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Pinocchio, The Tale of a Puppet follows the adventures of a talking wooden puppet whose nose grew longer whenever he told a lie and who wanted more than anything else to become a real boy.As carpenter Master Antonio begins to carve a block of pinewood into a leg for his table the log shouts out, "Don't strike me too hard!" Frightened by the talking log, Master Cherry does not know what to do until his neighbor Geppetto drops by looking for a piece of wood to build a marionette. Antonio gives the block to Geppetto. And thus begins the life of Pinocchio, the puppet that turns into a boy.Pinocchio, The Tale of a Puppet is a novel for children by Carlo Collodi is about the mischievous adventures of Pinocchio, an animated marionette, and his poor father and woodcarver Geppetto. It is considered a classic of children's literature and has spawned many derivative works of art. But this is not the story we've seen in film but the original version full of harrowing adventures faced by Pinnocchio. It includes 40 illustrations.
The reader shares the adventures of the famous puppet and decides their outcome.
Pinocchio, a puppet with a talent for getting into trouble, wants to become a real boy, but he must earn that by learning to be good.
A CLASSIC STORY FOR CHILDREN TO COLOR! Kids can bring their favorite tales and characters to life through the magic of coloring. This enchanting retelling of Pinocchio will stimulate children's creativity as they put their own mark on Fabiana Attanasio's illustrations and make every page unique. Young readers will also the enjoy adaptation of the original story, retold in fresh and modern language. Plus, there's a removable poster to color in and hang on the wall--so budding artists can admire their beautiful work.
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"The Adventures of Pinocchio is a book by Carlo Collodi, first published in 1883. It tells the story of a poor carpenter named Geppetto who creates a marionette called Pinocchio. A full of mischief boy who gets into trouble the moment he is created, having adventures along the way. He meets lots of characters; one of which is a fairy, who eventually turns Pinocchio into a real boy after he saves her life."
The Adventures of Pinocchio is a novel for children by Italian author Carlo Collodi, written in Pescia. It is about the mischievous adventures of an animated marionette named Pinocchio and his father, a poor woodcarver named Geppetto. It was originally published in serial form as The Story of a Puppet (Italian: La storia di un burattino) in the Giornale per i bambini, one of the earliest Italian weekly magazines for children, starting from 7 July 1881. The story stopped after nearly 4 months and 8 episodes at Chapter 15, but by popular demand from readers, the episodes were resumed on 16 February 1882. In February 1883, the story was published in a single book. Since then, the spread of Pinocchio on the main markets for children's books of the time has been continuous and uninterrupted, and it was met with enthusiastic reviews worldwide. A universal icon and a metaphor of the human condition, the book is considered a canonical piece of children's literature and has had a great impact on world culture. Philosopher Benedetto Croce reputed it as one of the greatest works of Italian literature. Since its first publication, it has inspired hundreds of new editions, stage plays, merchandising, television series and movies, such as Walt Disney's iconic animated version, and commonplace ideas such as a liar's long nose. The book has been translated between 260 (according to extensive research done by the Fondazione Nazionale Carlo Collodi and based on UNESCO sources in the late 1990s) and over 300 languages worldwide. That makes it the most translated non-religious book in the world. While the total sales since its first publication are unknown because of the many public domain re-releases begun in 1940, some sources stated that the book has sold over 80 million copies in recent years, making it one of the best-selling books ever published. According to Francelia Butler, it remains "the most translated Italian book and, after the Bible, the most widely read".
