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Pinocchio goes to Africa after visiting a circus in which all the animals are costumed Africans, and manages to get himself named emperor.
Pinocchio, The Tale of a Puppet follows the adventures of a talking wooden puppet whose nose grew longer whenever he told a lie and who wanted more than anything else to become a real boy.As carpenter Master Antonio begins to carve a block of pinewood into a leg for his table the log shouts out, "Don't strike me too hard!" Frightened by the talking log, Master Cherry does not know what to do until his neighbor Geppetto drops by looking for a piece of wood to build a marionette. Antonio gives the block to Geppetto. And thus begins the life of Pinocchio, the puppet that turns into a boy.Pinocchio, The Tale of a Puppet is a novel for children by Carlo Collodi is about the mischievous adventures of Pinocchio, an animated marionette, and his poor father and woodcarver Geppetto. It is considered a classic of children's literature and has spawned many derivative works of art. But this is not the story we've seen in film but the original version full of harrowing adventures faced by Pinnocchio. It includes 40 illustrations.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Collodi's "Pinocchio" tells the story of a wooden marionette and of his efforts to become a real boy. Although he was kindly treated by the old woodcutter, Geppetto, who had fashioned him out of a piece of kindling wood, he was continually getting into trouble and disgrace. Even Fatina, the Fairy with the Blue Hair, could not at once change an idle, selfish marionette into a studious and reliable boy. His adventures, including his brief transformation into a donkey, give the author an opportunity to teach a needed and wholesome lesson without disagreeable moralizing.Pinocchio immediately leaped into favor as the hero of Italian juvenile romance. The wooden marionette became a popular subject for the artist's pencil and the storyteller's invention. Brought across the seas, he was welcomed by American children and now appears in a new volume which sets forth his travels in Africa. The lessons underlying his fantastic experiences are clear to the youngest readers but are never allowed to become obtrusive, while the whimsical nonsense which delights Italian children has been reproduced as closely as a translation permits.When the gentle woodcarver Geppetto builds a marionette to be his substitute son, a benevolent fairy brings the toy to life. The puppet, named Pinocchio is not yet a human boy. He must earn the right to be real by proving that he is brave, truthful, and unselfish. But, even with the help of Jiminy, a cricket who the fairy assigns to be Pinocchio's conscience, the marionette goes astray. He joins a puppet show instead of going to school, he lies instead of telling the truth, and he travels to Pleasure Island instead of going straight home. Yet, when Pinocchio discovers that a whale has swallowed Geppetto, the puppet single-mindedly journeys into the ocean and selflessly risks his life to save his father, thereby displaying that he deserves to be a real boy.Many authors have given Pinocchio new adventures and taken him all over the world. This pro-colonial book in which Pinocchio is named "Emperor and King of all the African kings," is one of the first.After meeting various animals in a traveling circus, and, making friends with them, Pinocchio becomes enchanted with the idea of going to Africa.Pinocchio remains the ultimate cautionary tale, warning you to be good and thoughtful - or else your nose will grow and you'll turn into a donkey!
This book represents an investigation into one of the basic issues in the study of translation: how do we reconcile theory and practice? The main focus, in the form of close readings and think-aloud protocols in Chapters 2 and 3, is on translations of two classic texts: Mark Twain's The Adventures of Huckleberry Finn and Carlo Collodi's Le avventure di Pinocchio. The first and last chapters respectively seek to show what translation theory is and what translation practice is. Indeed, Chapter 1, "Theory and Hubris," provides a synthesis of the development of the interdiscipline of Translation Studies, with some consideration also given to the hermeneutical questions that inevitably arise when dealing with the interpretation of language.
Pinocchio in Africa, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
Described as 'haunting' by Sunday Times, The Swallowed Man is a dark reimagining of Pinocchio, told from inside the belly of a fish. ‘Profound and delightful' Max Porter, author of Grief is the Thing with Feathers I am writing this account, in another man’s book, by candlelight, inside the belly of a fish. I have been eaten. I have been eaten, yet I am living still. From the acclaimed author of Little comes this beautiful and haunting imagining of the years Geppetto spends within the belly of a sea beast. Drawing upon the Pinocchio story while creating something entirely his own, Carey tells an unforgettable tale of fatherly love and loss, pride and regret, and of the sustaining power of art and imagination.