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When some of the poems demand their own book: Make another one. More responses and reflexes to sights, pieces and music. But also from stirring works of art. Plus a journey into different poem forms and - of course - the poems who demanded a book of their own... The second book in The Poetry Collections.
This work is about the art of living mentally well. Told through the first-hand experience of mental health advocate, activist and speaker Kevin Hines (who has bipolar disorder), the story is an honest account of the struggle to live mentally well, and teach others how to do t...
Covering more than 200 years of history from pre-contact to the present, this textbook places religion at the center of the history of the American West, examining the relationship between religion and the region and their influence on one another. A comprehensive examination of the relationship between religion and the American West and their influence on each other over the course of more than 200 years Discusses diverse groups of people, places, and events that played an important historical role, from organized religion and easily recognized denominations to unorganized religion and cults Provides straightforward explanations of key religious and theological terms and concepts Weaves discussion of American Indian religion throughout the text and presents it in dialogue with other groups Enriches our understanding of American history by examining key factors outside of traditional political, economic, social, and cultural domains
Postcolonial Locations seeks to clarify the meaning of ‘the postcolonial’ through close textual readings, and prioritises material and located readings over more abstract theoretical discussions; it seeks to re-orient the field by providing practical explorations of what the discipline is for. The book begins with an introduction of the key theoretical debates in the field – between the universal and the particular; the global and the local – but it then goes on to demonstrate, via a series of close textual readings, that these distinctions are not always useful and that we can achieve a more comprehensive and complete reading of the multiple times, places and texts in which colonial power is both exerted and fought. An engaging and comprehensive guide to contemporary postcolonial studies, this book is essential reading for students as well as professors.
Explores how creative digital technologies and artificial intelligence are embedded in culture and society. In The Inspiration Machine, Eitan Y. Wilf explores the transformative potentials that digital technology opens up for creative practice through three ethnographic cases, two with jazz musicians and one with a group of poets. At times dissatisfied with the limitations of human creativity, these artists do not turn to computerized algorithms merely to execute their preconceived ideas. Rather, they approach them as creative partners, delegating to them different degrees of agentive control and artistic decision-making in the hopes of finding inspiration in their output and thereby expanding their own creative horizons. The algorithms these artists develop and use, however, remain rooted in and haunted by the specific social predicaments and human shortfalls that they were intended to overcome. Experiments in the digital thus hold an important lesson: although Wilf’s interlocutors returned from their adventures with computational creativity with modified, novel, and enriched capacities and predilections, they also gained a renewed appreciation for, and at times a desire to re-inhabit, non-digital creativity. In examining the potentials and pitfalls of seemingly autonomous digital technologies in the realm of art, Wilf shows that computational solutions to the real or imagined insufficiencies of human practice are best developed in relation to, rather than away from, the social and cultural contexts that gave rise to those insufficiencies, in the first place.