One of the most widely read books in the world, considered a metaphor for the human condition, and suitable for a variety of interpretations, The Adventures of Pinocchio has had a major impact on world culture. The book responds to a prerogative that belongs only to masterpieces: that of being out of time. The book focuses on the psychological investigation of his central character Pinocchio, while trying to discover a humanity lost in the vacuum of technology and science. The myth of Pinocchio is used to condemn the culture of violence and consumerism. Collodi successfully uses metaphorical interactions, bipolarities, and ambiguous miracles. Pinocchio's identity is often played to the limit, imagined by himself and everyone he meets along the way. Pinocchio is the name of life that is simultaneously inorganic, human and animal. The Adventures of Pinocchio explore how experiences gained in heterotopic space give the individual the ability to change panoramic vision, and how these experiences can ultimately show us how we can recover or restore our existence as individual subjects. CONTENTS: Abstract Carlo Collodi The Adventures of Pinocchio Pinocchio The Myth The Psychology The Duality The Heterotopy The Identity Artificial Intelligence The Humanism The Becoming The Demiurge The Education Bibliography DOI: DOI: 10.13140/RG.2.2.20541.38887
A revelatory new annotated edition of the most translated Italian book in the world--the basis for two new major motion pictures: a Netflix animated version co-directed and co-written by Guillermo del Toro and voiced by Ewan McGregor, Cate Blanchett, and Tilda Swinton, and a Disney Plus live-action version directed by Robert Zemeckis and starring Tom Hanks, Cynthia Erivo, Joseph Gordon-Levitt, Lorraine Bracco, and Keegan-Michael Key A Penguin Classic Carved from a piece of wood by the old carpenter Geppetto, the puppet Pinocchio comes to life and immediately starts to misbehave. But while this beloved character has achieved literary immortality, the novel has been widely misunderstood. Pinocchio has a penchant for lying, to be sure, but it’s when he avoids going to school that he repeatedly gets into trouble. The Adventures of Pinocchio is thus not a cautionary tale about lying but an unusually timely fable for our increasingly authoritarian times--a story about the importance of education and of preventing others from pulling our strings. This effervescent new translation captures the antic spirit that makes the mischievous, egotistical, and easily distracted Pinocchio a late nineteenth-century prototype for the likes of Bart Simpson. Featuring copious annotations informed by the translators’ deep knowledge of Italy, it reveals the novel to be not only a subversively entertaining children’s book but also a sophisticated satire reflecting the author’s concern for the social inequality of his time and his belief that duty to others is at the core of our humanity. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Adventures of Pinocchio, by Carlo Collodi (1826–1890) Translated into English by Mary Alice Murray (1892) Published by T. Fisher Unwin, 1892 Illustrated by Enrico Mazzanti (1850–1910) Images and text used from Wikisource (Public Domain) A Children's Book for Adults, by Nicolae Sfetcu: Translated by Nicolae Sfetcu from "Aventurile lui Pinocchio - O poveste pentru oameni mari" by Nicolae Sfetcu, Telework (10 decembrie 2021), DOI: 10.13140/RG.2.2.22089.67688, MultiMedia Publishing (ed.), ISBN: 978-606-033-666-2 The Adventures of Pinocchio recounts the adventures of an animated puppet named Pinocchio, who moves independently. He underwent transformations during the novel, and is often described as wearing a pointed hat, a jacket, and a pair of knee-length colored pants (called "caprietti"). Pinocchio's nose is his best-known feature. He grows taller when he tells a lie. The Adventures of Pinocchio focus on the psychological investigation of his central character, as he tries to discover a humanity lost in the vacuum of technology and science. The book can also be approached through the prism of the philosophy of mind, of the essential questions in this field. These questions are about personality and suffering. The common thread of Pinocchio's story is his desire to become a human being. In search of his identity, Pinocchio goes on an initiation journey. The problem of identity leads to the duality of mind / body, to what constitutes one's essence. To what extent do we remain the same when we change our appearance? Hence the story of an awareness of one's inner need. The puppet's desire to become human is one of the different literary manifestations of the animated / inanimate archetype, being loaded with different connotations and substrates of meaning. An archetypal story due to all its mythical, fairytale and religious references. Desire is the driving force that triggers the final metamorphosis, transforming inanimate matter into a living being. The puppet is, in this context, a metaphor for human formation and fulfillment as a citizen. One of the most widely read books in the world, considered a metaphor for the human condition, and suitable for a variety of interpretations, the novel has had a great impact on world culture. The book responds to a prerogative