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Here is a comprehensive, well-illustrated resource for anyone wishing to recreate or study the beautifully decorated Plains-style knife sheaths of the 19th and 20th centuries. Based on over 25 years of research and craftsmanship, the author describes the many styles and variation of Plains knife sheaths. Includes complete step-by-step instructions, full of illustrations, and numerous color photographs of knife sheaths produced by the author as well as those from both museum and private collections.
Presents illustrated instructions on the basics of beadwork and leather crafts of the American Indians and the early frontier.
Featuring 155 color photographs and illustrations, Native American Weapons surveys weapons made and used by American Indians north of present-day Mexico from prehistoric times to the late nineteenth century, when European weapons were in common use. Colin F. Taylor describes the weapons and their roles in tribal culture, economy and political systems. He categorizes the weapons according to their function - from striking, cutting and piercing weapons, to those with defensive and even symbolic properties - and he documents the ingenuity of the people who crafted them.
In 1827, James Bowie carved his way into American history at the Sandbar Fight, and soon every fighting man of the South and West had to have a knife like his. The bowie knife could cut like a razor, chop like a cleaver, and stab like a sword, and many considered it deadlier than a pistol at close range. So great was the dread it inspired that by 1838 it was banned in several states—a ban that did little to stanch the flow of blood. Bowie's story is well known, but what of the other cutters and stabbers of his day? Gunfighters have long been celebrated, but those who fought with the bowie knife have been largely ignored—until now. Unearthing accounts from memoirs, court records, regional histories, and newspaper archives, Paul Kirchner, author of the Paladin bestsellers The Deadliest Men and More of the Deadliest Men Who Ever Lived , presents their stories for the first time in Bowie Knife Fights, Fighters, and Fighting Techniques. Kirchner identifies and profiles the four greatest bowie knife fighters of history, as well as numerous other wielders of the blade. He details the weapon's use in the Texas War of Independence, the Mormon exodus, the Mexican War, the slave system, the Gold Rush, Bleeding Kansas, the Civil War, the Lincoln assassination, the Indian Wars, and the Western frontier. The book describes bowie knife fighting tricks and techniques and provides numerous accounts of knife-against-knife and knife-against-gun encounters. Its final chapter surveys the continued use of the bowie and other fighting knives in modern warfare.
Presents a history of tipis, describing the different ways in which they were constructed, the many symbolic designs used to decorate them, and the practical and spiritual significance they had in the lives of Native Americans.
Tells how various articles connected with Indian life were made and used. Some subjects included are Indian music, games, dances, and food. Grades 6-8.
Study describes in chronological order how the various trade ornaments (material culture) were used from initial contact to circa 1900 by representative tribes of the seven major native groups of Canada. Based on extensive search of published and manuscript sources, supplemented by examination of historical paintings, photographs and ethnographical specimens.
First published in 1969, this expanded third edition is an excellent reference for both collectors and craftspeople. Detailed instructions for measuring, patternmaking, fitting, and construction guide the crafts worker in producing a wide variety of authentic Native American footwear that's tailored to each individual's foot. Readers are provided with a fascinating overview of the history of indigenous footwear in North America and an in-depth Introduction to rawhide, leather, and buckskin by G. D. Wood. Patterns for 28 moccasin types covering over 30 tribes - including the Assiniboine (Alberta/Manitoba), Kootenai (British Columbia), and Yellowknives (Northern Territories) of Canada - are featured along with new instructions for making Plains hard-sole, Northern Plains soft-sole, and Cherokee/Southeastern-style moccasins. Also included is a brief history of the tribes, additional resources, and website references. Forty-one full-color photographs accompany the patterns, along with 22 historic period photos of camp life, tanning hides, individual chiefs, and more.
In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage.