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One of the richest basketry traditions in the world, the plaited objects produced in Borneo are created from plant materials gathered in the rainforest and worked by hand using techniques passed from generation to generation. Unrivaled in their combination of beauty, form, and function, they provide a unique window on the way of life of Borneo's inhabitants. Plaited Arts from the Borneo Rainforest recognizes this plaiting tradition as the primary creative expression of the peoples of Borneo, producing the most ingenious and aesthetically appealing material goods found on the island. Using a contextual and interdisciplinary approach that connects botanical and technical features with economic, social, and ritual elements, the book explores how people in Borneo rely on plaited articles, whether for daily use or in the ritual sphere. The sophisticated sense of design, rich iconography, and complex social and ceremonial efficacy of these objects are unsurpassed. Elaborately patterned mats from the Ngaju people of southern Borneo, for example, portray the cosmos and are the most prominent decorative features of the Ngaju ceremonial cycle. The sun hats of the Kenyah, using a unique resist-dye technique, display patterns that were once taboo to all but the nobility. The exquisite plaited designs of Iban seed baskets, stained red with the prized "dragon's-blood" pigment. show the importance of the planting ritual for the vital and sacred rice crop. The contributors to this volume are among the world's leading authorities of the arts of Borneo. These twenty-scholars and artisans are from ten different nations, including Indonesia and Malaysia, and from Borneo itself: Sarawak, Sabah, and Kalimantan. Their original work is supplemented by a selection of texts written by three pioneer authors that describe Borneo basketry before the Second World War. The volume is divided into twelve parts that cover the complex role of basketry in Borneo societies, the ethnobotanical and technical aspects of basketry, the distribution of plaited arts by region, the past and current market for Borneo's plaited arts, and style and identity. The abundantly illustrated Appendix surveys the relation between the tropical environment and the material culture. Illustrated with more than 1,250 color photographs, newly commissioned maps, rare historical photographs, and detailed line drawings, Plaited Arts from the Borneo Rainforest is an essential addition to the libraries of universities, collectors, and scholars alike. Publication of this book is supported by Total E&P Indonesie as part of its Corporate Social Responsiblity program for preserving Indonesian cultural heritage.
This edited book is the first major review of what has been achieved in Borneo Studies to date. Chapters in this book situate research on Borneo within the general disciplinary fields of the social sciences, with the weight of attention devoted to anthropological research and related fields such as development studies, gender studies, environmental studies, social policy studies and cultural studies. Some of the chapters in this book are extended versions of presentations at the Borneo Research Council’s international conference hosted by Universiti Brunei Darussalam in June 2012 and a Borneo Studies workshop organised in Brunei in 2012. The volume examines some of the major debates and controversies in Borneo Studies, including those which have served to connect post-war research on Borneo to wider scholarship. It also assesses some of the more recent contributions and interests of locally based researchers in universities and other institutions in Borneo itself. The major strength of the book is the inclusion of a substantial amount of research undertaken by scholars working and teaching within the Southeast Asian region. In particular there is an examination of research materials published in the vernacular, notably the outpouring of work published in Indonesian by the Institut Dayakologi in Pontianak. In doing so, the book also addresses the urgent matters which have not received the attention they deserve, specifically subjects, themes and issues that have already been covered but require further contemplation, elaboration and research, and the scope for disciplinary and multidisciplinary collaboration in Borneo Studies. The book is a valuable resource and reference work for students and researchers interested in social science scholarship on Borneo, and for those with wider interests in Indonesia and Malaysia, and in the Southeast Asian region.
For millennia, tattoos have documented the history of humanity one painful mark at a time. They form a visual language on the skin, expressing an individual’s desires and fears as well as cultural values, family ties, and spiritual beliefs on the surfaces of the body. The Indigenous peoples of Asia have created some of the world’s oldest and most distinctive tattoos, but their many contributions to body art and practice have been largely overlooked. Tattoo Traditions of Asia is the first single volume dedicated to the anthropological study of an ancient cultural practice and artform that spans many countries and societies, ancestral lands, and contemporary communities across the continent and its islands. This richly illustrated survey combines the author's twenty years of fieldwork, interviewing hundreds of Indigenous tattoo bearers and contemporary tattoo practitioners, with painstaking research conducted in obscure archives throughout the region and elsewhere to break new ground on one of the least-understood mediums of Indigenous Asian expressive culture—a vital tradition to be celebrated, an inspirational story told in skin and ink.
The Punan societies of Borneo, traditionally nomadic rainforest hunters and gatherers, have undergone a transformation over the past centuries. As downriver farming peoples expanded upstream and their cultures and technologies diffused, the Punan gradually abandoned their nomadic existence for a more sedentary life of trade-related activities and subsistence agriculture. But the culture that has emerged from these changes is still based on the enduring ideological premises of nomadism. This study, historical in perspective, examines the many factors-ecological, economic, commercial, political, social, cultural, and ideological-that have played a part in this continuing transformation. Foreword by Georges Condominas.
The sustainable forestry challenge. The failure of implementation of forestry laws in Brazil. Enforcement of forestry laws in Finland. Analysis and recommendations.
Malay seals originate from those parts of maritime Southeast Asia long connected by political, economic, and cultural networks; the lingua franca of the Malay language; and the faith of Islam. Seals make up an important element in the manuscript and literary culture of the region. Defined as seals from Southeast Asia or used by Southeast Asians, with inscriptions in Arabic script, Malay seals constitute a treasure trove of data that can throw light on myriad aspects of the history of the Malay world, ranging from the nature of kingship, the administrative structure of states, the biographies of major personalities and the form of Islamic thought embraced, as well as on developments in the art and material culture of the region. This important reference work describes and analyses the Malay sealing tradition, carefully cataloguing more than 2,000 seals sourced from collections worldwide, primarily seal impressions stamped in lampblack, ink, or wax on manuscript letters, treaties, and other documents, but including some seal matrices made of silver, brass, or stone. These Malay seals originate from the present-day territories of Malaysia, Brunei, Singapore, and Indonesia as well as the southern parts of Thailand and Cambodia, and the Philippines, and date from the second half of the sixteenth century to the early twentieth century. Complete transcriptions and translations of the Jawi inscriptions are provided, bringing the seals to light as objects of literary and art historical analysis, and key resources for an understanding of the Malay Islamic world of Southeast Asia in the early modern period.