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A generous selection of illustrations, together with a list of surviving landscape sites accessible to the public, brings both the subjects and their art to life.
Shaping the Postwar Landscape is the latest contribution to the Cultural Landscape Foundation's well-known reference project, Pioneers of American Landscape Design, the first volume of which appeared nearly a quarter of a century ago. The present collection features profiles of seventy-two important figures, including landscape architects, architects, planners, artists, horticulturists, and educators. The volume focuses principally on individuals whose careers reached their height during the period between the end of World War II and the American Bicentennial. In that postwar era, landscape architects played an important part in the revitalization of American cities, introducing new typologies for public spaces in the civic realm. Among these were parks that capped freeways, plazas and gardens atop buildings, promenades on revitalized waterfronts, "vest pocket" parks on tiny urban plots and derelict sites, and pedestrian-friendly downtown malls. Practitioners were also active on the new suburban frontier, their influence extending as far as Levittown and mobile-home communities. They created new outdoor living environments tailored to the California climate, and their work shaped landscaped in the American South, East, West, and Heartland. At a time when interest in midcentury architecture is flourishing, Shaping the Postwar Landscape offers a substantial parallel contribution to the field of landscape studies. It belongs not only on the bookshelves of serious students and scholars but in the office of every landscape architect sensitive to significant works of the recent past.
Collaboration with the greatest botanists of his time, an instinctive humanitarianism, and a natural ingenuity in landscape design combined to make Thomas Jefferson a pioneer in American landscape architecture. Frederick D. Nichols and Ralph E. Griswold, in this close study of Jefferson's many notes, letters, and sketches, present a clear and detailed interpretation of his extraordinary accomplishments in the field. Thomas Jefferson, Landscape Architect investigates the many influences on--and of--the Jeffersonian legacy in architecture. Jefferson's personality, friendships, and convictions, complemented by his extensive reading and travels, clearly influenced his architectural work. His fresh approach to incorporating foreign elements into domestic designs, his revolutionary approach to relating the house to the surrounding land, and his profound influences on the architectural character of the District of Columbia are just a few of Jefferson's contributions to the American landscape. Eighteenth- and nineteenth-century maps, plans, and drawings, as well as pictures of the species of trees that Jefferson used for his designs, generously illustrate the engaging narrative in Thomas Jefferson, Landscape Architect.
Born in Switzerland, Jacob Weidenmann emigrated to the United States in 1856 at the age of twenty-seven after obtaining college-level diplomas in art, architecture, and engineering. The only landscape architect in America so educated, Weidenmann quickly gained a reputation for his excellent design and brilliant solutions to complex engineering and architectural challenges. He developed an important collaboration with Frederick Law Olmsted and became a leading innovator in the field, helping to set standards and design principles for the profession. Based on four decades of research by author Rudy J. Favretti, this is the first comprehensive biography of this major artist, covering his life and career in-depth, and illuminating Weidenmann’s importance in defining his profession for future practitioners. Featuring over fifty illustrations, this oversized volume places Jacob Weidenmann in the context of his time, place, and art, and locates him in the pantheon of nineteenth-century designers.
Photographs and essays express "the way the American landscape has been forged by various cultures in the past and what the possibilities are for its future design."--Jacket.
In 1928, Arthur A. Shurcliff (1870-1957) began what became one of the most important examples of the American Colonial Revival landscape--Colonial Williamsburg, a project that stretched into the 1940s and included town and highway planning as well as residential and institutional gardens. Elizabeth Hope Cushing, in this richly illustrated biography, traces Shurcliff's route from early years and planning work in Boston to his largest and most significant contribution to American landscape architecture.