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For centuries people have marveled over the beauty of plaited basketry; now readers can actually learn the skill and artistry of this craft in the comfort of their own homes. Scholar, artisan, and teacher Vladimir Yarish created all of the birch bark baskets for this book after scouring museums and archeological sites all around the world. This definitive guide focuses on the history and myriad traditional uses of birch bark, as well as general instructions for basket-making and plaiting. Get hands-on with 18 birch bark projects, both decorative and useful, including a rectangular tray, small basket with three-part braid, or an oval basket with curls. Finally, in the gallery section, take a look at plaited baskets by various artists using contemporary materials.
From the Preface:"Over the years, Paulus Gerdes has established himself as the pre-eminent expert on patterns in African weaving and basketry, and the broader implications of these patterns. ... This new book is a broad gallery of plaited African designs. These range over much of the continent while concentrating on those parts of Africa that are closest to his Mozambique center, including Kongo, Mbole and Mangbetu from Congo, Cokwe and Lunda from Angola, Digo from Kenya, Soga from Uganda, Zulu from South Africa, and Makhuwa in Mozambique itself, but including such distant peoples as Bamileke in Cameroon. In Gerdes' gallery we are shown the love of patterns and symmetries that are the result of centuries of exultant exploration. Enjoy!"Donald W. CroweProfessor of Mathematics, EmeritusUniversity of Wisconsin
Basketry Technology, first published in 1977, is the only comprehensive guide for archaeologists, anthropologists, art historians, and collectors for identifying and analyzing ancient baskets and basket fragments. Long out of print, this volume is again available with an extensive new introduction by the original author that summarizes the extensive work done in this area over the past 35 years. The volume describes proper field and lab techniques for recovery of specimens and offers a systematic methodology for identifying and interpreting twined, coiled, and plaited basket samples. It then uses Canyon de Chelly as an example of how to process a large basketry assemblage properly. In addition to 200 illustrations, the book includes a variety of sample forms to use in describing and analyzing ancient baskets.
"With the inborn wisdom that has guided them for so long through so many obstacles, Hopi men and women perpetuate their proven rituals, strongly encouraging those who attempt to neglect or disrespect their obligations to uphold them. One of these obligations is to respect the flora and fauna of our planet. The Hopi closeness to the Earth is represented in all the arts of all three mesas, whether in clay or natural fibers. What clay is to a potter's hands, natural fibers are to a basket weaver."--from the Introduction Rising dramatically from the desert floor, Arizona's windswept mesas have been home to the Hopis for hundreds of years. A people known for protecting their privacy, these Native Americans also have a long and less known tradition of weaving baskets and plaques. Generations of Hopi weavers have passed down knowledge of techniques and materials from the plant world around them, from mother to daughter, granddaughter, or niece. This book is filled with photographs and detailed descriptions of their beautiful baskets--the one art, above all others, that creates the strongest social bonds in Hopi life. In these pages, weavers open their lives to the outside world as a means of sharing an art form especially demanding of time and talent. The reader learns how plant materials are gathered in canyons and creek bottoms, close to home and far away. The long, painstaking process of preparation and dying is followed step by step. Then, using techniques of coiled, plaited, or wicker basketry, the weaving begins. Underlying the stories of baskets and their weavers is a rare glimpse of what is called "the Hopi Way," a life philosophy that has strengthened and sustained the Hopi people through centuries of change. Many other glimpses of the Hopi world are also shared by author and photographer Helga Teiwes, who was warmly invited into the homes of her collaborators. Their permission and the permission of the Cultural Preservation Office of the Hopi Tribe gave her access to people and information seldom available to outsiders. Teiwes was also granted access to some of the ceremonial observances where baskets are preeminent. Woven in brilliant reds, greens, and yellows as well as black and white, Hopi weavings, then, not only are an arresting art form but also are highly symbolic of what is most important in Hopi life. In the women's basket dance, for example, woven plaques commemorate and honor the Earth and the perpetuation of life. Other plaques play a role in the complicated web of Hopi social obligation and reciprocity. Living in a landscape of almost surreal form and color, Hopi weavers are carrying on one of the oldest arts traditions in the world. Their stories in Hopi Basket Weaving will appeal to collectors, artists and craftspeople, and anyone with an interest in Native American studies, especially Native American arts. For the traveler or general reader, the book is an invitation to enter a little-known world and to learn more about an art form steeped in meaning and stunning in its beauty.
