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Largest and most complex of musical instruments, the organ has traditionally been found in churches-from country parishes to great cathedrals-and, for centuries, small "chamber organs" were found in the homes of the elite, most often, royalty. Then, in the mid-19th century, with the application of mechanical blowing devices, organs entered the private homes of the well-to-do and professional musicians. Automatic player devices provided those who could afford them with a self-playing organ and the opulent mansions of the new American aristocracy offered unlimited space for extremely large instruments.Rollin Smith's Pipe Organs of the Rich and Famous is the story of organs in more than 50 private homes-a few residents being more famous than rich. It recounts a time when the organ was not only a symbol of those who had arrived socially, but was considered the ultimate appointment of the luxurious home, indeed, the Home Orchestra of the Twentieth Century. Here you will visit with royalty, captains of industry, famous organists and composers, organbuilders, and those whose names are less familiar, but who were patrons of the King of Instruments on a lavish scale.Profusely illustrated with more than 300 photographs and engravings, this large-format soft-bound book documents the work of more than 25 organbuilders in the United States, England, France, and Germany; stoplists of each instrument is included.
Largest and most complex of musical instruments, the organ has traditionally been found in churches-from country parishes to great cathedrals-and, for centuries, small "chamber organs" were found in the homes of the elite, most often, royalty. Then, in the mid-19th century, with the application of mechanical blowing devices, organs entered the private homes of the well-to-do and professional musicians. Automatic player devices provided those who could afford them with a self-playing organ and the opulent mansions of the new American aristocracy offered unlimited space for extremely large instruments.Rollin Smith's Pipe Organs of the Rich and Famous is the story of organs in more than 50 private homes-a few residents being more famous than rich. It recounts a time when the organ was not only a symbol of those who had arrived socially, but was considered the ultimate appointment of the luxurious home, indeed, the Home Orchestra of the Twentieth Century. Here you will visit with royalty, captains of industry, famous organists and composers, organbuilders, and those whose names are less familiar, but who were patrons of the King of Instruments on a lavish scale.Profusely illustrated with more than 200 photographs and engravings, this large-format hard-bound book documents the work of more than 25 organbuilders in the United States, England, France, and Germany; stoplists of each instrument is included.
Most books dealing with the history of the organ have confined themselves to a single period, area, or even country. This invaluable new work is the first complete survey of the organ ever to have been made in any language. The author firmly bases his interpretations and judgment on extant documents whenever possible, on his practical experience in playing organs all over Europe, and on his close examination of a great variety of instruments at different stages of restoration or transformation. Eight chapters are devoted to the early period and four to the Renaissance. Then individual chapters consider the French classical organ, the organ of Bach, the Spanish baroque organ, the Italian baroque organ, the English organ before 1800, and the northern European organ. The final eight chapters discuss developments in the 19th and 20th centuries. Supplementing the text are a glossary and plates illustrating a full range of organs that are typical of their kind. The eminent English musicologist, organist, and harpsichordist, Peter (Fredric) Williams ranks among the foremost authorities on the organ.
Leopold Stokowski began his career in England as an organist and choirmaster. This first major study of Stokowski's early years covers his education at the Royal College of Music, his church posts in London, and his three years spent as director of music at New York's prestigious St. Bartholomew's Church. An examination of the programs of his organ recitals (played on the third largest organ in America), a list of his repertoire, facsimiles of his original choral works, an analysis of his Aeolian player organ roll of Bach's Passacaglia, and a detailed study of his famous orchestral transcriptions of Bach's organ works, reveals a new and unique insight into Stokowski's unparalleled career in music.
This collection features church and concert works for the organ and includes such popular pieces as Bach's "Toccata" and "Fugue in D Minor" andthe "Toccata" from Charles-Marie Widor's 5th Organ Symphony."
"Published in cooperation with the American Bach Society."
Yearsley explores the cultural significance of making music with hands and feet, a mode of performance unique to the organ.
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.