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From the Diary ofAnne Frank to Anne of Green Gables, young women love to read stories about real girls who faced incredible challenges and shared indelible truths about the human spirit. Jan Cleere has compiled a wonderful collection of such stories, for a wide range of readers from ten-year-old girls to older readers fascinated by women’s history. Meet Laurette Lovell, born in 1869 with a severe leg deformity, who at age thirteen started on her path to be a renowned pottery artist and painter. Edith Bass, born in 1896, began wrangling mules before the age of nine, leading pack strings up and down the dangerous paths into the Grand Canyon. These two young women, and nine others, are profiled magnificently alongside historic photographs. Today’s readers love to read bold adventures. They’ll never forget these stories of real girls who conquered the West in their own style, spending most or all of their childhood in Arizona. Jan Cleere is a historical researcher and the author of More Than Petticoats: Remarkable Nevada Women, among other books. She lives in Oro Valley, Arizona.
Mostly biographies about Mormon girls, young women, mothers, and grandmothers who arrived in Arizona by covered wagons (and also by train). These women drove teams and knitted socks while their men trailed the cattle. They settled the Arizona Strip and along the Little Colorado, San Pedro, Gila, and Salt Rivers.
"A true daughter of the West, Angela, born in a tiny mining hamlet in Nevada, came to the territory of Arizona at the age of twelve. Betty Hammer Joy weaves together the lively story of her grandmother's life by drawing upon Angela's own prodigious writing and correspondence, newspaper archives, and the recollections of family members. Her book recounts the stories Angela told of growing up in mining camps, teaching in territorial schools, courtship, marriage, and a twenty-eight-year career in publishing and printing.".
Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world. Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them. Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos. Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony. Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.
This colorful history of pioneer life in Arizona sheds light on the experiences of the homesteader families who founded the Kansas Settlement. In 1909, fifteen families left their homes in Kansas to claim homesteads a thousand miles away in a remote region of the Arizona Territory. In this beautiful but unforgiving new home, they would realize their dream of owning their own land. They named their new community Kansas Settlement. Those who persevered met the challenges, raised their families, and prospered. Their determination was inspiring and left a legacy of courage. In One Hundred Sixty Acres of Dirt, author Marsha Arzberger tells the tales of these remarkable people—farmers, cowboys, pioneer women, and schoolmarms—drawn from personal journals and family scrapbooks. A descendent of one of the original Kansas Settlement families, Arzberger vividly recounts their journey West, as well as their dealings with rustlers, droughts, Apaches, and straying husbands. This carefully researched account captures the daily lives, joys, and tragedies of Arizona’s Kansas Settlement.
An expanded edition of one of the most original and provocative works of American history of the last decade, which documents the pioneering experiences and grit of American frontier women.
Stories of extraordinary women who shaped Arizona.
On April 30, 1849, Sarah Bayliss Royce, along with her husband, Josiah, and their daughter, Mary, left her home in Tipton, Iowa, and headed for California in a covered wagon. Along the way, she kept a diary which, nearly thirty years later, served as the basis for a memoir she titled Across the Plains. That book has been freshly transcribed by Jennifer Dawes Adkison from RoyceÕs original handwritten document, and this new edition is faithful to the original, restoring several passages that were omitted from the previous edition. In a new introduction Adkison reveals Across the Plains to be far more than a simple narrative of one pioneer womanÕs journey west. She explains that Royce wrote the book at the request of her son, Josiah Royce, a well-known professor of philosophy at Harvard University with motives of his own. She crafted the narrative that her son wanted: an argument for spiritual faith and fortitude as foundational to CaliforniaÕs history. Yet the narrative itself, in addition to offering a window into a world that has long lacked close documentation, gives us the opportunity to study the ways in which nineteenth-century western women asserted this primacy of faith and crafted their experience into stories with larger cultural and social resonance. Scholars have long used Across the Plains to mold and support an iconic image of the resolute pioneer woman. However, until now no one has considered RoyceÕs own self-conscious creation of this persona. Readers will discover that in many ways, Sarah RoyceÕs careful construction of this cultural portrait deepens our respect for her and our delight in her travels, travails, and triumphs.