble a detailed and fascinating account of India’s flora.
History of Agriculture in India (up to c.1200 AD), Part 1, reconstructs the evolution of agriculture in India up to c.1200AD. It is a synthesis and summation of existing knowledge on the history of agriculture in ancient India on the combined bases of archaeological and literary sources against the backdrop of Asian history in general. Besides summing up the existing knowledge, it opens new vistas for further research on many debated issues in the history of agriculture in ancient India. The volume addresses the vexed and controversial questions on the origin, antiquity and sources of Indian agricultural history. Based on researches from sites of Vindhya, Ganga Region, plant remains, agricultural tools, pots, dental pathology, and settlement remains, it is an informed and highly researched work on the origin and antiquity of cultivation in India. For a historical study of agriculture, Pali, Sangam. Sanskrit and the Graeco-Roman literatures have been utilized. Art and literary sources have also been used to reconstruct history.
‘FAMOUS TREES OF INDIA’ is my first book in English. It is a collection of articles written by me in the past 11 years. I have covered the trees as described in the Vedas, Upanishads, classical Sanskrit and Tamil literature, folk tales and temple Sthala Puranas. I have got more articles in my blog which would be published as second part. I have lifted some parts from some books for adding my comments, particularly to compare them with the available materials in Tamil and Sanskrit. I thank those original contributors. Hindus considered plants as Gods or the divine representatives on earth. The emphasis is on optimum use of them without destroying them completely. It is also insisted that it is our duty to raise and preserve them for posterity.
This volume examines the multifarious dimensions that constitute the workings of the Hindu temple as an architectural and urban built form. Eleven chapters reflect on Hindu temples from multiple standpoints - tracing their elusive evolution from wayside shrines as well as canonization into classical objects; questioning the role of treatises containing their building rules; analyzing their prescribed proportions and orders; examining their presence in, and as, larger sacred habitats and ritua...
Weaving together the uneasy meeting of two cultures, The Pagoda Tree is a captivating story of love, loss and fate. Tanjore, 1765. Maya plays among the towering granite temples of this ancient city in the heart of southern India. Like her mother before her, she is destined to become a devadasi, a dancer for the temple. She is instructed in dance, the mystical arts and lovemaking. It is expected she will be chosen as a courtesan for the prince himself. But as Maya comes of age, India is on the cusp of change and British dominance has risen to new heights. The prince is losing his power and the city is sliding into war. Maya is forced to flee her ancestral home, and heads to the bustling port city of Madras, where East and West collide. Maya captivates all who watch her dance. Thomas Pearce, an ambitious young Englishman who has travelled to India to make his fortune, is entranced from the moment he first sees her. But their love is forbidden, and comes at enormous cost. 'Claire Scobie's seductive prose and immaculate layering of period detail capture India at her most exotic.' Susan Kurosawa 'Women's stories are rarely told in history, nor particularly honoured. The Pagoda Tree offers a powerful, sensual perspective on a time of great transformation in India.' Sarah Macdonald, author of Holy Cow 'A rich and enthralling story handled with great skill by someone with a profound understanding of her material.' David Roach, screenwriter and film director 'A richly textured tale full of the sights, sounds and smells of India, with all its complex beauty and troubled history … ' Sydney Morning Herald 'A novel to be savoured … Its layering, the unravelling of the story, the subtext of the fortunes made and lost on cotton and silk, the evocative descriptions of saris themselves are all part of [its] tapestry.' The Age '[The Pagoda Tree] offers new ways of seeing the past.' Canberra Times 'Scobie's prose is eloquent … a fascinating, unique plot representing an interesting era in [India's] history.' The Mercury 'A story told with great panache.' Country Style 'Claire Scobie travels a vast and exotic terrain in her first novel.' Weekly Review 'This first novel by Claire Scobie would make a spectacular film.' Goodreading Magazine 'A nuanced and sophisticated exploration of the socio-historical realities that are inevitable when cultures collide.' The Hoopla
"The Indian Buddhist world abounds with goddesses--voluptuous tree spirits, maternal nurturers, potent healers and protectors, transcendent wisdom figures, cosmic mothers of liberation, and dancing female Buddhas. Despite their importance in Buddhist thought and practice, these female deities have received relatively little scholarly attention, and no comprehensive study of the female pantheon has been available. Buddhist Goddesses of India is the essential and definitive guide to divinities that, as Miranda Shaw writes, "operate from transcendent planes of bliss and awareness for as long as their presence may benefit living beings." Beautifully illustrated, the book chronicles the histories, legends, and artistic portrayals of nineteen goddesses and several related human figures and texts. Drawing on a sweeping range of material, from devotional poetry and meditation manuals to rituals and artistic images, Shaw reveals the character, powers, and practice traditions of the female divinities. Interpretations of intriguing traits such as body color, stance, hairstyle, clothing, jewelry, hand gestures, and handheld objects lend deep insight into the symbolism and roles of each goddess. In addition to being a comprehensive reference, this book traces the fascinating history of these goddesses as they evolved through the early, Mahayana, and Tantric movements in India and found a place in the pantheons of Tibet and Nepal."--Publisher's website.
Through lucid visual analysis, accompanied by drawings, this book will allow readers to appreciate the concepts underlying designs that at first sight often seem bewilderingly intricate. The book will be divided into six parts that cover the history and development of the design and architecture of Indian temples.
The vibrant tradition of Temple decoration in India.