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As one of the formative periods in Canadian history, the late nineteenth century witnessed the birth of a nation, a people, and a literature. In this study of Canada's first 'school' of poets, D.M.R. Bentley combines archival work, including extensive research in periodicals and newspapers, with close readings of the work of Charles G.D. Roberts, Archibald Lampman, Bliss Carman, William Wilfred Campbell, Duncan Campbell Scott, and Frederick George Scott. Bentley chronicles the formation, reception, national and international successes, and eventual disintegration (after the 1895 'War Among the Poets') of the Confederation Group, whose poetry forever changed the perception and direction of Canadian literature. With the aid of biographical, political, and sociological analyses, Bentley's literary history delineates the group's political, aesthetic, and thematic dispositions and characteristics, and contextualizes them not only within Canadian history and politics, but also within contemporary intellectual and literary currents, including Romantic nationalism, 'Canadianism', and poetic formalism. Bentley casts new light on the poets' commonalities - such as their debt to Young Ireland, their commitment to careful workmanship, and their participation in the American mind-cure movement - as well as on their most accomplished and anthologized poems from 1880 to 1897. In the process, he presents a compelling case for the literary and historical importance of these six men and their poems in light of Canada's cultural and political past, and defends their right to be known as Canada's first poetic fraternity at a time when Canada was striving to achieve literary and national distinction. The Confederation Group of Canadian Poets, 1880-1897 is an erudite and innovative work of literary history and critical interpretation that belongs on the bookshelf of every serious scholar of literary studies.
These three works, displaying marked differences in purpose, tone, and effect, are all classics of Canadian literary and cultural criticism. John George Bourinot was a man of letters, an Imperialist, and a biculturalist, who was confident of his knowledge of the Canadian identity and felt it to be his public mission to align reality with his own personal vision. Writing in 1893 to the élite represented by the members of the Royal Society, he described his work as ‘a monograph on the intellectual development of the Dominion,’ describing ‘the progress of culture in a country still struggling with the difficulties of the material development of half a continent.’ Two decades later, Thomas Guthrie Marquis and Camille Roy wrote what were, in contrast, specialized assignments, contributions to the compendium history, Canada and Its Provinces (1913). Addressing a far larger audience, and treating a vastly enlarged body of Canadian literature, their work comes much closer to contemporary scholarship, with greater clarity, organization, and sheer bulk of information, but with the loss of some of the charm and assurance of Bourinot’s wide sweep. In further contrast to Bourinot’s determined biculturalism and will to unity, Roy and Marquis’ essays display vivid differences in the emotional allegiances and convictions of the founding cultures. Marquis starts by asking the question, ‘Has Canada a voice of her own in literature distinct from that of England?’; Roy treats French-Canadian literature in its Roman Catholic contexts.
Bentley includes eighteen long poems by writers with first-hand experience of Canada, including Henry Kelsey, Thomas Cary, John Strachan, Thomas Moore, Oliver Goldsmith, John Richardson, Joseph Howe, William Kirby, Isabella Valancy Crawford, and Archibald Lampman. His commentaries offer a wealth of vital information on each poem, such as its place in the Canadian tradition, its prose sources, incidents and people from whom the poet drew inspiration, and structural and stylistic analysis. Mimic Fires provides a historical overview, a retrospective conclusion, and an extensive bibliography, and is informed throughout by ecopoetic, feminist, new historicist, and post-colonial theories. By improving our understanding of nineteenth-century Canadian writing, Mimic Fires in turn affects how we view writing in Canada in this century.