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Originally issued in parts by Peter Lawson & Son, Edinburgh.
Originally issued in parts by Peter Lawson & Son, Edinburgh.
Reprint of the original, first published in 1869.
This study explores the science and culture of nineteenth-century British arboretums, or tree collections. The development of arboretums was fostered by a variety of factors, each of which is explored in detail: global trade and exploration, the popularity of collecting, the significance to the British economy and society, developments in Enlightenment science, changes in landscape gardening aesthetics and agricultural and horticultural improvement. Arboretums were idealized as microcosms of nature, miniature encapsulations of the globe and as living museums. This book critically examines different kinds of arboretum in order to understand the changing practical, scientific, aesthetic and pedagogical principles that underpinned their design, display and the way in which they were viewed. It is the first study of its kind and fills a gap in the literature on Victorian science and culture.
"Today one would be hard pressed to choose a "Pre-eminent Victorian," a perfect embodiment of the golden age of innovation and energy. But among the Victorians themselves, it was agreed that one figure towered above the rest. Joseph Paxton bestrode the worlds of horticulture, urban planning, and architecture like a colossus. This was the indispensable man, the self-taught polymath with a solution to every large-scale logistical problem. Rising quickly from humble beginnings, Paxton at 23 became head gardener and architect at Chatsworth, the estate of the sixth Duke of Devonshire. Under Paxton's hands, Chatsworth was transformed into the greatest garden in England, Britain's answer to the hanging gardens of Babylon. Paxton also edited garden periodicals, helped found the London Daily News, and was a Liberal MP for Coventry, but it was his design for the Crystal Palace, home of the Great Exhibition of 1851, that secured his immortality"--