that belongs only to masterpieces: that of being out of time. CONTENTS: The Adventures of Pinocchio - I How it came to pass that Master Cherry the carpenter found a piece of wood that laughed and cried like a child. - II Master Cherry makes a present of the piece of wood to his friend Geppetto, who takes it to make for himself a wonderful puppet, that shall know how to dance, and to fence, and to leap like an acrobat. - III Geppetto having returned home begins at once to make a puppet, to which he gives the name of Pinocchio. The first tricks played by the puppet. - IV The story of Pinocchio and the Talking-cricket, from which we see that naughty boys cannot endure to be corrected by those who know more than they do. - V Pinocchio is hungry and searches for an egg to make himself an omelet; but just at the most interesting moment the omelet flies out of the window. - VI Pinocchio falls asleep with his feet on the brazier, and wakes in the morning to find them burnt off. - VII Geppetto returns home, makes the puppet new feet, and gives him the breakfast that the poor man had brought for himself. - VIII Geppetto makes Pinocchio new feet, and sells his own coat to buy him a Spelling-book. - IX Pinocchio sells his Spelling-book that he may go and see a puppet-show. - X The puppets recognise their brother Pinocchio, and receive him with delight; but at that moment their master Fire-eater makes his appearance and Pinocchio is in danger of coming to a bad end. - XI Fire-eater sneezes and pardons Pinocchio, who then saves the life of his friend Harlequin. - XII The showman Fire-eater makes Pinocchio a present of five gold pieces to take home to his father Geppetto: but Pinocchio instead allows himself to be taken in by the Fox and the Cat, and goes with them. - XIII The inn of The Red Craw-fish. - XIV Pinocchio, because he would not heed the good counsels of the Talking-cricket, falls amongst assassins. - XV The assassins pursue Pinocchio; and having overtaken him hang him to a branch of the Big Oak. - XVI The beautiful Child with blue hair has the puppet taken down: has him put to bed and calls in three doctors to know if he is alive or dead. - XVII Pinocchio eats the sugar, but will not take his medicine: when, however, he sees the grave-diggers, who have arrived to carry him away, he takes it. He then tells a lie, and as a punishment his nose grows longer. - XVIII Pinocchio meets again the Fox and the Cat, and goes with them to bury his money in the Field of miracles. - XIX Pinocchio is robbed of his money, and as a punishment he is sent to prison for four months. - XX Liberated from prison, he starts to return to the Fairy's house; but on the road he meets with a horrible serpent, and afterwards he is caught in a trap. - XXI Pinocchio is taken by a peasant, who obliges him to fill the place of his watch-dog in the poultry-yard. - XXII Pinocchio discovers the robbers, and as a reward for his fidelity is set at liberty. - XXIII Pinocchio mourns the death of the beautiful Child with the blue hair. He then meets with a pigeon who flies with him to the seashore, and there he throws himself into the water to go to the assistance of his father Geppetto. - XXIV Pinocchio arrives at the island of the 'Industrious Bees,' and finds the Fairy again. - XXV Pinocchio promises the Fairy to be good and studious, for he is quite sick of being a puppet and wishes to become an exemplary boy. - XXVI Pinocchio accompanies his schoolfellows to the sea-shore to see the terrible Dog-fish. - XXVII Great fight between Pinocchio and his companions. One of them is wounded, and Pinocchio is arrested by the gendarmes. - XXVIII Pinocchio is in danger of being fried in a frying-pan like a fish. - XXIX He returns to the Fairy's house. She promises him that the following day he shall cease to be a puppet and shall become a boy. Grand breakfast of coffee and milk to celebrate this great event. - XXX Pinocchio, instead of becoming a boy, starts secretly with his friend Candlewick for the 'Land of Boobies.' - XXXI After five months' residence in the land of Cocagne, Pinocchio, to his great astonishment, grows a beautiful pair of donkey's ears, and he becomes a little donkey, tail and all. - XXXII Pinocchio gets donkey's ears; and then he becomes a real little donkey and begins to bray. - XXXIII Pinocchio, having become a genuine little donkey, is taken to be sold, and is bought by the director of a company of buffoons to be taught to dance, and to jump through hoops: but one evening he lames himself, and then he is bought by a man who purposes to make a drum of his skin. - XXXIV Pinocchio having been thrown into the sea is eaten by the fish and becomes a puppet as he was before. Whilst he is swimming away to save his life he is swallowed by the terrible Dog-fish. - XXXV Pinocchio finds in the body of the Dog-fish . . . whom does he find? Read this chapter and you will know. - XXXVI Pinocchio at last ceases to be a puppet and becomes a boy. A Children's Book for Adults - Carlo Collodi - The Adventures of Pinocchio - Pinocchio - The Myth - The Psychology - The Duality - The Heterotopy - The Identity - Artificial Intelligence - The Humanism - The Becoming - The Demiurge - The Education - Bibliography Publishing House - MultiMedia Publishing