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** The New York Times bestseller ** 'To be taken hostage by Fatima Mirza’s heartrending and timely story is a gutting pleasure... She captures your mind and heart with an urgency that defies you to stop reading. I guarantee you will be different when you close the book' Sarah Jessica Parker 'I loved this book' Anne Tyler 'The depth of the storytelling and the beauty of the language makes this debut something to treasure' John Boyne An Indian–Muslim family is preparing for their eldest daughter's wedding. But as Hadia's marriage – one chosen of love, not tradition – gathers the family back together, there is only one thing on their minds: can Amar, the estranged younger brother of the bride, be trusted to behave himself after three years away? A Place for Us tells the story of one family and all family life: of coming to terms with the choices we make, of reconciingly past and present and of how the smallest decisions can lead to the deepest betrayals.
In Place for Us, D. A. Miller probes what all the jokes laugh off: the embarrassingly mutual affinity between a "general" cultural form and the despised "minority" that was in fact that form's implicit audience.
The making of the classic musical: “A fascinating read focusing equally on the show and the world into which it was born.”—Choice From its 1957 Broadway debut to multiple revivals, from the Oscar-winning film to countless amateur productions, West Side Story is nothing less than an American touchstone—an updating of Shakespeare vividly realized in a rapidly changing postwar New York. A lifelong fan of the show, Julia Foulkes became interested in its history when she made an unexpected discovery: scenes for the iconic film version were shot on the demolition site destined to become part of the Lincoln Center redevelopment area—a crowning jewel of postwar urban renewal. Foulkes interweaves the story of the creation of the musical and film with the remaking of the Upper West Side and the larger tale of New York’s postwar aspirations. Making unprecedented use of director and choreographer Jerome Robbins’s revelatory papers, she shows the crucial role played by the political commitments of Robbins and his collaborators Leonard Bernstein and Arthur Laurents. Their determination to evoke life in New York as it was actually lived helped give West Side Story its unshakable sense of place even as it put forward a vision of a new, vigorous, determinedly multicultural American city. Beautifully written and full of surprises for even the most dedicated West Side Story fan, A Place for Us is a revelatory new exploration of an American classic.
A much-needed book on the role of women in US counterterrorism in the wider Middle East and at home
Major international bestseller and critically acclaimed author Harriet Evans weaves an “absorbing tapestry…with a comic touch even in the midst of tragedy” (Kirkus Reviews) in this stunning family drama that will surprise you at every turn. When Martha, a wife and mother of three, sits down one late summer’s morning to write out the invitations to her eightieth birthday celebration, she knows that what she is planning to reveal at the party could ruin the idyllic life she and her husband, David, have spent more than fifty years building. But her family must know what she and David have sacrificed. She cannot live a lie anymore. The invitation goes out far and wide, calling her children and grandchildren back home to Winterfold, their rambling house in the heart of the English countryside. Bill, a doctor, was once a sweet, serious boy, eager to help his mother, but he’s not the man Martha thought he’d become. Florence—passionate, intellectual, one might say a little eccentric—is now an art history professor in Italy. And Daisy, the dark heart of the family, left years ago to be a charity worker abroad and never really came home. The reunion becomes a catalyst for a cascade of shocking secrets and unexpected events as the Winters grapple with the joy and the pain of the past.
In our crowded, noisy world—too many people, too much crime, too many wars, not enough time—it seems almost impossible to locate and preserve the common ground where a civil society might flourish. Whatever happened to the civic virtue and community life that nourished true democracy? In this provocative, hard-hitting book, political scientist Benjamin Barber tackles these questions head-on and, in answering them, retrieves the ideals of "civil society" from the nostalgists who want to re-create old-fashioned (and discriminatory) small communities and from the free-marketeers who associate it with unfettered commercial activity. Commentators have been making a fashion of civil society, but they tend to mean many different things by the phrase: this bracingly clear book shows how diverse the various notions are and how best to think about them. Barber proposes practical strategies for making civil society real, for civilizing public discourse and promoting civic debate, and for affirming values beyond those of work and leisure, commerce and bureaucracy.
Karen Draper and her husband are ecstatic to welcome Preston, their first child, into their lives. Joyful anticipation turns to fear when they are told they must prepare to lose him. When Preston defies the odds, the Draper family enters the world of special needs. A journey where they experience indifference, medical emergencies and uncertainty, all while trying to maintain some sense of normalcy. As Karen discovers the educational blockades for special needs students, she taps into her intuitive side, discovering how love and courage take mysterious forms, even in the most ordinary of lives. From the daily grind of balancing caring for a special needs son and a healthy daughter to mystical, angelic appearances, Karen learns about life, death, and the spaces we fill in between. Told from a mother's perspective, The Place of Us will rearrange your heart and take you to places of hope and healing within yourself.
Leonard Bernstein was the quintessential American musician. Through his careers as conductor, pianist, teacher and television personality he became known across the US and the world, his flamboyance and theatricality making him a favourite with audiences, if not with critics. However, he is perhaps best remembered as a composer, particularly of the musical West Side Story, and for songs such as 'America', 'Tonight' and 'Somewhere'. Dr Helen Smith takes an in-depth look at all eight of Bernstein's musical theatre works, from the early On the Town written by the 26-year-old composer at the start of his career, to his second and last opera A Quiet Place in 1983; in between these two pieces he composed music for Trouble in Tahiti, Wonderful Town, Candide, West Side Story, Mass and 1600 Pennsylvania Avenue. These works are analysed and considered against a background of musical and social context, as well as looking at Bernstein's other orchestral, choral and chamber works. One important aspect examined is Bernstein's use of motifs in his theatre compositions, which takes them out of the realms of Broadway and into the sphere of symphonic writing. Smith provides an indispensable overview of the musical theatre works of an eclectic composer, and shows what it is that constitutes the Bernstein 'sound'.
"The title of this volume is, of course, taken from 2 Kgs 6:1, where the prophetic group about Elisha point out that their accomodation is too cramped. It seemed an apt comment on the capacity of any proposed volume to house and adequate representation of the work that has recently been done on Israelite prophecy. To this I now have to add the all-too-ironic confession that the so-called pre-classical prophets (including Elisha and his colleagues) could not be accomodated in the present volume. Let no one complain about being misled by the subtitle when the title is so honest ... there are thirty-six items of varying legnth, and they divide almost equally between journal articles and excerpts from volumes (some of thes of composite authorship). Naturally, they represent one individual's selection from within his personal reading, and this itself accounts for only a fraction of the vast scholarly output on the prophets, whether since 1875 or since 1975 ... It will be apparent at several places in the volume that I take with great seriousness the study of Near Eastern (non-Israelite) prophecy as background to the Israelite phenomenon, so that the first short section (The Near Eastern Background") was unavoidable."--Editor's preface.
Crystal Clark arrives in Colorado's Yampa Valley amid the splendor of a high country June in 1892. After the death of her father, Crystal is relieved to be leaving the troubles of her Georgia life behind to visit her aunt Kate's cattle ranch. Despite being raised as a proper Southern belle, Crystal is determined to hold her own in this wild land--even if a certain handsome foreman doubts her abilities. Just when she thinks she's getting a handle on the constant male attention from the cowhands and the catty barbs from some of the local young women, tragedy strikes the ranch. Crystal will have to tap all of her resolve to save the ranch from a greedy neighboring landowner. Can she rise to the challenge? Or will she head back to Georgia defeated? Book one in the Heart of the West series, No Place for a Lady is full of adventure, romance, and the indomitable human spirit. Readers will fall in love with the Colorado setting and the spunky Southern belle who wants to claim it as her own.