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This Is A New Release Of The Original 1914 Edition.
Excerpt from Plague and Pestilence in Literature and Art This volume represents substantially the F itzpatrick Lectures which I had the privilege of delivering at the Royal College of Physicians in 1912. Originally I intended to do no more than gather together into a succinct record the various memorials and reminders of Pestilence that I had met with in my wanderings at home and abroad and in my casual incursions into general literature. Insensibly the desire to understand supplanted the desire merely to record, and the desire to explain superseded the endeavour to understand. I have turned my attention, as far as practicable, only to the literary and artistic associations of Pestilence, but these have inevitably overlapped the confines of history and of medical science. The latter territory has been invaded only so far as was necessary to ensure a correct orientation to the inquiry. I have thought it wise to let the curtain fall at the end of the eighteenth century, leaving it to my readers to decide what vestiges of the mentality of distant centuries have survived into this twentieth. A little reflection on this will afford a most salutary lesson to all of us. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Since the late fourteenth century, European artists created an extensive body of images, in paintings, prints, drawings, sculptures, and other media, about the horrors of disease and death, as well as hope and salvation. This interdisciplinary study on disease in metaphysical context is the first general overview of plague art written from an art-historical standpoint. The book selects masterpieces created by Raphael, Titian, Tintoretto, Rubens, Van Dyck, and Poussin, and includes minor works dating from the fourteenth to twentieth centuries. It highlights the most important innovative artistic works that originated during the Renaissance and the Catholic Reformation. This study of the changing iconographic patterns and their iconological interpretations opens a window to the past.
As the daughter of the Lord of Wynham Castle, Elaisse hears rumors of a great pestilence in France. She tells herself that God is punishing the French people because of the on-going war with England. She consoles herself that England is on the side of all that is right, therefore England is safe. And then Elaisse travels to London where suddenly the whole world changes around her. Circumstances arise beyond her control and she goes from a structured, sheltered life into one where normalcy falls by the wayside. The pestilence has come to England. The threads of her existence begin to unravel as the cart-man in the street calls for people to "Bring out your dead." PESTILENCE: A MEDIEVAL TALE OF PLAGUE is historic fiction, delving into a first-person account of life during the European plague years of 1346-1350. Today there are many end-of-the-world tales, but the bubonic plague pandemic in the 14th Century is the original apocalypse story. "A very well-researched book full of facts about that time, how people lived, and the disease itself, yet it tells the story at an exciting pace." - Larry Green, Death Head Grin Magazine
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