Download Free Plain And Painted Pottery Book in PDF and EPUB Free Download. You can read online Plain And Painted Pottery and write the review.

This study focuses on a major issue in Near Eastern prehistoric archaeology: the rise of the Halaf culture, ca. 5900 - 5400 cal. BC. The book presents in a detailed, quantified and lavishly illustrated manner the ceramics excavated by the National Museum of Antiquities Leiden at Tell Sabi Abyad, northern Syria. Concentrating on the 1996 - 2000 campaigns, the book also synthesizes much earlier work in order to come to a comprehensive overview. Tell Sabi Abyad thus far remains the only archaeological site in the Near East where the shift from a Pre-Halaf to an Early Halaf cultural assemblage can be followed within a continuous, meticulously stratified sequence. This shift occured during a short-lived transitional stage, radiocarbon dated at 6100-5900 cal. BC, In terms of the ceramics, this transition is characterized by the gradual replacement of plain Coarse Ware by intricately painted Fine Wares, and by numerous innovations in ceramic technology, morphology and decorative style. More than merely a pottery report, the book offers a lively discussion of past and present views on the origins of the Halaf culture. It also places the excavated ceramics in the broader socio-economic and symbolic context of Late Neolithic societies in northern Syria. Using the concepts of feasting and emulation, the study aims to gain insight in patterns of rapid ceramic innovation and change. The book is of interest not only to specialists of prehistoric pottery but to a wider archaeological audience as well.
The intent of this volume is to break through the boundaries usually imposed by the study of 2nd millennium BC pottery production in Anatolia. 12 papers of leading specialists working on relevant material offer, for the first time, the possibility of a deeper understanding of the phenomenon of painted pottery in the 2nd millennium BC.
This book is the first major study of Lydian material culture at Gordion and also the first published monograph on Lydian painted pottery from any site excavation. Richly illustrated, it provides a comprehensive definition and analysis of Lydian ceramics based on stylistic, archaeological, and textual evidence, while thoroughly documenting the material's stratigraphic contexts. The book situates the ceramic corpus within its broader Anatolian cultural context and offers insights into the impact of Lydian cultural interfaces at Gordion. The Lydian pottery found at Gordion was largely produced at centers other than Sardis, the Lydian royal capital, although Sardian imports are also well attested and began to influence Gordion's material culture as early as the 7th century BCE, if not before. Following the demise of the Lydian kingdom, a more limited repertoire of Lydian ceramics demonstrably continued in use at Gordion into the Achaemenid Persian period in the late 6th and 5th centuries BCE. The material was excavated by Professor Rodney Young's team between 1950 and 1973 and is fully presented here for the first time. Ongoing research in the decades following Young's excavations has led to a more refined understanding of Gordion's archaeological contexts and chronology, and, consequently, we are now able to view the Lydian ceramic corpus within a more secure stratigraphic framework than would have been the case if the material had been published shortly after the excavations.
The pottery of Mohenjo-dara, one of the two major urban centers of the Indus Valley civilization (2500-2000 B.C.) is described and documented. The authors survey Harappan ceramic technology and style, and develop an important and unique approach to vessel form analysis and terminology. Included is Leslie Alcock's account of the pottery from the 1950 excavations by Sir Mortimer Wheeler. University Museum Monograph, 53
"The last great work of the age of reason, the final instance when all human knowledge could be presented with a single point of view ... Unabashed optimism, and unabashed racism, pervades many entries in the 11th, and provide its defining characteristics ... Despite its occasional ugliness, the reputation of the 11th persists today because of the staggering depth of knowledge contained with its volumes. It is especially strong in its biographical entries. These delve deeply into the history of men and women prominent in their eras who have since been largely forgotten - except by the historians, scholars"-- The Guardian, https://www.theguardian.com/books/booksblog/2012/apr/10/encyclopedia-britannica-11th-edition.