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Pinocchio, The Tale of a Puppet follows the adventures of a talking wooden puppet whose nose grew longer whenever he told a lie and who wanted more than anything else to become a real boy.As carpenter Master Antonio begins to carve a block of pinewood into a leg for his table the log shouts out, "Don't strike me too hard!" Frightened by the talking log, Master Cherry does not know what to do until his neighbor Geppetto drops by looking for a piece of wood to build a marionette. Antonio gives the block to Geppetto. And thus begins the life of Pinocchio, the puppet that turns into a boy.Pinocchio, The Tale of a Puppet is a novel for children by Carlo Collodi is about the mischievous adventures of Pinocchio, an animated marionette, and his poor father and woodcarver Geppetto. It is considered a classic of children's literature and has spawned many derivative works of art. But this is not the story we've seen in film but the original version full of harrowing adventures faced by Pinnocchio. It includes 40 illustrations.
“In an old house in Paris that was covered with vines lived twelve little girls in two straight lines the smallest one was Madeline.” Nothing frightens Madeline—not tigers, not even mice. With its endearing, courageous heroine, cheerful humor, and wonderful, whimsical drawings of Paris, the Madeline stories are true classics that continue to charm readers, even after 75 years. Join Madeline in another adventure when she and Pepito run off to join the carnival with a band of traveling gypsies! Ludwig Bemelmans (1898-1962) was the author of the beloved Madeline books, including Madeline, a Caldecott Honor Book, and Madeline's Rescue, winner of the Caldecott Medal.
This book will help children gain an understanding of life by following the story of Oluwamurewa's plant. Olumurewa is an African name, specifically from the Yoruba tribe in Nigeria. Most Yoruba names have a meaning. Olumurewa means a God has given us joy.
Auntie and Uncle and Nannie and Gran-Gran and all the cousins want to hug and kiss the new baby — they all love the baby SO MUCH! Illustrations by Helen Oxenbury brim with the warmth of a large, loving extended family. Mom and baby are home alone when — DING DONG! — Auntie and then Uncle and Nannie and Gran-Gran and the cousins come to visit. And they all want to hug and kiss and squeeze and eat the baby right up — because everybody loves the baby SO MUCH! With Helen Oxenbury lending her characteristic warmth and humor to a most exuberant family party, Trish Cooke's rhythmic, cumulative story captures the joy of being the baby in a large extended family — a baby who knows that he is absolutely, utterly adored.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The concept of this book is to reassess Pinocchio originally, alongside puppets and marionnettes within modernity, as a figure characterized by a ‘fluid identity’, informed with transition, difference, joie de vivre, otherness, displacement and metamorphosis. As such, Pinocchio is a truly modern, indeed a postmodern and posthuman cultural icon.
Entertaining stories handed down from generation to generation among tribal cultures include "The Magic Crocodile," "The Hare and the Crownbird," "The Boy in the Drum," 15 others. 19 illustrations.
In this beloved tale, children join Pinocchio on his journey to becoming a real boy as he is tricked by the sly fox, turned in to a donkey, and swallowed by a whale! Between the pages of the Brighter Child(R) Keepsake Stories books are the classic tales
In the first full-length study in English of Carlo Collodi's The Adventures of Pinocchio, the authors show how the checkered history of the puppet illuminates social change from the pre World War One era to the present. The authors argue that most Americans know a trivialized, diluted version of the tale, one such source is Disney's perennial classic. The authors also discover that when adults are introduced to the 'real' story, they often deem it as unsuitable for children. Placing the puppet in a variety of contexts, the authors chart the progression of this childhood tale that has frequently undergone dramatic revisions to suit America's idea of children's literature.