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A truly Canadian Christmas carol is now available in a sturdy board book format! This Canadian Christmas carol became an instant holiday classic. Now the whole family can join in the fun with this new, specially adapted board book version -- the perfect first Christmas book for every preschooler on your list! Enjoy all of Werner Zimmermann's zany illustrations, count the characters from 1 to 12, and sing along. It's Christmas as only Canadians can celebrate it -- with squirrels curling, Mounties munching donuts, hockey players-a-leaping.... and A Porcupine in a Pine Tree!
Maine is many things to many people—a haven in a world of headaches, a fir-stippled paradise where summer comes slow and easy, a place that is heartbreaking to leave and a relief to return to. It is the way life should be. More specifically, Maine is 3,500 miles of enchanting coastline, the 5,267-foot elevation of Mount Katahdin, and of course her hardy, friendly folks. Maine Icons illustrates the quintessential symbols that make Maine so fascinating and unique. Profiled here are fifty classic symbols of this extraordinary state, revealing little-known facts, longtime secrets, and historical legends. From bean hole beans to L.L.Bean, here’s the inside story about the very things that give this state its character. Did you know that the annual Maine Lobster Festival includes a parade, a lobster-crate race, and more than 20,000 pounds of lobster cooked in the world’s biggest lobster boiler? That it was a woman, Cornelia Thurza “Fly Rod” Crosby, who became the first licensed, registered Maine Guide in 1897? Or that the earmuff was patented in the 1870s by young Chester Greenwood, who went on to be named one of America’s top fifteen outstanding inventors? For Mainers and newcomers alike, Maine Icons will be a treasured keepsake of this charming state.
The history of the ubiquitous pine tree is wrapped up with the history of early America—and in the hands of a gifted storyteller becomes a compelling read, almost an adventure story.
Presents an adaptation of the folk song "The Twelve Days of Christmas" in which friends exchange gifts such as piątas and a little girl receives a present from a secret friend whose identity is eventually revealed.
A magical new edition of the festive story, with a full page pop-up tree perfect for gifting at Christmas time. This midi edition of Patricia Toht and Jarvis’s irresistible Christmas gift book all begins with . . . picking a pine tree! After getting the tree home, it’s time for the rituals of decorating—digging out boxes jam-packed with ornaments and tree trimmings, stringing tinsel, and, at long last, turning on those twinkling lights. Joyously drawn and rhythmically written, this celebration of family, friends, and the holiday season is as merry as the tradition it depicts.
In the early 1900s, artist Paul Thulin's great-grandfather settled on an island off the coast of Maine because it resembled his homeland of Sweden. As a result, his family has returned to Gray's Point each summer for over a century. Throughout his life, his great-grandfather shared exquisitely detailed accounts of the early settlers of the New England apple orchard that included such characters as a one-legged ship cook, a widowed schoolteacher, and an ingenious Native American blacksmith. The tales were an intricate mix of facts and lore that fueled imagination and often had the power to transform daily floorboard creaks and shadows into enduring ancestral spirits. "Pine Tree Ballads" is a poetic memoir that embraces this spirit of magic realism. This deeply personal photographic sequence is a family generated folktale of place and origins; a story infused with both imagination and reality which, in most instances, are the true ingredients of history.This book adopts a unique"docu-literary" structure that celebrates and fully exploits the duplicitous nature of photography/text to be simultaneously interpreted as both fact and fiction. The project explores the emotive, contextual, and material constructs of history, culture, personal identity, memory, and folklore. The images are made with a variety of photo-based processes including both large format b/w and color film, and hi-resolution digital capture. An "aura aesthetic" purposely exposes the formal beauty and conceptual profundity of analog-based photographic material disruptions, such as film light leaks, dust and scratches, lens distortion, chemical stains, loss of color integrity, film grain, mold, and the multitude of ways paper stains, rips, and deteriorates over time.
NEW YORK TIMES BEST SELLER • From the world's leading forest ecologist who forever changed how people view trees and their connections to one another and to other living things in the forest—a moving, deeply personal journey of discovery Suzanne Simard is a pioneer on the frontier of plant communication and intelligence; her TED talks have been viewed by more than 10 million people worldwide. In this, her first book, now available in paperback, Simard brings us into her world, the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths--that trees are not simply the source of timber or pulp, but are a complicated, interdependent circle of life; that forests are social, cooperative creatures connected through underground networks by which trees communicate their vitality and vulnerabilities with communal lives not that different from our own. Simard writes--in inspiring, illuminating, and accessible ways—how trees, living side by side for hundreds of years, have evolved, how they learn and adapt their behaviors, recognize neighbors, compete and cooperate with one another with sophistication, characteristics ascribed to human intelligence, traits that are the essence of civil societies--and at the center of it all, the Mother Trees: the mysterious, powerful forces that connect and sustain the others that surround them. And Simard writes of her own life, born and raised into a logging world in the rainforests of British Columbia, of her days as a child spent cataloging the trees from the forest and how she came to love and respect them. And as she writes of her scientific quest, she writes of her own journey, making us understand how deeply human scientific inquiry exists beyond data and technology, that it is about understanding who we are and our place in the world.