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Explores the medium of film as both art and craft, sensibility and science, tradition and technology.
'Planes of Composition' focuses on how contemporary choreographic strategies initiate new modes of understanding the moving body in its multiple performances: racial, kinetic, political, ethical, and theoretical.
Piet Mondrian was one of the great pioneers of abstract art. This book looks at the relationship between his paintings and his theories on art.
This work is a classic reference text for metallurgists, material scientists and crystallographers. The first edition was published in 1965. The first part of that edition was revised and re-published in 1975 and again in 1981. The present two-part set represents the eagerly awaited full revision by the author of his seminal work, now published as Parts I and II. Professor Christian was one of the founding fathers of materials science and highly respected worldwide. The new edition of his book deserves a place on the bookshelf of every materials science and engineering department. Suitable thermal and mechanical treatments will produce extensive rearrangements of the atoms in metals and alloys, and corresponding marked variations in physical and chemical properties. This book describes how such changes in the atomic configuration are effected, and discusses the associated kinetic and crystallographic features. It deals with areas such as lattice geometry, point defects, dislocations, stacking faults, grain and interphase boundaries, solid solutions, diffusion, etc. The first part covers the general theory while the second part is concerned with descriptions of specific types of transformations.
The book, revised, consists of XI Parts and 28 Chapters covering all areas of mathematics. It is a tool for students, scientists, engineers, students of many disciplines, teachers, professionals, writers and also for a general reader with an interest in mathematics and in science. It provides a wide range of mathematical concepts, definitions, propositions, theorems, proofs, examples, and numerous illustrations. The difficulty level can vary depending on chapters, and sustained attention will be required for some. The structure and list of Parts are quite classical: I. Foundations of Mathematics, II. Algebra, III. Number Theory, IV. Geometry, V. Analytic Geometry, VI. Topology, VII. Algebraic Topology, VIII. Analysis, IX. Category Theory, X. Probability and Statistics, XI. Applied Mathematics. Appendices provide useful lists of symbols and tables for ready reference. Extensive cross-references allow readers to find related terms, concepts and items (by page number, heading, and objet such as theorem, definition, example, etc.). The publisher’s hope is that this book, slightly revised and in a convenient format, will serve the needs of readers, be it for study, teaching, exploration, work, or research.
Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The extraordinary and surprising life of Piet Mondrian, whose unprecedented geometric art revolutionized modern painting, architecture, graphic art, fashion design, and more—from acclaimed cultural historian Nicholas Fox Weber In the early 1920s, surrounded by the roaring streets of avant-garde Paris, Piet Mondrian began creating what would become some of the most recognizable abstract paintings of the 20th century. With rectangles of primary colors against a dazzling white background, this was geometric abstraction in its purest form. These revolutionary compositions exhilarated, intoxicated, confused, and enraged the international public—and changed the course of modern art forever. Now, for the first time, Mondrian emerges alongside his thrilling art. Here is the life of an elusive modern master: from his youth in a religious household in the Netherlands where he first began painting Dutch farmhouses and sand dunes, to his move to Paris where he embraced the work of Pablo Picasso, Georges Seurat, and Cézanne, to the 1920s and onward where, surviving the turmoil of two world wars and embracing a rapidly shifting culture, Mondrian challenged the concept of art and invented a new world of undiluted colors and rhythmic straight lines. His work would go on to affect painting, architecture, fashion, and design in decades to come. Here is also an intimate portrait of a complex artist, his solitude and avoidance of intimacy, his eccentricities and his philosophy, his passion for ballroom dancing, and his unwavering belief in art as a vehicle to reveal universal truths.