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Set in rural Montana in the early 1990s, emily m. danforth’s The Miseducation of Cameron Post is a powerful and widely acclaimed YA coming-of-age novel in the tradition of the classic Annie on My Mind. Cameron Post feels a mix of guilt and relief when her parents die in a car accident. Their deaths mean they will never learn the truth she eventually comes to—that she's gay. Orphaned, Cameron comes to live with her old-fashioned grandmother and ultraconservative aunt Ruth. There she falls in love with her best friend, a beautiful cowgirl. When she’s eventually outed, her aunt sends her to God’s Promise, a religious conversion camp that is supposed to “cure” her homosexuality. At the camp, Cameron comes face to face with the cost of denying her true identity. The Miseducation of Cameron Post is a stunning and provocative literary debut that was a finalist for the YALSA Morris Award and was named to numerous “best” lists.
""Places in the World a Woman Could Walk" is deeply felt and bitingly precise. The author's dual professions of farmer and poet give the stories two gifts: an intimate, gritty sense of life on the land and a skill with language that amounts to alchemy."--Anne Tyler The women in Janet Kauffman's spirited stories are unafraid to look closely at their flawed lives. Burdened by the struggles of a rural existence, they are determined to embrace the simplest pleasures with a true heart. Whether slaughtering a favorite cow or leaving a violent husband, these characters make tough choices and live with the consequences. "A distinctive voice both quirky and down-to-earth, totally unsentimental and capable of rendering reality's baffling undertones."--"Library Journal"
Spring-fed creeks. Old stone houses. Cedar brakes and bleached limestone. The Hill Country holds powerful sway over the imagination of Texans. So many of us dream of having our own little place in the limestone hills. The Hill Country feels just like home, even if you've never lived there. This beautifully written book explores what the Hill Country has meant as a homeplace to the author, his family, and longtime residents of the area, as well as to newcomers. David Syring listens to the stories that his aunts, uncles, and cousins tell about life in the Hill Country and grapples with their meaning for his own search for a place to belong. He also collects short stories focused around Honey Creek Church to consider how places become containers for memory. And he draws upon several years of living in Fredericksburg to talk about the problems and opportunities created by heritage tourism and the development of the town as a "home" for German Americans. These interconnected stories illuminate what it means to belong to a place and why the Texas Hill Country has become the spiritual, if not actual, home of many people.
Michigan in Literature is a guide to more than one thousand literary and dramatic works set in Michigan from its pre-territorial days to the present. Imaginative, narrative, dramatic, and lyrical creations that have Michigan settings, characters, subjects, and themes are organized into sixteen chapters on topics such as Indians in Michigan, settlers who came to Michigan, diversity in the state, the timber industry, the Great Lakes, crime in Michigan literature, Detroit, and Michigan poetry. In this most complete work to date, Clarence Andrews has assembled the literary reputation of a state. He illustrates, with a wide variety of literary works, that Michigan is more than just a builder of automobiles, a producer of apples and cherries, a supplier of copper and lumber, and the home of great athletes. It is also a state that has played—and continues to play—an important role in the production of American literature. To qualify for inclusion, a work or a significant part of it has to be set in Michigan. Andrews shows how novelists, dramatists, poets, and short story writers have created their particular images of Michigan by using and interpreting the history of the state—its land and waters, people, events, ideas, philosophies, and policies—sometimes factually, sometimes modified or distorted, and sometimes fancied or imagined. Biographical information is featured about authors, editors, and compilers, who range in fame from Ernest Hemingway and Elmore Leonard to persons long forgotten. The published opinions and judgments of reputable critics and scholars are also presented.
This volume is a collection of original contributions in the field of feminist critical theory which reflect upon past practices and suggest new strategies and directions for future work. The articles are presented in two non-exclusive, interactive sections: “Theorizing Feminist Criticism” and “The Feminist Writing Subject”. They offer different points of entry into the familiar debates that have dominated feminist literary criticism for over a decade. The contributions stage negotiations with literary critical and feminist theory which are productive of different perspectives and new strategies for reading and writing.
Our Turn, Our Time is an amazing collection of essays written by women who are committed to celebrating and valuing the passage into the second half of life. These women are redefining the role older women play in contemporary society by embracing creativity, spirituality, and sisterhood. These essays are filled with insight, humor, and compassion on a broad variety of topics: the richness of women's groups, the rewards of volunteering, the power of crone ceremonies, the fires of creative expression, the challenges of a changing body, and the confidence that comes from success in later life. Individually, the essays are inspirational and motivating. As a collection, the book becomes a unique support system for women as they age together, providing the opportunity to embrace each passing year with grace and enthusiasm. You will not find celebrities in this book. Our Turn, Our Time is written by everyday women for everyday women, creating equality and unity. The women in this book are positive role models and they will encourage other women to have an enriching, uplifting, and a refreshingly new perspective on the second half of life!
Lively and engaging essays on aspects of the writer's craft from an acclaimed novelist
This delightful book, handwritten and painted by the inimitable SARK--creator of her own line of inspirational posters, greeting cards, and gift items--exults in the pleasure of living life to its fullest. Exploring everything from sexuality, love, and romance to fat, fears, and recovery, SARK offers women the keys to expressing themselves in every dimension of their lives. of color art.
Ethics for Apocalyptic Times is about the role literature can play in helping readers cope with our present-day crises, including the COVID-19 pandemic, climate change, and the shift toward fascism in global politics. Using the lens of Mennonite literature and their own personal experience as a culturally Mennonite, queer, Latinx person, Daniel Shank Cruz investigates the age-old question of what literature’s role in society should be, and argues that when we read literature theapoetically, we can glean a relational ethic that teaches us how to act in our difficult times. In this book, Cruz theorizes theapoetics—a feminist reading strategy that reveals the Divine via literature based on lived experiences—and extends the concept to show how it is queer, decolonial, and equally applicable to secular and religious discourse. Cruz’s analysis focuses on Mennonite literature—including Sofia Samatar’s short story collection Tender and Miriam Toew’s novel Women Talking—but also examines a non-Mennonite text, Samuel R. Delany’s novel The Mad Man, alongside practices of haiku and tarot, to show how reading theapoetically is transferable to other literary traditions. Weaving together close reading and personal narrative, this pathbreaking book makes a significant and original contribution to the field of Mennonite literary studies. Cruz’s arguments will also be appreciated by literary scholars interested in queer theory and the role of literature in society.