With its irresistible combination of form and function, wicker basketry has captivated artisans for hundreds of years. Use these timeless techniques to make elegant and practical baskets for modern use. Whether you are a beginner or experienced weaver, illustrated step-by-step instructions offer a range of techniques and tips for making both round and oval bases, making handles, preparing to weave, and adding color. Projects include a simple plant basket, a bread basket with beads, a lidded sewing basket, and a large double-handled shopping basket. A glossary of basketry terms, a listing of suppliers, and instructions for designing your own basket is included. This book is great for weavers and crafters of all skill.
On identifying, collecting, and preparing hundreds of common plants, and clear, complete instructions for crafting them into woven, plaited, twined, and coiled baskets. Annotation copyright Book News, Inc. Portland, Or.
Baskets are one of the few things we still haven't learned to mass produce to look as good as handmade. Try your hand at 30 elegant basket styles using splint materials--wood and grass pounded or split into flat strips. Shapes include traditional egg, melon, feather, cradle, oriole, shaker, and others that have all but disappeared from sight. A complete guide to tools, equipment, and materials helps you select splints from rattan, cane, oak and ash, rope, sisal, and sea grass. Learn the old ways of gathering, drying, storing, and soaking splints from trees, bushes, vines, marsh plants, bulbs, grasses, and husks. Get special tips on handles, rims, bases, lids, paints, and dyes. Choose from ribbed styles like the Winged Egg Basket or the Oriole. Or a plaited basket like the Great Lakes, Cherokee, or Shaker. Or the spoked baskets like the Field, Provender, and Quiver. A full-color photo gallery showcases each basket, along with stories that tell how they evolved into their current styles. 168 pages, 8 1/2 x 11.
Basketry explores in depth the techniques and materials used to construct baskets around the world, demystifying basketry and giving a basis for understanding, appreciating and identifying the baskets of the world. Copious colour photographs, diagrams and archive photography of international basketry provide a rich source of comparison and reference.
One of the richest basketry traditions in the world, the plaited objects produced in Borneo are created from plant materials gathered in the rainforest and worked by hand using techniques passed from generation to generation. Unrivaled in their combination of beauty, form, and function, they provide a unique window on the way of life of Borneo's inhabitants. Plaited Arts from the Borneo Rainforest recognizes this plaiting tradition as the primary creative expression of the peoples of Borneo, producing the most ingenious and aesthetically appealing material goods found on the island. Using a contextual and interdisciplinary approach that connects botanical and technical features with economic, social, and ritual elements, the book explores how people in Borneo rely on plaited articles, whether for daily use or in the ritual sphere. The sophisticated sense of design, rich iconography, and complex social and ceremonial efficacy of these objects are unsurpassed. Elaborately patterned mats from the Ngaju people of southern Borneo, for example, portray the cosmos and are the most prominent decorative features of the Ngaju ceremonial cycle. The sun hats of the Kenyah, using a unique resist-dye technique, display patterns that were once taboo to all but the nobility. The exquisite plaited designs of Iban seed baskets, stained red with the prized "dragon's-blood" pigment. show the importance of the planting ritual for the vital and sacred rice crop. The contributors to this volume are among the world's leading authorities of the arts of Borneo. These twenty-scholars and artisans are from ten different nations, including Indonesia and Malaysia, and from Borneo itself: Sarawak, Sabah, and Kalimantan. Their original work is supplemented by a selection of texts written by three pioneer authors that describe Borneo basketry before the Second World War. The volume is divided into twelve parts that cover the complex role of basketry in Borneo societies, the ethnobotanical and technical aspects of basketry, the distribution of plaited arts by region, the past and current market for Borneo's plaited arts, and style and identity. The abundantly illustrated Appendix surveys the relation between the tropical environment and the material culture. Illustrated with more than 1,250 color photographs, newly commissioned maps, rare historical photographs, and detailed line drawings, Plaited Arts from the Borneo Rainforest is an essential addition to the libraries of universities, collectors, and scholars alike. Publication of this book is supported by Total E&P Indonesie as part of its Corporate Social Responsiblity program for preserving Indonesian cultural heritage.